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020 |a9789004548831|q(hardback)
020 |a9789004549449|q(e-book)
040 |aTTK
041 |aeng
049 |aTTK
090 |aA.IX/7340
100 1 |aMumtaz, Murad Khan,|d1980-
245 10|aFaces of God :|bimages of devotion in Indo-Muslim painting, 1500-1800 /|cby Murad Khan Mumtaz.
260 |aLeiden ;|aBoston :|bBrill,|c[2023]
300 |axxv, [1] sayfa, [1] sayfa harita, 378 sayfa :|bresim (renkli), tıpkıbasım (renkli) ;|c24 cm.
490 1 |aHandbook of Oriental studies. Section two.|aSouth Asia,|x0169-9377 ;|vvolume 39
500 |aİndeks s. [351]-378.
504 |aBibliyografya s. [335]-350.
505 |tIntroduction: The Need for an Ontology of Art --|tViewing the Face of a God's Friend: Conceptual and Literary Premises --|tSufi in the Garb of a Yogi: Visual and Literary Articulations of Sanctity --|tAllegories, Symbols, and the “Marvelous Magic“ of Imperial Mughal Painting --|t“I Saw My Lord in the Form of a Beardless Youth“ --|tThe Face of Shah ... The Face of God --|tSacred Viewing: Miraculous Gatherings and Iconic Portraits.
520 |a“Islamic art is often misrepresented as an iconophobic tradition. As a result of this assumption, the polyvalence of figural artworks made for South Asian Muslim audiences has remained hidden in plain view.
This book situates manuscript illustrations and album paintings within cultures of devotion and ritual shaped by Islamic intellectual and religious histories. Central to this story are the Mughal siblings, Jahanara Begum and Dara Shikoh, and their Sufi guide Mulla Shah.
Through detailed art historical analysis supported by new translations, this study contextualizes artworks made for Indo-Muslim patrons by putting them into direct dialogue with written testimonies“ --|cYayıncı.
650 4|aMinyatür sanatı, İslam|aİslam minyatür resmi|zGüney Asya|xTemalar, motifler.
650 4|aMinyatür, resim|zMoğol İmparatorluğu|xTemalar, motifler.
650 4|aEstetik|xDini yönler|xİslam.
830 0|aHandbook of Oriental Studies.|nSection 2,|pSouth Asia ;|vvolume 39.
830 0|aHandbuch der Orientalistik ;|v39.
830 0|aHdO.|nII ;|vvol. 39.