LEADER 08395naa a2200337 a 4500
001 561809
003 TR_AnAIT
005 20210525105752
006 aoabee |||| 100 0
007 ta
008 190412s2009 hu oabee |||| 100 0 mul c
020 |a9789637061653
041 0 |aeng|atur
049 |aTTK
090 |aA.VII/7717
111 2 |aInternational Congress of Turkish Art (|n13. :|d2007 :|cBudapeşte, Macaristan)
245 10|aThirteenth International Congress of Turkish Art, [3-7 September 2007, Budapest] /|ceditors Géza David and Ibolya Gerelyes.
246 2 |a13th International Congress of Turkish Art, [3-7 September 2007, Budapest]
246 2 |aXIIIth International Congress of Turkish Art, [3-7 September 2007, Budapest].
246 2 |a13th ICTA, [3-7 September 2007, Budapest]
260 |aBudapest :|bHungarian National Museum,|c2009.
300 |a790 s. :|bresim (kimi renkli), minyatür (renkli), çizim, harita, plan, tıpkıbasım, tablo ;|c23 cm.
504 |aBibliyografik bilgi içerir.
505 00|tFloransa Devlet Arşivi’nde Bulunan Anadolu ve Rumeli Kaleleri Çizimleri, 1581 /|rAygül Ağır.|gs. 35-46 --|tThe developmental work carried out by Ottoman governors in Konya after the Tanzimat /|rMustafa S. Akpolat,|gs. 47-56 --|tA comparative reading of the pursuit into the ‘East’ for national expression in Turkish and Hungarian architecture /|rGöksun Akyürek,|gs. 57-70 --|tThe Murad I Bath in Iznik /|rAra Altun, Adrienn Papp,|gs. 71.-81 --|tA Parisian in Istanbul : ambivalent perceptions of Léon Parvillée /|rMiyuki Aoki Girardelli,|gs. 83-94 --|tFragments of a collective memory /|rLale Babaoğlu-Balkis,|gs. 95-101 --|tViews of Egypt and Turkey by the Hungarian artist Lajos (Ludwig) Libay /|rDoris Behrens-Abouseif,|gs. 103-111|tManuscripts attributed to Yāqūt al-Musta‘S̱imī (d. 698/1298) in Ottoman collections : thoughts on the significance of Yāqūt’s legacy in the Ottoman calligraphic tradition /|rNourane Ben Azzouna,|gs. 113-123 --|tEuropean and other influences in the illustration of the British Library’s ‘Şharāf al-Insān’ (‘Şeref ül-İnsân’) of Lāmi‘ī,|gs. 125-134 --|tOttoman woodwork : some little-known Quran boxes from the Türk ve İslam Eserleri Müzesi in Istanbul, 16th-17th Centuries /|rA. Federica Broilo,|gs. 135-143 --|tTürk mimarlığını Avrupa’ya sunmak : Reşit Saffet Atabinen ve “Türk mimarîsinin karakteristikleri” /|rGül Cephanecigil,|gs. 145-155 --|t‘Legitimising’ a young sultan : illustrated copies of Mehdî’s ‘Şehnâme-i Türkî in European collections /|rTülin Değirmenci,|gs. 157-172 --|tGeç dönem Osmanlı seramik sanatında arma ve amblem niteliğinde motifler /|rV. Belgin Demirsar Arlı,|gs. 173-185 --|tA forgotten artist of the republican period : Sami Necmeddin /|rÇiçek Derman,|gs. 187-195 --|tAhmed III : Sultan and affixer of the ‘tuğra’ /|rM. Uğur Derman,|gs. 197-209 --|tKütahya blue-and-white ceramics discovered at Ottoman brăila /|rNiculina Dinu,|gs. 211-216 --|tİzmir agorası kazılarından geç Osmanlı dönemi ve Avrupa seramik buluntuları /r Lale Doğer,|gs. 217-229 --|tOsmanlı döneminde şehir mimarı bulunan bazı Avrupa şehirleri /|rAbdulkadir Dündar,|gs. 231-242 --|tBlack Sea Bosphorus forts /|rKemal Kutgün Eyüpgiller,|gs. 243-252 --|tThe place of Esztergom’s Öziçeli Hacı İbrahim Cami in the Ottoman architecture of Hungary /|rGyőző Gerő,|gs. 253-263 --|tTurkish art in German collections /|rJoachim Gierlichs,|gs. 265-281 --|tEvaluation of ceramic production in Akşehir in the framework of ceramics and kiln materials unearthed during rescue excavations at Akşehir’s Anıt Meydan (‘Monument Square’) /|rSevinç Gök Gürhan,|gs. 283-294 --|tEighteenth-century Ottoman architecture and the problem of scope : a critical view from the Balkan ‘periphery’ /|rMaximilian Hartmuth,|gs. 295-307 --|tTurkish ‘terra sigillat’ vessels from the 16th-17th century and their counterparts in Europe and in the new world /|rGisela Helmecke, Karin Ruehrdanz,|gs. 309-322 --|tFrench tiles produced for the Islamic world at the end of the 19th century /|rFrédéric Hitzel,|gs. 323-332 --|tInscription plates on houses in Gesi, Kayseri /|rVacit İmamoğlu, Mustafa Korumaz,|gs. 333-343 --|tThe Ottoman flags of Santo Stefano in Pisa as tools of medici dynastic propaganda /|rBarbara Karl,|gs. 345-357 --|tThe appearance of the Turkish element in the Arab miniature painting of Iraq in the 13th century : an individual Arab’s view of the Turks /|rKata Keresztély,|gs. 359-373 --|tOttoman military architecture in Hungary /|rGyöngyi Kovács,|gs. 375-392 --|tA group of belt buckles from the Halûk Perk Museum possibly belonging to the Anatolian Seljuks /|rGülgün Köroğlu,|gs. 393-407 --|tThe military police station and Haydarpaşa Port : deconstruction of the orientalist image /|rYonca Kösebay Erkan,|gs. 409-421 --|tAn Ottoman album of drawings including European engravings (TSMK, H.2135),|gs. 423-437 --|tThe heated stamp design technique in Ottoman textile art and its international circulation /|rTûba Kurtuluş,|gs. 439-448 --|tA contribution to Middle East Military architecture : medieval fortifications of South-eastern Turkey (11th-13th Centuries) /|rThomas Lorain,|gs. 449-463 --|tAlbum H.2169 in the Topkapı Palace Museum Library /|rBanu Mahir,|gs. 465-476 --|tTurkic influences through the Indian subcontinent /|rSara Mondini,|gs. 477-489 --|tThe relationship between Mamluk, Ottoman and renaissance bookbindings /|rAlison Ohta,|gs. 491-503 --|tThe uses of Persian on monumental epigraphy in Turkey /|rBernard O’Kane,|gs. 505-517 --|tA ‘Turkish salon’ in the domestic collection of the genoese gentleman and Traveller Enrico A. D’Albertis (1846-1932) /|rLuca Orlandi,|gs. 519-531 --|tThe attitude of Max Herz Pasha and the Comité de Conservation des Monuments de l’Art Arabe towards Ottoman architecture in Egypt at the end of the 19th century /|rIstván Ormos,|gs. 533-544 --|t‘Maqam’ tombs and the tomb of Süleyman the Magnificent in Szigetvár /|rHakkı Önkal,|gs. 545-553 --|tThe influence of Turkish art and architecture on the works of foreign architects in early Republican Turkey /|rMehmet Kerem Özel,|gs. 555-566 --|tArt deco architecture in Istanbul /|rBurcu Özgüven,|gs. 567-582 --|tThe domed Ottoman space of Mimar Sinan /|rNicola Parisi,|gs. 583-592 --|tLittle-known Ottoman-period cotton and linen textiles in Oxford’s Ashmolean Museum /|rAmanda Phillips,|gs. 593-607 --|tFrom poetry to painting : Ottoman impressionists /|rPelin Şahin Tekinalp,|gs. 609-623 --|tRisen from the grave? : a group of Ottoman Turkish textiles of the late 16th/early 17th century in the National Museums of Scotland, Edinburgh /|rJennifer M. Scarce,|gs. 625-635 --|tOsmanlı Macaristan’ında camiler ve mescitler /|rBalázs Sudár,|gs. 637-650 --|tAn illustrated ‘Iskendername’ of Ahmedi at the Hungarian Academy of Sciences /|rIván SZÁNTÓ,|gs. 651-666 --|tThe evolution of the eave in Turkish architecture and its re-interpretation in the 20th century /|rKayahan Türkantoz,|gs. 667-676 --|tOttoman life as ‘other’ in Russian travel notes and Russian painting from the 18th century /|rGönül Uzelli, Emine İnanır,|gs. 677-683 --|tHungarian craftsmen in the workshops of the Seraglio during the first half of the 16th century /|rBahattin Yaman,|gs. 685-697 --|tAtatürk’s influence on the initiation of modernism in early Republican architecture in Turkey /|rYıldırım Yavuz,|gs. 699-711 --|tMunicipal buildings from Tanzimat to republic : Bursa province /|rNurcan Yazıcı, Şennur Kaya,|gs. 713-727 --|tHollanda duvar çinilerinin Topkapı Sarayı'ndaki kullanımı /|rGülgün Yılmaz,|gs. 729-745 --|tSeljuk carpets and Julius Harry Löytved-Hardegg : a German consul in Konya in the early 20th century /|rAyşin Yoltar-Yıldırım,|gs. 747-757 --|tOttoman painting, Venetian audience, divergent content : the source of a picture in the Taeschner album /|rZeynep Yürekli-Görkay,|gs. 759-771.
546 |aEser İngilizce ve Türkçe bildirilerden oluşmaktadır.
650 |aTürk sanatı _ Kongreler.
650 |aİslam sanatı _ Kongreler.
700 1 |aDavid, Géza,|eeditör.
700 1 |aGerelyes, Ibolya,|eeditör.
711 2 |aICTA (|n13. :|d2007 :|cBudapeşte, Macaristan)