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007 ta
008 190314s2018 tu oacbe |||| 100 0 eng c
020 |a9789751741141
040 |aTTK
041 |aeng
049 |aTTK
090 |aB.I/8389
111 2 |aInternational Congress of Turkish Art|n(15. :|d2015 :|cVenice, İtalya)
245 10|a15th International Congress of Turkish Art, [16-18 September 2015, Venice] /|ceditors Michele Bernardini, Alessandro Taddei with the collaboration of Michael Douglas Sheridan.
260 |aAnkara :|bMinistry of Culture and Tourism,|c2018.
300 |a751 sayfa :|bresim (kimi renkli), çizim, portre, harita (kimi renkli), plan, tıpkıbasım, tablo, nota ;|c30 cm.
490 0 |aMinistry of Culture and Tourism ;|v3620
504 |aBibliyografik bilgi içerir.
505 00|tMaterials of European origin in Ottoman architectural decoration : the Italian tiles of Topkapi Palace /|rHatice Adıgüzel,|gs. [21]-34 --|tKazasker Mustafa İzzet and Giuseppe Donizetti within the art scene in the nineteenth century : from manuscripts to scores, from Istanbul to Naples /|rAyşe Aldemir-Kilercik,|gs. [35]-46 --|tTracing Kadirga Palace : material and archival evidence /|rE. Füsun Alioğlu, Yonca Kösebay Erkan,|gs. [47]-63 --|tItalian sculptors and funerary statues in nineteenth-century Istanbul /|rSelda Alp,|gs. [65]-75 --|tErnst Egli’s years in Turkey Ottoman architecture and the encounter with Turkish houses, designs, and structures for Ankara : memoirs from “The East” /|rLeyla Alpagut,|gs. [77]-88 --|tOttoman use of existing public buildings in former Byzantine towns : Greece as a case study /|rAhmed Ameen,|gs. [89]-107 --|tThe transfer of Turkish Bektashi Tekkes to Alevi cemevis /|rAngela Andersen,|gs. [109]-121 --|tA note on the “orientalist” taste in the Late-Ottoman court : Japanese and Japonisme objects in the collection of Millî Saraylar /|rMiyuki Aoki Girardelli,|gs. [123]-132 --|tKütahya pottery found at the princely court of Suceava /|rParaschiva-Victoria Batariuc, Niculina Dinu,|gs. [133]-136 --|tUşak carpets belonging to Old Mosque (Eski Camii) in Edirne and the sultanic decree for their purchase /|rSuzan Bayraktaroğlu,|gs. [137]-146 --|tThe artistic reflections of Ottoman-German relations : Fausto Zonaro’s drawing and paintings of Kaiser Wilhelm II /|rFunda Berksoy,|g[147]-161 --|tItalian-Turkish interactions in minör Ottoman art : the archaeological collections of Eastern Europe /|rSvitlana Biliaieva,|gs. [163]-172 --|tCaravaggio : an admirer of Ottoman arms and armour? /|rFiliz Çakır Phillip,|gs. [173]-183 --|tSurviving Ottoman architectural structures in Serbia’s Niš fortress /|rGülçin Erol Canca,|gs. [185]-195 --|tA binding for Philip II of Spain and its Ottoman inspiration /|rNuria de Castilla,|gs. [197]-205 --|tThe multicultural identity of architecture in Thessaloniki under the Tanzimat : religious buildings in light of the Turkish Prime Minister’s Office Archives /|rVassilis Colonas,|gs. [207]-219 --|tTracking down jewelry craftsmanship in Istanbul in historical sources /|rAyşe Coşkun Orlandi, Yonca Kösebay Erkan,|gs. [221]-231 --|tExpounding on the “figure” feature in Ottoman tiles and ceramics through the figural findings in Iznik tile kiln excavations /|rBelgin Demirsar Arlı,|gs. [233]-245 --|tArchitectural reflections of horse culture in Turkey : the imperial stables (İstabl-ı Âmire) /|rMesut Dündar,|gs. [247]-261 -- Ṭāzya : a fourteenth century rural complex and its chronology /|rMaxime Durocher,|gs. [263]-277 --|tThe image of the Turks in the Neapolitan crèche between the eighteenth and nineteenth century : the case of the marching bands /|rLorenzo Ebanista,|gs. [279]-293 --|tIncomplete yet intriguing : Nev’īzāde Atāyī’s illustrated Khamsa at the Free Library of Philadelphia /|rAslıhan Erkmen,|gs. [295]-310 --|tSixteenth-nineteenth century Italian ceramics from the Agora of Smyrna /|rSevinç Gök,|gs. [311]-321 --|tDepicting the Islamic holy sites : Mecca, Medina, and Jerusalem in late Ottoman illustrated prayer books /|rSabiha Göloğlu,|gs. [323]-338 --|tMapping Ottoman flags in the Marches region /|rMattia Guidetti,|gs. [339]-353 --|tA Turkish female artist leaving her trace through the twentieth century : Sabiha Rüştü Bozcalı (1903-1998) /|rAyşenur Güler,|gs. [355]-363 --|tOttoman vernacular architecture in the town of Kastoria (Kesriye), Greece /|rVelika Ivkovska,|gs. [365]-381 --|tAn overview on mosque architecture of the Golden Horde period in Crimea /|rNicole Kançal-Ferrari,|gs. [383]-400 --|tA new perspective towards nineteenth century Ottoman provincial mosques /|rCeren Katipoğlu Özmen,|gs. [401]-410 --|tThe first of porcelain factory of the Ottoman Empire : the Beykoz Porcelain Factory /|rŞennur Kaya,|gs. [411]-426 --|tIn pursuit of meritorious treasures : a late Ottoman collector and painter, Hüseyin Zekâi Paşa /|rAylin Kılıç,|gs. [427]-434 --|tMusical, cosmic, and geometric metaphors in the Risale-i Mimariyye of Cafer Efendi /|rİlknur Aktuğ Kolay,|gs. [435]-440 --|tLuigi Piccinato in Turkey /|rPelin Kotas,|gs. [441]-448 --|tOttoman tower houses (beg towers) in the Republic of North Macedonia /|rAli Nihat Kundak,|gs. [449]-459 --|tThe ‘Masters of Tabriz’, workshops and technical development in early Ottoman tile decoration /|rMartina Landin, Felicity Ratté,|gs. [461]-472 --|tThoughts on Ottoman mosques with a front mihrab cell /|rHakkı Önkal,|gs. [473]-481 --|tThe Nā’ūra/Waterwheel : a device, monument, image and phenomenon from the Middle Ages to the twentieth century /|rEnder Özbay,|gs. [483]-498 --|tA change in meaning : theatre buildings in the urban landscape of Istanbul over the last 50 years /|rMehmet Kerem Özel,|gs. [499]-512 --|tTwo lost churches, two lost mosques : the conversion of the last Latin churches in Chios in 1695 /|rMuzaffer Özgüleş,|gs. [513]-525 --|tItaly as seen through Ottoman wall paintings /|rPelin Şahin Tekinalp,|gs. [527]-535 --|tClocks and baksheesh art presents between foreign princes and the Ottoman court, 15th – 17th centuries /|rAlain Servantie,|gs. [537]-551 --|tConflictual allegories : the image of the Turks as the enemy in Italian Renaissance art /|rFrancesco Sorce,|gs. [553]-567 --|tCartography of the missing fortresses in Dobrogea : a case study of the Turkish fortifications /|rAurel-Daniel Stӑnicӑ,|gs. [569]-585 --|tReading tomb structures as funerary art : the Latin Catholic Cemetery in Feriköy, Istanbul /|rSelva Suman,|gs. [587]-599 --|tThe cloud collar as a common trend in Turkic rulers’ palaces in the late medieval Islamic world /|rHülya Tezcan,|gs. [601]-614 --|tThe citadel of Şanlıurfa and the evolution of Muslim military architecture /|rCristina Tonghini,|gs. [615]-628 --|tQueen Marie’s Balchik Palace : an example of eclecticism at the beginning of the twentieth century /|rElvan Topallı,|gs. [629]-642 --|tThe use of water in Sohbet spaces in Turkish architecture from past to present /|rKayahan Türkantoz,|gs. [643]-653 --|tDecoration for the empire : the art of the painter-decorator Bedros Sirabyan, 1833-1898 /|rBüke Uras,|gs. [655]-666 --|tMimar Mukbil Kemal’s call for the protection of Islamic art /|rNicola Verderame,|gs. [667]-676 --|tItalian and Ottoman textiles in Greek sacristies : parallels and fusions /|rNikolaos Vryzidis, Elena Papastavrou,|gs. [677]-687 --|tThe transformation of Ottoman book illustrations in printed Works : the case of the Kitab-ı Muhammediyye /|rBahattin Yaman,|gs. [689]-695 --|tContacts of Italo-Levantine Giulio Mongeri and Mustafa Kemal Atatürk at the beginning of the modernist period in Turkish architecture /|rYıldırım Yavuz,|gs. [697]-714 --|tA manuscript binding in the collection of TRNC Kyrenia National Archive, attributable to Çākerī, an eighteenth century illuminator and lacquer master /|rNetice Yıldız, Banu Mahir,|gs. [715]-727 --|tChina-Holland-Kütahya interactions on the 18th century wall tiles /|rGülgün Yılmaz,|gs. [729]-736 --|tA lesser-known illustrated manuscript of the Ottoman court historian ‘Ārif : the Rawża al-‘Uššāq (The Garden of Lovers) of the Harvard Art Museums /|rAyşin Yoltar-Yıldırım,|gs. [737]-748.
546 |aBildiriler Türkçe özet içerir.
650 4|aTürk sanatı|vKongreler.
650 4|aİslam sanatı|vKongreler.
700 1 |aBernardini, Michele,|eeditör.
700 1 |aTaddei, Alessandro,|eeditör.
700 1 |aSheridan, Michael Douglas,|eiş birliği.