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003 TR_AnAIT
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007 ta
008 200901s2020 sw oe||e |||| 000 0 eng c
020 |a9789170421860
040 |aTTK
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
090 |aB.I/8849
245 00|aReading Roman emotions :|bvisual and textual interpretations /|cedited by Hedvig von Ehrenheim & Marina Prusac-Lindhagen.
260 |aStockholm :|bSvenska Institutet i Rom,|c2020.
300 |a199 sayfa :|bresim (çoğu renkli), plan ;|c28 cm.
490 1 |aSkrifter utgivna av Svenska Institutet i Athen =|aActa Instituti Atheniensis Regni Sueciae ;|v4⁰, 64
504 |aBibliyografya makale sonlarındadır.
505 00|tRecovering emotion from visual culture /|rSusan Matt --|t“artifices scaenici, qui imitantur adfectus“ : displaying emotions in Roman drama and oratory /|rGesine Manuwald --|tEmotions in a liminal space : a look at Etruscan tomb paintings /|rJ. Rasmus Brandt --|tHumour in Roman villa sculpture : laughter for social cohesion /|rHedvig von Ehrenheim --|tLaughter in Roman visual culture, 100 BC-AD 200 : contexts and theories /|rJohn R. Clarke --|tReading emotions in Pompeian wall paintings and mosaics /|rArja Karivieri --|tBlindness and insight : emotions of erotic love in Roman poetry /|rThea Selliaas Thorsen --|tBreaking Fury's chains : the representation of anger in the Sala di Giovanni dalle Bande Nere in the Palazzo Vecchio in Florence /|rKristine Kolrud --|t... and left his parents in mourning ... : grief and commemoration of children on Roman memorials /|rLena Larsson Lovén --|tTrajan's tears : reading virtue through emotions /|rJohan Vekselius --|tThrough the looking glass : collective emotions and psychoiconography in Roman portrait studies /|rMarina Prusac-Lindhagen --|tEpilogue : final considerations and questions regarding visual and textual emotions /|rJan N. Bremmer.
650 4|aDuygular|zRoma|yAntik Çağ.
650 4|aDuygular|zSanatta|yAntik Çağ.
700 1 |aEhrenheim, Hedvig von,|d1970-|eeditör.
700 1 |aPrusac-Lindhagen, Marina,|eeditör.
830 0|aSkrifter utgivna av Svenska Institutet i Athen ;|vseries in 4⁰, 64.
830 0|aActa Instituti Atheniensis Regni Sueciae ;|vseries in 4⁰, 64.