LEADER 03234na 2200349 4500
001 597805
003 TR_AnAIT
005 20210730153537
020 |a9780772721839|q(paperback)
020 |a9780772721846|q(pdf)
040 |aTTK
041 |aeng
049 |aTTK
090 |aA.IX/2291
100 1 |aDebby, Nirit Ben-Aryeh.
245 10|aCrusade propaganda in word and image in early modern Italy :|bNiccolò Guidalottos' panorama of Constantinople (1662) /|cNirit Ben-Aryeh Debby.
260 |aToronto :|bCentre for Reformation and Renaissance Studies,|c2016.
490 1 |aEssays and studies ;|v38
500 |aİndeks s. 155-163.
504 |aBibliyografya s. 141-154.
520 |a“The focus of the book is a vast (6.5 meters x 3.5 meters) and recently revealed 17th century panorama of Constantinople that is an exceptional drawing of the city. The Panorama is an elaborate piece of anti-Ottoman propaganda designed by the Franciscan friar Niccolò Guidalotto da Mondavio. It was first found in the Chigi archive in Rome and is currently displayed in the Tel Aviv Museum of Art. Guidalotto also prepared a large manuscript, held in the Vatican Library, which details the Panorama's meaning and the motivation behind its creation. It depicts Istanbul as seen from across the Golden Horn in Galata, throwing new light on both the city and the relationships between the rival Venetian Republic and the Ottoman Empire. It also trumpets the unalloyed Christian zeal of Niccolò Guidalotto and serves as a fascinating example of visual crusade propaganda against the Ottomans in the 17th century. The current book examines the artistic features and the historical significance of this unique panorama. It reveals new information about its creator and contributes to the current scholarly discussion on crusade propaganda in art and literature from the 17th century. The Panorama is a source of cultural clash, a confrontation point between east and west, and it is a virtually unknown and unexplored sample of visual propaganda that was only recently discovered. The fact that the Panorama tells us that the Venetians were still calling for a Crusade at this late date is of prime historical importance in the study of European attitudes in the mid-seventeenth century. The Panorama's artistic features are a central focus of this book, which joins art history and history, viewing the Panorama as an interdisciplinary creation that incorporates a unique visual language worthy of the attention of art historians. The book joins word and image, i.e., it explains the meaning and significance of the complex visual imagery of the Panorama via the accompanying manuscript.“--|cProvided by publisher.
600 14|aGuidalotto, Niccolò|xPanorama.
650 4|aPropaganda, İtalyan|xTarih|y17. yüzyıl.
650 4|aPropaganda, sanatta.
650 4|aPropaganda, edebiyatta.
650 4|aHaçlı seferleri|xSanat.
651 4|aİstanbul (Türkiye)|xSanat.
651 4|aİtalya|xDış ilişkiler|zTürkiye.
651 4|aTürkiye|xDış ilişkiler|zİtalya.
651 4|aVenedik (İtalya)|xTarih|y1508-1797.
651 4|aTürkiye|xTarih|zOsmanlı İmparatorluğu, 1288-1918.