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008 220111s2000 tu obdge ||||o000 0 eng c
040 |aTTK
041 |aeng
049 |aTTK
090 |aA.IX/3185
111 2 |aInternational Council for Traditional Music Study Group on Ethnochoreology|n(20. :|d1998 :|cİstanbul, Turkey)
245 10|a20ᵗʰ Symposium proceedings, August 19-26, 1998, Istanbul, Turkey :|btraditional dance and its historical sources : creative processes in dance : improvision and composition /|ceditors Frank Hall, Irene Loutzaki.
260 |aİstanbul :|bBoğaziçi University,|c2000.
300 |axi, 344 sayfa :|bresim, harita, şema, tablo, nota ;|c23 cm
500 |a“ISSN 1302-702-6.“
504 |aBibliyografya bildiri sonlarındadır.
505 |tThe Polka before and after the Polka /|rEgil Bakka --|tBetween pictures, words and memory : Constructing past dances /|rTheresa J. Buckland --|tTraditional dances and their historical sources in Poland /|rGraźyna W. Dąbrowska --|tAlevi semahs in historical perspective /|rFahriye Dinçer --|tIrish traditional step-dance in historical perspective : Tradition, identity and popular culture. /|rCatherine Foley --|tPresent texts, past voices : The formation of contemporary representations of West African dances /|rGeorgiana Gore --|tHistorical-typological approach to the study of traditional dance culture /|rAnna Ilieva --|tMoments in the history of Tongan dances from Captain Cook to the 80th Birthday of King Tāufa’Āhau Tupou IV /|rAdrienne L. Kaeppler --|tContemporary dance history of Afghanistan : the interplay of traditions, religion and politics /|rBruce Koepke --|tUnderstanding synchrony through diachrony /|rMaria Koutsouba --|tBetween myth and history : Recostructing traditional dances in Southeast Asia /|rMohd Anis Md Nor --|tOnce again :On the concept of “Second Existence Folk Dance“ /|rAndriy Nahachewsky --|tDances of yesterday-dancing today. The example of Swedish Polska /|rMats Nilsson --|tCultivating memory in Catalan Calendar Custom /|rDorothy Noyes --|tHistorical and typological aspect in the study of the Horo Dance in Northwestern Bulgaria /|rAnna Shturbanova --|tTraditional dance in Renaissance and Baroque Italy (1455-1630) /|rBarbara Sparti --|tTraditional Czech dancing in historical perspective /|rDaniela Stavelová --|tKorean dance terminology : Politics and words --|rJudy Van Zile --|tAlbanian folk dancing : Improvisation and individuality /|rRamazan H. Bogdani, Persida Alla --|tL’improvisation dans le Complexe Syncretique ‘Danse Traditionnelle’ /|rZamfir Dejeu --|tDancing in the crossroads by the Skopje Roma during St. George’s Day /|rElsie Ivancich Dunin --|tAn intimate look at improvisation /|rHelene E. Eriksen --|tInterpreting a Dancer’s Discourse on improvisation /|rAnca Giurchescu --|tDance improvisation in Eratira, Northern Greece /|rChristine Glauser --|tCreativity in Irish step-dancing : Rewards and dangers /|rFrank Hall --|tThe Armenian sources of treatment by dance /|rZhenja Khachatryan --|tClap dances : The Stage Version /|rNaira Kilichyan --|tThe Kinesthetic Understanding as a methodological category in the reconstruction ıf traditional dance /|rDariusz Kubinowski --|rImprovisation and composition in Old Couple Dance from Norway /|rKari Margrete Okstad --|tDifferences of creative processes in local communities on stage with the example of Aegean Region Zeybek Dances /|rMehmet Öcal Özbilgin --|tTango : Improvisation in a couple dance /|rJürgen Torp --|tReport on current activities of the Institute of Ethnology and Folklore Research and Sword Dance Research in Croatia /|rIva Niemčić.
650 4|aHalk oyunları|vKongreler.
650 4|aDans|xSosyal yönleri|vKongreler.
650 4|aDans|xAntropolojik yönler|vKongreler.
700 1 |aHall, Frank,|eeditör.
700 1 |aLoutzaki, Irene,|eeditör.