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008 220414s2022 ne oabde |||| 001 0 eng c
020 |a9789004277472|q(hardback)
020 |a9789004432895|q(ebook)
040 |aTTK
041 |aeng|hper
049 |aTürk Tarih Kurumu Kütüphanesi
090 |aA.IX/3613
100 1 |aQilīčḫānī, Ḥamīd Riḍā,|d1968-
245 12|aA handbook of Persian calligraphy and related arts /|cby Hamid Reza Ghelichkhani ; translated by Rebecca Stengel ; edited, revised and extended by Shervin Farridnejad.
260 |aLeiden ;|aBoston :|bBrill,|c2022.
300 |axxvii, 396 sayfa :|bresim (renkli), çizim, harita, şema, tıpkıbasım, tablo ;|c24 cm.
490 1 |aHandbook of Oriental Studies. Section one.|aThe Near and Middle East,|x0169-9423 ;|vvolume 109
500 |aİndeks s. [367]-396.
504 |aBibliyografya s. [345]-366.
520 |a“Persian Calligraphy and related traditional arts of books make up the most important forms of Iranian-Islamic art, which are still living practiced traditions up to today. This volume puts together a first-of-a-kind handbook and contains the most important termini technici as well as expressions and techniques connected to the traditional art of Persian calligraphy (mostly Nasta'līq), calligraphy tools such as the reed pen, paper and ink as well as some related fields, like taz̲hīb (illumination), taš'īr (historiated painting), book binding, etc. The content is based on thirty prominent classical Persian treatises, composed between twelfth and twentieth centuries. All terms and expressions are followed by an English description and often accompanied by an illustration. These expressions, which are key to understanding old calligraphic treatises and many relevant sources on Islamic art, are meant to familiarise the reader with both common and forgotten techniques and terminology of calligraphic traditions. The volume addresses not only the artists and scholars of Iranian and Islamic art history, but also those, who have dealt with Islamic and Iranian manuscripts, manuscript cultures, codicology and palaeography. Both the author and the editor of this volume are trained practicing calligraphers and illuminators, who learned the art of calligraphy and illumination through long, traditional study under masters of this art.“ --|cYayıncı.
650 4|aKaligrafi, Farsça|vSözlükler.
650 4|aİslami hat, Farsça|vSözlükler.
700 1 |aStengel, Rebecca,|eçeviren.
700 1 |aFarridnejad, Shervin,|eeditör.
830 0|aHandbook of Oriental Studies,|nSection 1.|pThe Near and Middle East ;|vvolume 109.
830 0|aHandbuch der Orientalistik ;|v109.
830 0|aHdO,|nI ;|vvol. 109.