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007 ta
008 220617s2018 xxuob||e ||||o001 0 eng c
020 |a9780253032454|q(hardback : alk. paper)
020 |a9780253032478|q(pbk. : alk. paper)
020 |a9780253032461|q(ebook)
040 |aTTK
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
090 |aA.IX/3874
100 1 |aEdmondson, Laura,|d1970-
245 10|aPerforming trauma in Central Africa :|bshadows of empire /|cLaura Edmondson.
260 |aBloomington, Indiana :|bIndiana University Press,|c2018.
300 |axv, [1] sayfa harita, 348 sayfa :|bresim, harita ;|c23 cm.
490 0 |aAfrican expressive cultures
500 |aİndeks s. 339-348.
504 |aBibliyografya s. 309-338.
505 |tCompetitive memory in the Great Lakes: touring genocide --|tMarketing trauma and the theatre of war in northern Uganda --|tTrauma, Inc. in postgenocide Rwanda --|tRepetition, rupture, and ruined: narratives from the Congo --|tGifted by trauma: the branding of postconflict northern Uganda --|tConfessions of a failed theatre activist --|tAfterword: Faustin Linyekula and the labors of hope.
520 |a“What are the stakes of cultural production in a time of war? How is artistic expression prone to manipulation by the state and international humanitarian organizations? In the charged political terrain of post-genocide Rwanda, post-civil war Uganda, and recent violence in the Democratic Republic of Congo, Laura Edmondson explores performance through the lens of empire. Instead of celebrating theatre productions as expression of cultural agency and resilience, Edmondson traces their humanitarian imperatives to a place where global narratives of violence take precedence over local traditions and audiences. Working at the intersection of performance and trauma, Edmondson reveals how artists and cultural workers manipulate narratives in the shadow of empire and how empire, in turn, infiltrates creative capacities“ -- Yayıncı.
650 4|aSavaş ve tiyatro|zBüyük Galler Bölgesi (Afrika)
650 4|aGösteri sanatları|xSosyal yönler|zBüyük Galler Bölgesi (Afrika)
650 4|aZulümler|xSosyal yönler|zBüyük Galler Bölgesi (Afrika)
650 4|aSoykırım|zRuanda.
651 4|aUganda|xSavaş tiyatrosu.