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003 TR_AnAIT
005 20250627101836
006 aoae|e |||| 001 0d
007 ta
008 240125s2014 enkoae|e |||| 001 0deng c
020 |a9781107002357|q(Hardback)
020 |a9781107651258|q(Paperback)
040 |aTTK
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
090 |aA.IX/7231
100 1 |aSenseney, John R.
245 14|aThe art of building in the classical world :|bvision, craftsmanship, and linear perspective in Greek and Roman architecture /|cJohn R. Senseney.
250 |aFirst paperback edition.
260 |aCambridge, UK ;|aNew York :|bCambridge University Press,|c2014.
300 |axv, 245 sayfa :|bresim, çizim, şekil, plan ;|c25 cm
500 |aİndeks s. 241-245.
504 |aBibliyografya s. 227-240.
504 |aBibliyografik notlar s. 195-225.
505 |tIntroduction : challenges of analysis and interpretation --|tThe ideas of architecture --|tVision and spatial representation --|tThe genesis of scale drawing and linear perspective --|tArchitectural vision --|tExcursus : envisioning cosmic mechanism in Plato and Vitruvius --|gAppendix A.|tAnalysis of the dimensions of the blueprint for entasis at Didyma --|gAppendix B.|tAnalysis of the hypothetical working drawing for platform curvature at Segesta --|gAppendix C.|tAnalysis of the hypothetical working drawing for platform curvature in the Parthenon.
520 |a“This book examines the application of drawing in the design process of classical architecture, exploring how the tools and techniques of drawing developed for architecture subsequently shaped theories of vision and representations of the universe in science and philosophy. Building on recent scholarship that examines and reconstructs the design process of classical architecture, John R. Senseney focuses on technical drawing in the building trade as a model for the expression of visual order, showing that the techniques of ancient Greek drawing actively determined concepts about the world. He argues that the uniquely Greek innovations of graphic construction determined principles that shaped the massing, special qualities, and refinements of buildings and the manner in which order itself was envisioned.” --|cArka kapak.
610 24|aSegesta Tapınağı (İtalya)|xPlatform eğriliği.
650 4|aMimari tasarım.
650 4|aMimari çizim.
650 4|aMimarlık, klasik.
651 4|aDidym (Türkiye)|xEntasis.
651 4|aParthenon (Yunanistan)|xPlatform eğriliği.