LEADER 02576naaaa2200337aa54500
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003 TR_AnAIT
005 20250627100609
006 a||||e |||| 001 0d
007 ta
008 240202s2021 stk||||e |||| 001 0deng c
020 |a9781474475006|q(hardback)
020 |a9781474475037|q(webready PDF)
020 |a9781474475020|q(epub)
040 |aTTK
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
090 |aA.IX/7276
100 1 |aRenard, John,|d1944-
245 10|aRumi :|ba life in pictures /|cJohn Renard.
260 |aEdinburgh :|bEdinburgh University Press,|c©2021.
300 |axi, 276 sayfa :|bminyatür (renkli) ;|c25 cm.
490 0 |aEdinburgh studies in Islamic art
500 |aİndeks s. [262]-276.
504 |aBibliyografya s. [246]-261.
505 |tList of figures --|tAbbreviations in notes --|tSeries editor’s foreword --|tPreface --|gPart I.|tHistory and context.|tRumi, sufism, and the Sultans in the Medieval ‘Lands of Rum’ --|tIslamic hagiography : literary and visual --|tVisualised hagiography : manuscript and method --|gPart II.|tText and image.|tA virtuous community --|tIn a muslim society --|tUnder divine providence --|tConclusion : little images in the big Picture --|tEpilogue : meanwhile, over in Agra… --|tBibliography --|tIndex.
520 |a“Picturing the life story of Jalal ad-Din Rumi, a premier Muslim mystic and the original Whirling Dervish, the images in three extant manuscripts of Aflaki's 'Wondrous Feats of the Knowers of God' provide a unique way to interpret the text. Part One: History and Context provides the medieval Anatolian historical setting; the broad contours of literary and artistic works of Islamic Hagiography; and the specific details of the three manuscripts to be explored. Part Two: Text and Image proposes a method for interpreting a hybrid literary-visual document as a grand narrative of the Family Rumi at the inspirational and ethical core of a virtuous community flourishing within a complex Muslim society under divine providence. The images in the three manuscripts were produced by studios of painters under the patronage of major late 16th-century Ottoman sultans. The result of their efforts is a kind of “visualised hagiography“ uniquely capable of suggesting distinctive and often surprising twists on the narratives, enhancing the text with images of striking beauty and rich detail.” --|cYayıncı.
600 04|aMevlânâ Celaleddin Rumi, 1207-1273.
600 04|aAhmed Eflâkî, ?-1360.
650 4|aİslam sanatı.