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008 150520s2015 ne a sb 001 0 eng d
010 |a2015020185
020 |a9789004300019|q(electronic book)
020 |z9789004292208|q(print)
024 7 |a10.1163/9789004300019|2DOI
035 |a(OCoLC)910293885
040 |aNL-LeKB|cNL-LeKB|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aBH221.B99|bB99 2015
072 7|aHIS000000|2bisacsh
082 04|a700.1/08|223
090 |aDK/0806
245 00|aByzantium/modernism :|bthe Byzantine as method in modernity /|cEdited by Roland Betancourt, Maria Taroutina.
264 1|aLeiden :|bBrill,|c[2015]
300 |a1 online resource (xxiv, 369 pages) :|billustrations (some color)
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aVisualising the Middle Ages ;|vv. 12
504 |aIncludes bibliographical references (p. 361-366) and index.
505 00|tPreliminary Material --|tIntroduction: Byzantium and Modernism /|rMaria Taroutina --|t1 Modernism’s Byzantium Byzantium’s Modernism /|rRobert S. Nelson --|t2 Kazimir Malevich and the Liturgical Tradition of Eastern ­Christianity /|rMyroslava M. Mudrak --|t3 Arts and Crafts and the ‘Byzantine’: The Greek Connection /|rDimitra Kotoula --|t4 Archaeology of Decadence: Uncovering Byzantium in Victorien Sardou’s Theodora /|rElena N. Boeck --|t5 Abstraction’s Economy: Hagia Sophia in the Imaginary of Modern Architecture /|rTulay Atak --|t6 Byzantine Architecture: A Moving Target? /|rRobert Ousterhout --|tIntroduction: The Slash as Method /|rRoland Betancourt --|t7 Byzantium and the Modernist Subject: The Case of Autobiographical Literature /|rStratis Papaioannou --|t8 One Fish Two Fish Red Fish Blue Fish: Byzantine Visual Structures in the Light of Twentieth-Century Practice and Theory /|rAnthony Cutler --|t9 Iconicity of the Photographic Image: Theodore of Stoudios and André Bazin /|rDevin Singh --|t10 Tarkovsky: Embodying the Screen /|rMarie-José Mondzain --|t11 ‘Action-Paradise’ and ‘Readymade Reliquaries’: Eccentric Histories in/of Recent Russian Art /|rJane A. Sharp --|t12 Lacan and Byzantine Art: In the Beginning was the Image /|rRico Franses --|t13 Beyond Representation/The Gift of Sight /|rCharles Barber --|t14 We Have Never been Byzantine: On Analogy /|rGlenn Peers --|tSelect Bibliography /|rRoland Betancourt and Maria Taroutina --|tIndex /|rRoland Betancourt and Maria Taroutina.
506 |aAvailable to subscribing member institutions only.
520 |aByzantium/Modernism features contributions by fourteen international scholars and brings together a diverse range of interdisciplinary essays on art, architecture, theatre, film, literature, and philosophy, which examine how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture. Particular attention is given to intercultural dialogues between the former dominions of the Byzantine Empire, with a special focus on Greece, Turkey, and Russia, and the artistic production of Western Europe and America. Together, these essays invite the reader to think critically and theoretically about the dialogic interchange between Byzantium and modernism and to consider this cross-temporal encounter as an ongoing and historically deep narrative, rather than an ephemeral or localized trend. Contributors are Tulay Atak, Charles Barber, Elena Boeck, Anthony Cutler, Rico Franses, Dimitra Kotoula, Marie-José Mondzain, Myroslava M. Mudrak, Robert S. Nelson, Robert Ousterhout, Stratis Papaioannou, Glenn Peers, Jane A. Sharp and Devin Singh.
650 0|aAesthetics, Byzantine.
650 0|aModernism (Aesthetics)
650 7|aAesthetics, Byzantine.|2fast
650 7|aModernism (Aesthetics)|2fast
700 1 |aBetancourt, Roland.
700 1 |aTaroutina, Maria.
776 08|iPrint version:|tByzantium/Modernism: The Byzantine as Method in Modernity|dLeiden, Boston : BRILL, 2015,|z9789004292208
830 0|aVisualising the Middle Ages|v12.
830 0|aEuropean History and Culture E-Books Online, Collection 2015-I, ISBN: 9789004287419.
856 4 |zDOI:|uhttp://dx.doi.org/10.1163/9789004300019