LEADER 06097nam 2200505 i 4500
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003 TR_AnAIT
005 20250627093152
006 m d
007 cr un uuuua
008 120110s2012 mau sb 001 0 eng d
010 |a2012001118
020 |a9789004228320|q(electronic book)
020 |z9789004185555|q(print)
024 7 |a10.1163/9789004228320|2DOI
040 |aNL-LeKB|cNL-LeKB|erda
041 |aeng
043 |ae------
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aN5970|b.R25 2012
072 7|aHIS|x037010|2bisacsh
082 04|a704/.0420902|223
090 |aDK/0807
245 00|aReassessing the roles of women as 'makers' of medieval art and architecture /|cedited by Therese Martin.
264 1|aBoston :|bBrill,|c2012.
300 |a1 online resource (2 volumes) :|billustrations.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aVisualising the Middle Ages ;|vv. 7
504 |aIncludes bibliographical references and index.
505 00|tPreliminary Material --|t1 Exceptions and Assumptions: Women in Medieval Art History /|rTherese Martin --|t2 The Non-Gendered Appeal of Vierge Ouvrante Sculpture: Audience, Patronage, and Purpose in Medieval Iberia /|rMelissa R. Katz --|t3 Mere Embroiderers? Women and Art in Early Medieval Ireland /|rJenifer Ní Ghrádaigh --|t4 Erasures and Recoveries of Women’s Contributions to Gothic Architecture: The Case of Saint-Quentin, Local Nobility, and Eleanor of Vermandois /|rEllen M. Shortell --|t5 The Roles of Women in Late Medieval Civic Pageantry in England /|rNicola Coldstream --|t6 The Patronage Question under Review: Queen Blanche of Castile (1188–1252) and the Architecture of the Cistercian Abbeys at Royaumont, Maubuisson, and Le Lys /|rAlexandra Gajewski --|t7 Female Piety and the Building and Decorating of Churches, circa 500–1150 /|rJane Tibbetts Schulenburg --|t8 ‘Planters of great civilitie’: Female Patrons of the Arts in Late Medieval Ireland /|rRachel Moss --|t9 Reception, Gender, and Memory: Elisenda de Montcada and Her Dual-Effigy Tomb at Santa Maria de Pedralbes /|rEileen McKiernan González --|t10 Women as Makers of Church Decoration: Illustrated Textiles at the Monasteries of Altenberg/Lahn, Rupertsberg, and Heiningen (13th–14th c.) /|rStefanie Seeberg --|t11 Women in the Making: Early Medieval Signatures and Artists’ Portraits (9th–12th c.) /|rPierre Alain Mariaux --|t12 Melisende of Jerusalem: Queen and Patron of Art and Architecture in the Crusader Kingdom /|rJaroslav Folda --|t13 Women and the Architecture of al-Andalus (711–1492): A Historiographical Analysis /|rMaría Elena Díez Jorge --|t14 Portrayals of Women with Books: Female (Il)literacy in Medieval Jewish Culture /|rKatrin Kogman-Appel --|t15 Patterns of Patronage: Female Initiatives and Artistic Enterprises in England in the 13th and 14th Centuries /|rLoveday Lewes Gee --|t16 Concubines, Eunuchs, and Patronage in Early Islamic Córdoba /|rGlaire D. Anderson --|t17 The First Queens of Portugal and the Building of the Realm /|rMiriam Shadis --|t18 Subversive Obedience: Images of Spiritual Reform by and for Fifteenth-Century Nuns /|rJane Carroll --|t19 Elite Women, Palaces, and Castles in Northern France (ca. 850–1100) /|rAnnie Renoux --|t20 Redressing Images: Conflict in Context at Abbess Humbrina’s Scriptorium in Pontetetto (Lucca) /|rLoretta Vandi --|t21 Emma of Blois as Arbiter of Peace and the Politics of Patronage /|rMickey Abel --|t22 Nimble-fingered Maidens in Scandinavia: Women as Artists and Patrons /|rNancy L. Wicker --|t23 The Treasures and Foundations of Isabel, Beatriz, Elisenda, and Leonor: The Art Patronage of Four Iberian Queens in the Fourteenth Century /|rAna Maria S.A. Rodrigues --|t24 Liturgy as Women’s Language: Two Noble Patrons Prepare for the End in Fifteenth-Century Spain /|rFelipe Pereda --|tBibliography --|tIndex of People --|tIndex of Places --|tIndex of Subjects.
506 |aAvailable to subscribing member institutions only.
520 |aThese volumes propose a renewed way of framing the debate around the history of medieval art and architecture to highlight the multiple roles played by women. Today’s standard division of artist from patron is not seen in medieval inscriptions—on paintings, metalwork, embroideries, or buildings—where the most common verb is 'made' ( fecit ). At times this denotes the individual whose hands produced the work, but it can equally refer to the person whose donation made the undertaking possible. Here twenty-four scholars examine secular and religious art from across medieval Europe to demonstrate that a range of studies is of interest not just for a particular time and place but because, from this range, overall conclusions can be drawn for the question of medieval art history as a whole. Contributors are Mickey Abel, Glaire D. Anderson, Jane L. Carroll, Nicola Coldstream, María Elena Díez Jorge, Jaroslav Folda, Alexandra Gajewski, Loveday Lewes Gee, Melissa R. Katz, Katrin Kogman-Appel, Pierre Alain Mariaux, Therese Martin, Eileen McKiernan González, Rachel Moss, Jenifer Ní Ghrádaigh, Felipe Pereda, Annie Renoux, Ana Maria S. A. Rodrigues, Jane Tibbetts Schulenburg, Stefanie Seeberg, Miriam Shadis, Ellen Shortell, Loretta Vandi, and Nancy L. Wicker.
650 0|aArt, Medieval.
650 0|aArchitecture, Medieval.
650 0|aWomen artists|zEurope|xHistory|yTo 1500.
650 0|aWomen art patrons|zEurope|xHistory|yTo 1500.
650 0|aArt and society|zEurope|xHistory|yTo 1500.
650 0|aArchitecture and society|zEurope|xHistory|yTo 1500.
700 1 |aMartin, Therese.
776 08|iPrint version:|tReassessing the Roles of Women as 'Makers' of Medieval Art and Architecture|dLeiden, Boston : BRILL, 2012,|z9789004185555
830 0|aVisualising the Middle Ages|v7.
830 0|aEuropean History and Culture E-Books Online, Collection 2012, ISBN: 9789004223257.
856 4 |zDOI:|uhttp://dx.doi.org/10.1163/9789004228320