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008 110901s2012 ne a sb 001 0 eng d
010 |a2011037007
020 |a9789004226517|q(electronic book)
020 |z9789004210769|q(print)
024 7 |a10.1163/9789004226517|2DOI
040 |aNL-LeKB|cNL-LeKB|erda
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aN6310|b.W53 2012
072 7|aHIS|x000000|2bisacsh
082 04|a709.02/3|223
090 |aDK/0808
245 02|aA wider Trecento :|bstudies in 13th- and 14th-century European art presented to Julian Gardner /|cedited by Louise Bourdua, Robert Gibbs.
246 30|aStudies in 13th- and 14th-century European art presented to Julian Gardner
264 1|aLeiden ;|aBoston :|bBrill,|c2012.
300 |a1 online resource (xxxii, 213 pages) :|billustrations.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|2rdacarrier
490 1 |aVisualising the Middle Ages ;|vv. 5
504 |aIncludes bibliographical references and index.
505 00|tPreliminary Material /|rLouise Bourdua and Robert Gibbs --|tIntroduction /|rLouise Bourdua and Robert Gibbs --|tSignifying Absence: /|rJill Bain --|tA Possible Colonna Family Stemma in the Church of Santa Prassede, Rome /|rJohn Osborne --|tSmall Worlds: /|rDillian Gordon --|tDuccio and Devotion to the Virgin’s Foot in Early Sienese Painting /|rJoanna Cannon --|tA Royal Gift from Paris to Assisi: /|rVirginia Glenn --|tThe Original Setting and Historical Context of the Fourteenth-Century ‘Anthropomorphic Trinity’ of the Museo di Roma at Palazzo Braschi /|rClaudia Bolgia --|tPatronising Poverty: /|rJill Farquhar --|tCelebrating the Scholar and Teacher: /|rMartina Schilling --|tBartolomeo and Jacopino da Reggio’s Brera Triptych: /|rRoberto Cobianchi --|tThe Look of Love /|rAnne Dunlop --|tBologna and the Popes: /|rRobert Gibbs --|tSome Pilgrimage Sources for Altichiero /|rLouise Bourdua --|tIndex /|rLouise Bourdua and Robert Gibbs.
506 |aAvailable to subscribing member institutions only.
520 |aJulian Gardner’s preeminent role in British studies of the art of the 13th and 14th centuries, particularly the interaction of papal and theological issues with its production and on either side of the Alps, is celebrated in these studies by his pupils. They discuss Roman works: a Colonna badge in S. Prassede and a remarkably uniform Trinity fresco fragment, as well as monochrome dado painting up to Giotto, Duccio's representations of proskynesis, a Parisian reliquary in Assisi, Riminese painting for the Franciscans, the tomb of a theologian in Vercelli, Bartolomeo and Jacopino da Reggio, the Room of Love at Sabbionara, the cult of Urban V in Bologna after 1376, Altichiero and the cult of St James in Padua, the orb of the Wilton Diptych, and Julian Gardner’s career itself. The contributors to the volume are Serena Romano, Jill Bain, Claudia Bolgia, Louise Bourdua, Joanna Cannon, Roberto Cobianchi, Anne Dunlop, Jill Farquhar, Robert Gibbs, Virginia Glenn, Dillian Gordon, John Osborne and Martina Schilling.
600 10|aGardner, Julian.
650 0|aArt, European|y14th century.
700 1 |aGardner, Julian.
700 1 |aBourdua, Louise,|d1962-
700 1 |aGibbs, Robert.
776 08|iPrint version:|tA Wider Trecento: Studies in 13th- and 14th-Century European Art Presented to Julian Gardner|dLeiden, Boston : BRILL, 2012,|z9789004210769
830 0|aVisualising the Middle Ages|v5.
830 0|aEuropean History and Culture E-Books Online, Collection 2012, ISBN: 9789004223257.
856 4 |zDOI:|uhttp://dx.doi.org/10.1163/9789004226517