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010 |a2018000034
020 |a9789004360808|q(electronic book)
020 |z9789004335653|q(print)
024 7 |a10.1163/9789004360808|2DOI
035 |a(OCoLC)1019844623
040 |aNL-LeKB|cNL-LeKB|erda
041 |aeng
043 |ae-it---
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aNA9348.I8|bM38 2018
072 7|aHIS000000|2bisacsh
082 04|a720.945/09021|223
090 |aDK/0844
100 1 |aMathews, Karen R.
245 10|aConflict, commerce, and an aesthetic of appropriation in the Italian maritime cities, 1000-1150 /|cby Karen Rose Mathews.
264 1|aLeiden ;|aBoston :|bBrill,|c2018.
300 |a1 online resource (238 pages)
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|2rdacarrier
490 0 |aThe Medieval Mediterranean : peoples, economies and cultures, 400-1500 ;|vv. 112
504 |aIncludes bibliographical references.
505 00|aFront Matter -- Contents -- Introduction Visualizing Conflict and Commerce in the Maritime Cities of Medieval Italy -- Local Traditions and Norman Innovations in the Artistic Culture of Southern Italy -- Emulation of and Appropriation from Byzantium in Venetian Visual Culture -- The Interplay of Islamic and Ancient Roman Spolia on Pisan Churches -- Rivalry with Pisa and Spolia as Plunder of War in Medieval Genoa -- Conclusion Shifting Significations of the Spolia Aesthetic.
506 |aAvailable to subscribing member institutions only.
520 |aIn Conflict, Commerce, and an Aesthetic of Appropriation in the Italian Maritime Cities, 1000-1150 , Karen Rose Mathews analyzes the relationship between war, trade, and the use of spolia (appropriated objects from past and foreign cultures) as architectural decoration in the public monuments of the Italian maritime republics in the eleventh and twelfth centuries. This comparative study addressing five urban centers argues that the multivalence of spolia and their openness to new interpretations made them the ideal visual form to define a distinct Mediterranean identity for the inhabitants of these cities, celebrating the wealth and prestige that resulted from the paired endeavors of war and commerce while referencing the cultures across the sea that inspired the greatest hostility, fear, or admiration.
588 |aDescription based on print version record and CIP data provided by publisher; resource not viewed.
650 0|aMonuments|zItaly|xHistory|yTo 1500.
650 0|aAppropriation (Architecture)|zItaly|xHistory|yTo 1500.
650 0|aBuilding materials|xRecycling|xHistory|zItaly|yTo 1500.
650 0|aArchitecture and society|zItaly|xHistory|yTo 1500.
650 0|aCity-states|zItaly|xCivilization.
651 0|aItaly|xCivilization|y476-1268.
776 08|iPrint version:|aMathews, Karen R., author.|tConflict, commerce, and an aesthetic of appropriation in the Italian maritime cities, 1000-1150|dLeiden ; Boston : Brill, 2018|z9789004335653|w(DLC) 2017052796
830 0|aThe Medieval Mediterranean|v112.
830 0|aEuropean History and Culture E-Books Online, Collection 2018-I, ISBN: 9789004353299.
856 4 |zDOI:|uhttp://dx.doi.org/10.1163/9789004360808