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008 240313s2024 ne dg||e |||| 001 0deng c
020 |a9789004531253|q(hardback)
020 |a9789004531260|q(e-book)
040 |aTTK
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
090 |aA.IX/7441
100 1 |aFeldman, Walter.
245 10|aMusic of the Ottoman court :|bmakam, composition and the early Ottoman instrumental repertoire /|cby Walter Feldman.
260 |aLeiden ;|aBoston :|bBrill,|c©2024.
300 |axxxi, 553 sayfa :|bminyatür (çoğu renkli), tıpkıbasım, tablo, nota ;|c24 cm.
490 1 |aHandbook of Oriental Studies =|aHandbuch der Orientalistik. Section one.|aThe Near and Middle East,|x0169-9423 ;|vvolume 177
500 |aSözlük s. [495]-499.
500 |aİndeks s. [519]-553.
504 |aBibliyografya s. [501]-518.
505 |gPART 1.|tMUSICIANS AND PERFORMANCE.|tProfessionalism and the Music of the Ottoman Court --|tProfessionalism and the Music of the Ottoman Court : Dervishes and Turkish Art Music --|tInstruments and Instrumentalists --|tThe Ottoman Cyclical Concert-Formats Fasil and Ayin --|gPART 2.|tMAKAM.|tThe General Scale of Seventeenth-Century Ottoman Music --|tMakam and Terkib --|tMelodic Progression --|tThe Taksim and Modulation --|gPART 3.|tPEŞREV AND SEMAI.|tThe Peşrev/Pishrow --|tThe Ottoman Peşrev --|tPeşrevs and Analyses --|tThe Seventeenth-Century Persian Peşrev --|tTransmission of the Ottoman Peşrev Repertoire --|tThe Instrumental Semai --|tConclusion.
520 |a“Between 1600 and 1750 Ottoman Turkish music differentiated itself from an older Persianate art music and developed the genres antecedent to modern Turkish art music. Based on a translation of Demetrius Cantemir's seminal “Book of the Science of Music“ from the early eighteenth century, this work is the first to bring together contemporaneous notations, musical treatises, literary sources, travellers' accounts and iconography. These present a synthetic picture of the emergence of Ottoman composed and improvised instrumental music. A detailed comparison of items in the notated Collections of Cantemir and of Bobowski-from fifty years earlier-together with relevant treatises, reveal key aspects of modality, melodic progression and rhythmic structures.“--|cArka kapak.
600 04|aDimitrie Cantemir (Moldavya Voyvodası ; 1673-1723). Kitabu 'ilmi'l-musiki 'ala vechi'l-hurufat.
600 04|aAli Ufkî, 1610-1675. Mecmûa-i sâz ü söz.
650 4|aEnstrümantal müzik|zTürkiye|y17. yy.|xTarih ve kritik.
650 4|aEnstrümantal müzik|zTürkiye|y18. yy.|xTarih ve kritik.
650 4|aPeşrevler|zTürkiye|y17. yy.|xTarih ve kritik.
650 4|aPeşrevler|zTürkiye|y18. yy.|xTarih ve kritik.
650 4|aMakam|zTürkiye|y17. yy.|xTarih ve kritik.
650 4|aMakam|zTürkiye|y18. yy.|xTarih ve kritik.
830 0|aHandbook of Oriental Studies.|nSection 1,|pThe Near and Middle East ;|vvolume 177.
830 0|aHandbuch der Orientalistik.|nSection 1,|pThe Near and Middle East ;|vvolume 177.
830 0|aHdO.|nI ;|vvol. 177.