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020 |a9789004524019|q(hardback)
020 |a9789004687172|q(e-book)
040 |aTTK
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
090 |aA.IX/7445
245 00|aHandbook of Japanese music in the modern era /|cedited by Henry Johnson.
260 |aLeiden ;|aBoston :|bBrill,|c2023.
300 |axxv, 457 sayfa :|bresim (çoğu renkli), harita, grafik, tıpkıbasım, tablo, nota ;|c24 cm.
490 1 |aHandbook of Oriental Studies =|aHandbuch der Orientalistik. Section five.|aJapan,|x0921-5239 ;|vvolume 18
500 |aİndeks s. [439]-457.
504 |aBibliyografya makale sonlarındadır.
505 |gINTRODUCTION.|tJapanese Music in the Modern Era /|rHenry Johnson --|gPART 1.|tFOUNDATIONS.|tSacred or Secular? The Dilemma of Theatrical Kagura /|rTerence Lancashire --|tBuddhism and Modern Music in Japan : From Praise Songs to Popular Music /|rDuncan Reehl --|tReigakusha Gagaku Ensemble : Mediating between Ancient and Contemporary Practice /|rNaoko Terauchi --|tThe “Heike Brothers“ and the 800-Year Transmission and Reception of Heike Musical Narrative /|rHaruko Komoda, Alison Tokita --|tEisā : Between the Expression of Okinawan Identity and the Appropriation of Okinawan Culture /|rSumi Cho --|tAinu Ways of Being in the Contemporary : Music and Dance as Cultural Practice /|rJustin R. Hunter --|gPART 2.|tHERITAGE.|tGetting into Min'yо̄ : Online and Offline Access to Japanese Folk Song /|rFelicity Greenland --|tTraditional Folk Music in Contemporary Japan : Case Studies of Standardization and Diversification in Tsugaru Shamisen and Folk Song /|rGakuto Chiba, Patrick E. Savage --|tNaniwa-bushi : A Musical Narrative Born in Modern Japan /|rAlison Tokita --|tAn Innovative Conservative : Satsuma-biwa Practice and the Legacy of Fumon Yoshinori /|rHugh De Ferranti, Thomas Charles Marshall --|tWondrous Tones : The Transnational Appeal of the Shakuhachi through Time and Space /|rChristopher Yohmei Blasdel --|tChoreographing Sound : Ensemble Taiko Drumming in Modern Japan /|rShawn Bender --|tStudying the Past to Predict the Future : Yamauchi Reach, a Professional Percussionist in the Twenty-First Century /|rJennifer Milioto Matsue --|gPART 3.|tINSTITUTIONS.|tLearning Musical Instruments in Japanese Schools /|rDavid G. Hebert, Kōji Matsunobu --|tYōgaku, Western Music in Japan : Perspectives from Osaka /|rJunko Iguchi --|tViolin Playing and Women in Japanese Music /|rEna Kajino --|tThe Suzuki Method, Yamaha System, and Japanese Traditional Music : A Case Study of Japanese Music Education in the Modern Era /|rEria Kubo --|tRyukyuan Uta-sanshin in Modern Japan : The Influence of Government Institutions on Teaching and Performing /|rMatt Gillan, Mina Endō --|tKoto Modernities in the Twenty-First Century /|rHenry Johnson --|gPART 4.|tHYBRIDITIES.|tNavigating the Past, Embracing the Present : Japanese Compositional Hybridity in Theory and Practice /|rMarty Regan --|tThe Innate Hybridity of the Shamisen within Contemporary Music : The Physical, Musical, and Socio-Cultural /|rColleen C. Schmuckal --|tRethinking the Evolution of Japanese Music : Kunimoto Takeharu and Katō Kinji's Electric Shamisen /|rKeisuke Yamada --|tJapanese Popular Songs in the Twentieth Century : Adaptation, Hybridity, and Creativity /|rMinako Waseda --|tMisora Hibari in Kōhaku Utagassen : From Modernity to Immortality /|rShelley Brunt, Amane Kasai --|tJapanese Rap : A History of Style /|rNoriko Manabe.
520 |a“Exploring an array of captivating topics, from hybridized Buddhist music to AI singers, this book introduces Japanese music in the modern era. The twenty-five chapters show how cultural change from the late nineteenth century to the present day has had a profound impact on the Japanese musical landscape, including the recontextualization and transformation of traditional genres, and the widespread adoption of Western musical practices ranging from classical music to hip hop. The contributors offer representative case studies within the themes of Foundations, Heritage, Institutions, and Hybridities, examining both musical styles that originated in earlier times and distinctly localized or Japanized musical forms.“ --|cArka kapak.
650 4|aMüzik|zJaponya|y20. yy.|xTarih ve kritik.
650 4|aMüzik|zJaponya|y21. yy.|xTarih ve kritik.
650 4|aHalk müziği|zJaponya|xTarih ve kritik.
650 4|aPopüler müzik|zJaponya|xTarih ve kritik.
650 4|aMüzik|xÇalışma ve öğretim|zJaponya.
650 4|aMüzik|zJaponya|xBatı etkileri.
700 1 |aJohnson, Henry Mabley,|eeditör.
830 0|aHandbook of Oriental Studies.|nSection 5,|pJapan ;|vvolume 18.
830 0|aHandbuch der Orientalistik.|nSection 5,|pJapan ;|vvolume 18.
830 0|aHdO.|nV ;|vvol. 18.