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020 |a9781137369109|9978-1-137-36910-9
024 7 |a10.1057/978-1-137-36910-9|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aDA1-995
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072 7|aHIS015000|2bisacsh
072 7|aNHD|x1DD|2thema
082 04|a941|223
090 |aDK/1327
100 1 |aWebster, Peter.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aChurch and Patronage in 20th Century Britain|h[electronic resource] :|bWalter Hussey and the Arts /|cby Peter Webster.
250 |a1st ed. 2017.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2017.
300 |aXII, 256 p. 19 illus., 7 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aHistories of the Sacred and Secular, 1700–2000,|x2946-336X
505 0 |aChapter 1. Introduction -- Chapter 2. The formation of a patron -- Chapter 3. The 1943 Jubilee festival at Northampton -- Chapter 4. Music, art and poetry: 1944-55 -- Chapter 5: The religious arts on a rising tide: people, media, networks -- Chapter 6: new visual art for Chichester -- Chapter 7: Chichester music -- Chapter 8: Cathedral, city and diocese -- Chapter 9: Legacy.
520 |aThis book is the first full-length treatment of Walter Hussey's work as a patron between 1943 and 1978, first for the Anglican parish church of St Matthew in Northampton, and then at Chichester Cathedral. He was responsible for the most significant sequence of works of art commissioned for the British churches in the twentieth century. They included music by Benjamin Britten, Leonard Bernstein and William Walton, visual art by Henry Moore, Graham Sutherland and Marc Chagall, and poetry by W. H. Auden. Placing Hussey in theological context and in a period of rapid cultural change, it explores the making and reception of the commissions, and the longer-term influence of his work, still felt today. As well as contributing to the religious and cultural history of Britain, and of Anglo-Catholicism and the cathedrals in particular, the book will be of interest to all those concerned with the relationship between theology and the arts, and to historians of music and the visual arts.
650 0|aGreat Britain|xHistory.
650 0|aReligion|xHistory.
650 0|aCivilization|xHistory.
650 0|aHistory, Modern.
650 0|aLiterature|xHistory and criticism.
650 14|aHistory of Britain and Ireland.
650 24|aHistory of Religion.
650 24|aCultural History.
650 24|aModern History.
650 24|aLiterary History.
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137369093
776 08|iPrinted edition:|z9781349676583
776 08|iPrinted edition:|z9781349676576
830 0|aHistories of the Sacred and Secular, 1700–2000,|x2946-336X
856 40|uhttps://doi.org/10.1057/978-1-137-36910-9
912 |aZDB-2-HTY
912 |aZDB-2-SXH
950 |aHistory (SpringerNature-41172)
950 |aHistory (R0) (SpringerNature-43722)