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020 |a9783031603358|9978-3-031-60335-8
024 7 |a10.1007/978-3-031-60335-8|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
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090 |aDK/3039
100 1 |aNedd, Andrew M.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aHistory and Myth in Pictorial Narratives of the Russian 'Patriotic War', 1812-1914|h[electronic resource] /|cby Andrew M. Nedd.
250 |a1st ed. 2024.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2024.
300 |aXIII, 273 p. 59 illus., 45 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aChapter 1. Introduction -- Chapter 2. Art, War, and Empire: A History -- Chapter 3. The Reign of Alexander I: The Myth of National Unity -- Chapter 4. Nicholas I: Tsar, Nobility, and People Against Napoleon -- Chapter 5. Alexander II and Alexander III: Vereshchagin’s 1812 -- Chapter 6. Nicholas II: The Centennial, Art, Spectacle, and Historical Memory -- Chapter 7. Conclusions.
520 |aThis book reveals that the visual narrative of the events of the Russian campaign of 1812 was inextricably linked to Russia's search for national identity and helped to form competing definitions of 'Russianness'. No pre-revolutionary military event was more celebrated in Russian literature and art than the ‘Patriotic War of 1812’, during which Napoleon advanced his Grand Armée into Russia, only to retreat months later in defeat as his army faced starvation and capture during the brutal winter. The works of art that retold the story of 1812 extolled virtues that were represented as inherently Russian: courage, resourcefulness, and unity. Furthermore, these values were increasingly contrasted with those of the foreign invader from the west. While the emphasis is largely on academic painting, this book also explores popular media and memorialization in order to reveal the role that images played in the process of constructing identities in nineteenth-century Russia. Andrew M. Nedd is Professor of Art History at the Savannah College of Art and Design, USA. He specializes in the art of late-imperial Russia, particularly the relationship between art and war, and he has contributed to and edited numerous anthologies in this area.
650 0|aRussia|xHistory.
650 0|aEurope, Eastern|xHistory.
650 0|aSoviet Union|xHistory.
650 0|aCivilization|xHistory.
650 0|aMilitary history.
650 0|aArt|xHistory.
650 14|aRussian, Soviet, and East European History.
650 24|aCultural History.
650 24|aMilitary History.
650 24|aArt History.
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031603341
776 08|iPrinted edition:|z9783031603365
776 08|iPrinted edition:|z9783031603372
856 40|uhttps://doi.org/10.1007/978-3-031-60335-8
912 |aZDB-2-HTY
912 |aZDB-2-SXH
950 |aHistory (SpringerNature-41172)
950 |aHistory (R0) (SpringerNature-43722)