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020 |a9789819761401|9978-981-97-6140-1
024 7 |a10.1007/978-981-97-6140-1|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aN5300-7418
072 7|aAC|2bicssc
072 7|aART015000|2bisacsh
072 7|aAGA|2thema
082 04|a709|223
090 |aDK/3079
100 1 |aWang, Min'an.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 14|aThe Emergence of Chinese Avant-Garde Art|h[electronic resource] /|cby Min'an Wang, Xiaoping Song.
250 |a1st ed. 2024.
264 1|aSingapore :|bSpringer Nature Singapore :|bImprint: Palgrave Macmillan,|c2024.
300 |aV, 138 p. 2 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |a1. The Transformation of Realism: From "The Bloodstained Shirt" to "Father" -- 2. Reform and Opening up and the Start of the Desiring Machine -- 3. The Emergence of Chinese Avant-Garde Art -- 4. The Climax: '85 New Wave of Art -- 5. Epilogue: '89 Modern Art Exhibition.
520 |aThis book provides a historical analysis of the avant-garde art movement in China in the 1980s. This art movement is the product of China's reform and opening up, during which time a small number of Chinese artists understood the western modernist art movement, and they started their avant-garde art experiment in combination with the actual situation of China. This avant-garde art experiment completely broke all the artistic styles in Chinese history, and it caused a huge shock. After about a decade of radical attempts, it began to form its own position in China. This book discusses its birth background, its dominant artists and works, its theme and interest, and its final decline. This is not only a work of art history, but also a work of cultural history with strong sociological analysis. This book is beautiful in writing, detailed in analysis and highly readable. It is a very suitable book for those who want to know avant-garde art and Chinese since the 1980s. Min'an Wang, professor of Tsinghua University, mainly engaged in critical theory, cultural studies, modern art and literature, author of Roland Barthes，The Limits of Michel Foucault, Friedrich Nictzsche and Body,etc. Xiaoping Song, associate professor at University of International Business and Economics, mainly engaged in literary research and literary criticism, author of The Field of Women's Writings and Desire.
650 0|aArt|xHistory.
650 0|aArt, Modern|x21st century.
650 0|aChina|xHistory.
650 14|aArt History.
650 24|aContemporary Art.
650 24|aHistory of China.
700 1 |aSong, Xiaoping.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9789819761395
776 08|iPrinted edition:|z9789819761418
776 08|iPrinted edition:|z9789819761425
856 40|uhttps://doi.org/10.1007/978-981-97-6140-1
912 |aZDB-2-HTY
912 |aZDB-2-SXH
950 |aHistory (SpringerNature-41172)
950 |aHistory (R0) (SpringerNature-43722)