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008 151109s2011 xxk| s |||| 0|eng d
020 |a9780230343207|9978-0-230-34320-7
024 7 |a10.1057/9780230343207|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aD900-2027
072 7|aHBJD|2bicssc
072 7|aHIS010000|2bisacsh
072 7|aNHD|2thema
082 04|a940|223
090 |aDK/3210
100 1 |aHutchinson, B.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aModernism and Style|h[electronic resource] /|cby B. Hutchinson.
250 |a1st ed. 2011.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2011.
300 |aXX, 291 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aModernism and...,|x2947-7239
520 |aModernism is fundamentally determined by its relationship to its own notions of style: oscillating between the poles of 'pure' style and 'purely' style, this traces the stylistic self-conceptualization of modernism from Schopenhauer and Flaubert in the 1850s, through Nietzsche and the symbolists in the 1880s, to the high modernists of the 1920s.
650 0|aEurope|xHistory.
650 0|aLiterature.
650 0|aPhilosophy.
650 0|aLiterature|xHistory and criticism.
650 0|aHistory, Modern.
650 0|aLiterature|xPhilosophy.
650 14|aEuropean History.
650 24|aLiterature.
650 24|aPhilosophy.
650 24|aLiterary History.
650 24|aModern History.
650 24|aLiterary Theory.
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780230230965
776 08|iPrinted edition:|z9780230230972
776 08|iPrinted edition:|z9781349311880
830 0|aModernism and...,|x2947-7239
856 40|uhttps://doi.org/10.1057/9780230343207
912 |aZDB-2-PHC
912 |aZDB-2-SXH
950 |aPalgrave History Collection (SpringerNature-41138)
950 |aHistory (R0) (SpringerNature-43722)