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008 160205s2015 xxu| s |||| 0|eng d
020 |a9781137479716|9978-1-137-47971-6
024 7 |a10.1007/978-1-137-47971-6|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aCB3-481
072 7|aHBTB|2bicssc
072 7|aHIS054000|2bisacsh
072 7|aNHTB|2thema
082 04|a306.09|223
090 |aDK/3363
100 1 |aCorbin, Amy Lynn.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aCinematic Geographies and Multicultural Spectatorship in America|h[electronic resource] /|cby Amy Lynn Corbin.
250 |a1st ed. 2015.
264 1|aNew York :|bPalgrave Macmillan US :|bImprint: Palgrave Macmillan,|c2015.
300 |aX, 310 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aScreening Spaces
520 |aExploration, intertwined with home-seeking, has always defined America. Corbin argues that films about significant cultural landscapes in America evoke a sense of travel for their viewers. These virtual travel experiences from the mid-1970s through the 1990s built a societal map of "popular multiculturalism" through a movie-going experience.
650 0|aCivilization|xHistory.
650 0|aMotion pictures|xHistory.
650 0|aGeography.
650 0|aMotion pictures, American.
650 0|aRace.
650 0|aHuman geography.
650 14|aCultural History.
650 24|aFilm and TV History.
650 24|aGeography.
650 24|aAmerican Film and TV.
650 24|aRace and Ethnicity Studies.
650 24|aHuman Geography.
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137482662
776 08|iPrinted edition:|z9781349556175
776 08|iPrinted edition:|z9781349556182
830 0|aScreening Spaces
856 40|uhttps://doi.org/10.1007/978-1-137-47971-6
912 |aZDB-2-PHC
912 |aZDB-2-SXH
950 |aPalgrave History Collection (SpringerNature-41138)
950 |aHistory (R0) (SpringerNature-43722)