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008 151123s2014 xxk| s |||| 0|eng d
020 |a9781137319432|9978-1-137-31943-2
024 7 |a10.1057/9781137319432|2doi
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
050 4|aPN1993.5
072 7|aAPFA|2bicssc
072 7|aPER004030|2bisacsh
072 7|aATFA|2thema
082 04|a791.409|223
090 |aDK/4193
100 1 |aLombardo, P.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aMemory and Imagination in Film|h[electronic resource] :|bScorsese, Lynch, Jarmusch, Van Sant /|cby P. Lombardo.
250 |a1st ed. 2014.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2014.
300 |aIX, 244 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aLanguage, Discourse, Society,|x2947-0196
520 |aInspired by Baudelaire's art criticism and contemporary theories of emotions, and developing a new aesthetic approach based on the idea that memory and imagination are strongly connected, Lombardo analyzes films by Scorsese, Lynch, Jarmusch and Van Sant as imaginative uses of the history of cinema as well as of other media.
650 0|aMotion pictures|xHistory.
650 0|aMotion pictures|xProduction and direction.
650 0|aEthnology.
650 0|aCulture.
650 0|aMotion pictures, American.
650 0|aFilm genres.
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 14|aFilm and TV History.
650 24|aDirecting.
650 24|aRegional Cultural Studies.
650 24|aAmerican Film and TV.
650 24|aGenre Studies.
650 24|aFilm and Television Studies.
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780230241718
776 08|iPrinted edition:|z9781349317424
776 08|iPrinted edition:|z9781349317431
830 0|aLanguage, Discourse, Society,|x2947-0196
856 40|uhttps://doi.org/10.1057/9781137319432
912 |aZDB-2-PHC
912 |aZDB-2-SXH
950 |aPalgrave History Collection (SpringerNature-41138)
950 |aHistory (R0) (SpringerNature-43722)
