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003 TR_AnAIT
005 20250627045558
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008 250204s2024 xxuoe||e |||| 001 0deng c
020 |a9780884025030|q(hardcover)
040 |aTTK
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
090 |aB.II/0342
100 1 |aGerevini, Stefania.
245 10|aFacing crisis :|bart as politics in fourteenth-century Venice /|cStefania Gerevini.
260 |aWashington, D.C. :|bDumbarton Oaks Research Library and Collection,|c©2024.
300 |axii, 240 sayfa :|bresim (çoğu renkli), plan ;|c29 cm.
490 1 |aDumbarton Oaks studies ;|v50
500 |aİndeks s. 233-240.
504 |aBibliyografya s. 213-[232].
505 |gCHAPTER 1.|tFACING CRISIS.|tThe legend of the storm : sanctity, politics, and material history in Trecento Venice --|tA perfect storm? Contextualizing the fourteenth-century renewal of San Marco --|tLaw and order : Andrea Dandolo's legal initiatives and historical writings --|tThinking through crisis : a vocabulary for uncertainty --|gCHAPTER 2.|tTHE HIGH ALTAR : Byzantine art made “history“ --|tTwo altarpieces for San Marco : the Pala d'Oro and the Pala Feriale --|tFacing crisis : liturgy, history, and miracle making --|tFacing krisis : Byzantine art between history and eschaton --|gCHAPTER 3.|tTHE CHAPEL OF SANT'ISIDORO : The art of conflict --|tThe Chapel of Sant'Isidoro and the cult of St. Isidore in Venice : an overview --|tMaking St. Isidore : Eastern saints, hagiographic conventions, and the staging of a new saintly cult in San Marco --|tHoly defenders, military conflict, and crusading ideology in the Mediterranean --|tImaging authority : the doge, the patriciate, and Venice's “dominion of the sea“ --|tConclusion : History writing, image making, and political krisis --|tEpilogue : Catastrophe, averted --|gCHAPTER 4.|tTHE BAPTISTERY OF SAN MARCO : Visual constitutions --|tThe baptistery of San Marco : an overview --|tMedieval baptism between religious initiation and civic induction --|tImagery, eschatology, and liturgy --|tMonumental crisis? Community, disunity, and assimilation --|tA humble sovereign? The Crucifixion mosaic as a state portrait --|gCHAPTER 5.|tCONCLUSION : Art as politics.
520 |a“Though Venice emerged as a leading Mediterranean power in the Trecento, the city faced a series of crises during a brief but cataclysmic period coinciding with Andrea Dandolo's dogeship (1343-1354): earthquakes, disease, fierce military conflicts, and dramatic political and institutional tensions had the republic on edge. It was nevertheless precisely at this time that the government sponsored the ambitious and sumptuous artistic campaigns in San Marco that are at the heart of this book: a reliquary-chapel, a new baptistery, and a folding altarpiece, all masterpieces crafted with unparalleled technical skill, blending Byzantine and Italianate visual forms. Far from being mere artistic commissions, these works were affirmative political interventions that interrogated the meaning of community, authority, and (shared) political leadership at a time when those notions were unsettled. Looking beyond established concepts of triumph and imperialism, this book situates the artistic interactions between Byzantium and Venice into ongoing processes of state formation and attests to the power of images to inform (and transform) political imaginations in troubled times. This study thus offers new insights into how medieval communities across the Mediterranean understood and responded to uncertainty through the visual, and in doing so, probes the value of “crisis“ as a methodological framework“--|cArka kapak.
650 4|aSanat, Bizans|zİtalya|zVenedik.
650 4|aSanat, Ortaçağ|xBizans etkileri.
651 4|aVenedik (İtalya)|xYönetim ve politikalar|xTarih|y14. yy.