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007 ta
008 250214s2024 ne oad|e |||| 001 0deng c
020 |a9789004722798|q(hardback, set)
020 |a9789004539662|q(hardback, v. 1)
020 |a9789004700840|q(ebook, v. 1)
020 |a9789004722736|q(hardback, v. 2)
020 |a9789004722781|q(ebook, v. 2)
040 |aTTK
041 |aeng
049 |aTürk Tarih Kurumu Kütüphanesi
090 |aA.IX/9423
245 02|aA companion to Nō and Kyōgen theatre /|cedited by Yamanaka Reiko, Monica Bethe, Eike Grossmann, Tom Hare, Diego Pellecchia, and Michael Watson.
260 |aLeiden ;|aBoston :|bBrill,|c©2024.
300 |a2 cilt (1. c. xxxiii, 524 sayfa ; 2. c. xxxiii sayfa, sayfa [525]-1079) :|bresim (çoğu renkli), çizim, şekil, şema, tıpkıbasım, tablo ;|c24 cm.
490 1 |aHandbook of Oriental Studies =|aHandbuch der Orientalistik. Section five.|aJapan,|x0921-5239 ;|vvolume 19/1, 19/2
500 |32. c.|aSözlük s. [1015]-1051.
500 |32. c.|aİndeks s. [1052]-1079.
504 |aBibliyografya bölüm sonlarındadır.
520 |a“Nō and kyōgen theatre are among the longest continuously staged dramatic forms in the world and are deeply connected to Japanese arts, culture, society, and history. This richly illustrated two-volume set brings together the important elements of these traditions to offer new insights, with contributions by Japanese and non-Japanese experts from a broad range of disciplines. It represents the most ambitious and exhaustive exploration of nō and kyōgen to date, and is an invaluable resource for both scholars and enthusiasts.” --|cArka kapak.
650 4|aNō tiyatrosu|xTarih.
650 4|aKyōgen tiyatrosu|xTarih.
650 4|aJapon sanatı|xTiyatro.
650 4|aJapon kültürü.
700 1 |aYamanaka, Reiko,|d1957-|eeditör.
700 1 |aBethe, Monica,|eeditör.
700 1 |aGrossmann, Eike,|eeditör.
700 1 |aHare, Thomas Blenman,|d1952-|eeditör.
700 1 |aPellecchia, Diego,|eeditör.
700 1 |aWatson, Michael Geoffrey,|d1953-|eeditör.
830 0|aHandbook of Oriental Studies.|nSection 5,|pJapan ;|vvolume 19/1, 19/2.
830 0|aHandbuch der Orientalistik.|nSection 5,|pJapan ;|vvolume 19/1, 19/2.
830 0|aHdO.|nV ;|vvol. 19/1, 19/2.