LEADER 02054nam a22005175i 4500
001 733110
003 TR_AnAIT
005 20250905033603
007 cr nn 008mamaa
008 151211s2009 xxk| s |||| 0|eng d
020 |a9780230252042|9978-0-230-25204-2
024 7 |a10.1057/9780230252042|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1600-3307.2
072 7|aAP|2bicssc
072 7|aPER004000|2bisacsh
072 7|aAT|2thema
082 04|a791.4|223
090 |aEK/668
100 1 |aFlanagan, M.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aBakhtin and the Movies|h[electronic resource] :|bNew Ways of Understanding Hollywood Film /|cby M. Flanagan.
250 |a1st ed. 2009.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2009.
300 |aXI, 239 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aMartin Flanagan uses Bakhtin's notions of dialogism, chronotope and polyphony to address fundamental questions about film form and reception, focussing particularly on the way cinematic narrative utilises time and space in its very construction.
650 0|aMotion pictures.
650 0|aTelevision broadcasting.
650 0|aIntellectual life|xHistory.
650 0|aPhilosophy, Modern.
650 0|aMotion pictures|xHistory.
650 14|aFilm and Television Studies.
650 24|aIntellectual History.
650 24|aPhilosophical Traditions.
650 24|aFilm and TV History.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780230202962
776 08|iPrinted edition:|z9781349300921
776 08|iPrinted edition:|z9781349300938
856 40|uhttps://doi.org/10.1057/9780230252042
912 |aZDB-2-PSD
912 |aZDB-2-SXS
950 |aPalgrave Social & Cultural Studies Collection (SpringerNature-41148)
950 |aSocial Sciences (R0) (SpringerNature-43726)