LEADER 02338nam a22005655i 4500
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003 TR_AnAIT
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007 cr nn 008mamaa
008 160106s2012 xxk| s |||| 0|eng d
020 |a9781137020758|9978-1-137-02075-8
024 7 |a10.1057/9781137020758|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN45-57
072 7|aDSA|2bicssc
072 7|aLIT006000|2bisacsh
072 7|aDSA|2thema
082 04|a801|223
090 |aEK/889
245 10|aCross-Gendered Literary Voices|h[electronic resource] :|bAppropriating, Resisting, Embracing /|cedited by R. Kim, C. Westall.
250 |a1st ed. 2012.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2012.
300 |aX, 243 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aThis book investigates male writers' use of female voices and female writers' use of male voices in literature and theatre from the 1850s to the present, examining where, how and why such gendered crossings occur and what connections may be found between these crossings and specific psychological, social, historical and political contexts.
650 0|aLiterature|xPhilosophy.
650 0|aLiterature, Modern|x20th century.
650 0|aFiction.
650 0|aCommunication.
650 0|aCulture|xStudy and teaching.
650 0|aTheater|xHistory.
650 14|aLiterary Theory.
650 24|aTwentieth-Century Literature.
650 24|aFiction Literature.
650 24|aMedia and Communication.
650 24|aCultural Studies.
650 24|aTheatre History.
700 1 |aKim, R.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aWestall, C.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9780230299870
776 08|iPrinted edition:|z9781349335527
776 08|iPrinted edition:|z9781349335534
856 40|uhttps://doi.org/10.1057/9781137020758
912 |aZDB-2-PCO
912 |aZDB-2-SXL
950 |aPalgrave Literature Collection (SpringerNature-41141)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)