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008 151110s2014 xxk| s |||| 0|eng d
020 |a9781137393753|9978-1-137-39375-3
024 7 |a10.1057/9781137393753|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN849.E87-.E872
072 7|aDS|2bicssc
072 7|a1D|2bicssc
072 7|aLIT004130|2bisacsh
072 7|aDS|x1D|2thema
082 04|a809.894|223
090 |aEK/1146
100 1 |aEbury, K.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aModernism and Cosmology|h[electronic resource] :|bAbsurd Lights /|cby K. Ebury.
250 |a1st ed. 2014.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2014.
300 |aVII, 210 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aThrough examining the work of W. B. Yeats, James Joyce, and Samuel Beckett, Katherine Ebury shows cosmology had a considerable impact on modernist creative strategies, developing alternative reading models of difficult texts such as Finnegans Wake and 'The Trilogy'.
650 0|aEuropean literature.
650 0|aLiterature|xHistory and criticism.
650 0|aLiterature, Modern|x20th century.
650 0|aAstronomy.
650 0|aCosmology.
650 14|aEuropean Literature.
650 24|aLiterary History.
650 24|aTwentieth-Century Literature.
650 24|aAstronomy, Cosmology and Space Sciences.
650 24|aCosmology.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137393746
776 08|iPrinted edition:|z9781349483686
776 08|iPrinted edition:|z9781349483693
856 40|uhttps://doi.org/10.1057/9781137393753
912 |aZDB-2-PCO
912 |aZDB-2-SXL
950 |aPalgrave Literature Collection (SpringerNature-41141)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)