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008 151128s2014 xxu| s |||| 0|eng d
020 |a9781137449955|9978-1-137-44995-5
024 7 |a10.1057/9781137449955|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aDAW1001-1051
072 7|aHBJD|2bicssc
072 7|a1DF|2bicssc
072 7|aHIS010000|2bisacsh
072 7|aNHD|x1DF|2thema
082 04|a943|223
090 |aEK/1170
100 1 |aHall, M.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aMusical Revolutions in German Culture|h[electronic resource] :|bMusicking against the Grain, 1800-1980 /|cby M. Hall.
250 |a1st ed. 2014.
264 1|aNew York :|bPalgrave Macmillan US :|bImprint: Palgrave Macmillan,|c2014.
300 |aXVI, 214 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aStudies in European Culture and History,|x2945-6282
520 |aDrawing upon the philosophical insights of Friedrich Schlegel, Walter Benjamin, Theodor W. Adorno, and Blixa Bargeld, this book explores the persistence of a critical-deconstructive approach to musical production, consumption, and reception in the German cultural sphere of the last two centuries.
650 0|aEurope, Central|xHistory.
650 0|aLiterature|xPhilosophy.
650 0|aCulture|xStudy and teaching.
650 0|aPhilosophy.
650 0|aMusic.
650 0|aAesthetics.
650 14|aHistory of Germany and Central Europe.
650 24|aLiterary Theory.
650 24|aCultural Theory.
650 24|aPhilosophy.
650 24|aMusic.
650 24|aAesthetics.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137453365
776 08|iPrinted edition:|z9781349497621
776 08|iPrinted edition:|z9781349497638
830 0|aStudies in European Culture and History,|x2945-6282
856 40|uhttps://doi.org/10.1057/9781137449955
912 |aZDB-2-PCO
912 |aZDB-2-SXL
950 |aPalgrave Literature Collection (SpringerNature-41141)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)