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008 151123s2013 xxu| s |||| 0|eng d
020 |a9781137341020|9978-1-137-34102-0
024 7 |a10.1057/9781137341020|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aNX1-820
072 7|aAF|2bicssc
072 7|aART009000|2bisacsh
072 7|aAF|2thema
082 04|a700|223
090 |aEK/1298
100 1 |aPhillips, Thomas.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 14|aThe Subject of Minimalism|h[electronic resource] :|bOn Aesthetics, Agency, and Becoming /|cby Thomas Phillips.
250 |a1st ed. 2013.
264 1|aNew York :|bPalgrave Macmillan US :|bImprint: Palgrave Macmillan,|c2013.
300 |aVII, 201 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aUtilizing a wide range of theoretical and creative texts, Phillips offers an examination of subjectivity as considered, enacted, and embodied, through the frame of minimalist aesthetics. Provocatively, he makes the claim that lived experience is capable of being refined according to the paradoxically rich parameters of a minimalist aesthetic.
650 0|aArts.
650 0|aFiction.
650 0|aAesthetics.
650 0|aLiterature, Modern|x20th century.
650 0|aLiterature|xHistory and criticism.
650 0|aLiterature|xPhilosophy.
650 14|aFine Art.
650 24|aFiction Literature.
650 24|aAesthetics.
650 24|aTwentieth-Century Literature.
650 24|aLiterary History.
650 24|aLiterary Theory.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137343369
776 08|iPrinted edition:|z9781349465613
776 08|iPrinted edition:|z9781349465620
856 40|uhttps://doi.org/10.1057/9781137341020
912 |aZDB-2-PCO
912 |aZDB-2-SXL
950 |aPalgrave Literature Collection (SpringerNature-41141)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)