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008 160106s2015 xxu| s |||| 0|eng d
020 |a9781137523952|9978-1-137-52395-2
024 7 |a10.1057/9781137523952|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN770-779
072 7|aDSBH|2bicssc
072 7|aLIT024050|2bisacsh
072 7|aDSBH|2thema
082 04|a809.04|223
090 |aEK/1371
100 1 |aPerrin, Tom.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 14|aThe Aesthetics of Middlebrow Fiction|h[electronic resource] :|bPopular US Novels, Modernism, and Form, 1945–75 /|cby Tom Perrin.
250 |a1st ed. 2015.
264 1|aNew York :|bPalgrave Macmillan US :|bImprint: Palgrave Macmillan,|c2015.
300 |aIX, 197 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aDuring the Cold War, many popular American novels were labelled "middlebrow," leading to a general belief that these texts held less intellectual merit. Perrin debunks these unfair assumptions through works by James Michener, Harper Lee, and Leon Uris, arguing that such writers made a major contribution to the tradition of American literature.
650 0|aLiterature, Modern|x20th century.
650 0|aAmerica|xLiteratures.
650 0|aLiterature|xPhilosophy.
650 0|aCulture|xStudy and teaching.
650 0|aLiterature|xHistory and criticism.
650 0|aFiction.
650 14|aTwentieth-Century Literature.
650 24|aNorth American Literature.
650 24|aLiterary Theory.
650 24|aCultural Theory.
650 24|aLiterary History.
650 24|aFiction Literature.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137541307
776 08|iPrinted edition:|z9781349573820
776 08|iPrinted edition:|z9781349573837
856 40|uhttps://doi.org/10.1057/9781137523952
912 |aZDB-2-PCO
912 |aZDB-2-SXL
950 |aPalgrave Literature Collection (SpringerNature-41141)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)