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008 170220s2016 xxu| s |||| 0|eng d
020 |a9781137441775|9978-1-137-44177-5
024 7 |a10.1057/978-1-137-44177-5|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN843-846
072 7|aDS|2bicssc
072 7|a1KB|2bicssc
072 7|aLIT004020|2bisacsh
072 7|aDS|x1KB|2thema
082 04|a809.897|223
090 |aEK/1515
100 1 |aCheung, King-Kok.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aChinese American Literature without Borders|h[electronic resource] :|bGender, Genre, and Form /|cby King-Kok Cheung.
250 |a1st ed. 2016.
264 1|aNew York :|bPalgrave Macmillan US :|bImprint: Palgrave Macmillan,|c2016.
300 |aXIV, 326 p. 4 illus., 3 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aIntroduction -- Part I Gender -- (S)wordswoman versus (S)wordsman: Maxine Hong Kingston and Frank Chin -- Manhood Besieged: Gus Lee and David Wong Louie -- Masculine Mystique: Xu Zhimo徐志摩, Younghill Kang, Pang-Mei Natasha Chang, and Anchee Min -- Art, Spirituality, and Ren or the Ethic of Care: Shawn Wong, Li-young Lee, and Russell C. Leong -- Part II Genre and Form -- In(ter)dependence in Chinese / American Life-Writing: Liang Qichao 梁启超, Hu Shi胡适, Shen Congwen沈从文, Maxine Hong Kingston, William Poy Lee, and Ruthanne Lum McCunn -- “Theorizing in Narrative Form”: Bing Xin冰心 -- (Im)migrant Writing, Moving Homelands: Ha Jin 哈金 -- Slanted Allusions: Marilyn Chin and Russell C. Leong -- Coda -- Selected Bibliography -- Index.
520 |aThis book bridges comparative literature and American studies by using an intercultural and bilingual approach to Chinese American literature. King-Kok Cheung launches a new transnational exchange by examining both Chinese and Chinese American writers. Part 1 presents alternative forms of masculinity that transcend conventional associations of valor with aggression. It examines gender refashioning in light of the Chinese dyadic ideal of wen-wu (verbal arts and martial arts), while redefining both in the process. Part 2 highlights the writers’ formal innovations by presenting alternative autobiography, theory, metafiction, and translation. In doing so, Cheung puts in relief the literary experiments of the writers, who interweave hybrid poetics with two-pronged geopolitical critiques. The writers examined provide a reflexive lens through which transpacific audiences are beckoned to view the “other” country and to look homeward without blinders. .
650 0|aAmerica|xLiteratures.
650 0|aOriental literature.
650 0|aLiterature|xPhilosophy.
650 0|aCulture|xStudy and teaching.
650 0|aSex.
650 0|aLiterature.
650 14|aNorth American Literature.
650 24|aAsian Literature.
650 24|aLiterary Theory.
650 24|aCultural Theory.
650 24|aGender Studies.
650 24|aWorld Literature.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137453532
776 08|iPrinted edition:|z9781349687015
776 08|iPrinted edition:|z9781349687008
856 40|uhttps://doi.org/10.1057/978-1-137-44177-5
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)