LEADER 02094nam a22005415i 4500
001 733996
003 TR_AnAIT
005 20250905032304
007 cr nn 008mamaa
008 160205s2016 xxk| s |||| 0|eng d
020 |a9781137534507|9978-1-137-53450-7
024 7 |a10.1057/9781137534507|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN2100-2193
072 7|aAN|2bicssc
072 7|aHBT|2bicssc
072 7|aPER011020|2bisacsh
072 7|aATD|2thema
072 7|aATY|2thema
082 04|a792.09|223
090 |aEK/1554
100 1 |aWalsh, Fintan.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aQueer Performance and Contemporary Ireland|h[electronic resource] :|bDissent and Disorientation /|cby Fintan Walsh.
250 |a1st ed. 2016.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2016.
300 |aIX, 189 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aContemporary Performance InterActions,|x2634-5889
520 |aThis book examines the surge of queer performance produced across Ireland since the first stirrings of the Celtic Tiger in the mid-1990s, up to the passing of the Marriage Equality referendum in the Republic in 2015.
650 0|aTheater|xHistory.
650 0|aPerforming arts.
650 0|aTheater.
650 0|aArts.
650 14|aTheatre History.
650 24|aTheatre and Performance Arts.
650 24|aArts.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137534491
776 08|iPrinted edition:|z9781349570300
776 08|iPrinted edition:|z9781349570317
830 0|aContemporary Performance InterActions,|x2634-5889
856 40|uhttps://doi.org/10.1057/9781137534507
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)