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008 161126s2016 xxk| s |||| 0|eng d
020 |a9781137583741|9978-1-137-58374-1
024 7 |a10.1057/978-1-137-58374-1|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1995
072 7|aAPFA|2bicssc
072 7|aPER004000|2bisacsh
072 7|aATFA|2thema
082 04|a791.4301|223
090 |aEK/1701
100 1 |aGronstad, Asbjorn.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aFilm and the Ethical Imagination|h[electronic resource] /|cby Asbjorn Gronstad.
250 |a1st ed. 2016.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2016.
300 |aXIII, 260 p. 12 illus., 11 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aIntroduction -- Part I: Ethics -- From an ethics of transgression to a general ethics of form -- Optics as an Ethics -- The Return of Ethics in Literary Studies -- Screen Ethics before the Ethical Turn -- The Ethical Turn in Film and Visual Culture: From Content to Form -- The Responsibility of Forms -- Six Theses on the Ethical Imagination -- Part II: Imagination -- Ethical Intimacy and the Cinematic Face -- Slow Cinema and the Ethics of Duration -- The Ethics of Dying -- A Cinema of Gestures -- Ethics, Politics and the Question of Form -- The Ethical Image Between Fiction and Politics -- The Ethics of Matter and Memory -- Bioscreens -- Film Visions, Planetary Ethics -- .
520 |aThis book provides a comprehensive, critical overview of the turn to ethics in literature, film, and visual culture. It discusses the concept of a biovisual ethics, offering a new theory of the relation between film and ethics based on the premise that images are capable of generating their own ethical content. This ethics operates hermeneutically and materializes in cinema’s unique power to show us other modes of being. The author considers a wealth of contemporary art films and documentaries that embody ethical issues through the very form of the text. The ethical imagination generated by films such as The Nine Muses, Post Tenebras Lux, Amour, and Nostalgia For the Light is crucially defined by openness, uncertainty, opacity, and the refusal of hegemonic practices of visual representation.
650 0|aMotion pictures.
650 0|aEthics.
650 0|aMotion pictures|xGreat Britain.
650 14|aFilm Theory.
650 24|aMoral Philosophy and Applied Ethics.
650 24|aBritish Film and TV.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137583734
776 08|iPrinted edition:|z9781349844531
776 08|iPrinted edition:|z9781349844548
856 40|uhttps://doi.org/10.1057/978-1-137-58374-1
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)