Posthumanism and Latin(x) American Science Fiction [electronic resource] / edited by Antonio Córdoba, Emily A. Maguire.
Posthumanism and Latin(x) American Science Fiction
EK/1794
Erişim Adresi
ISBN
9783031117916
Yer Numarası
EK/1794
Basım Bildirimi
1st ed. 2023.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2023.
Fiziksel Niteleme
XIII, 257 p. 2 illus. online resource.
Dizi
Studies in Global Science Fiction, 2569-8834
İçindekiler Notu
Introduction: “Posthumanism and Speculative Aesthetics in Latin(x) American Science Fiction” -- Chapter 1. “Prosthetic Futures: Disability and Genre Self-Consciousness in Maielis González Fernández’s Sobre los nerds y otras criaturas mitológicas.” Ana Ugarte Fernández, College of the Holy Cross -- Chapter 2. “We Have Always Been Posthuman: Virtus and the Reconfiguration of the Lettered Subject.” Miguel García, Fordham University -- Chapter 3. “Does the Posthuman Actually Exist in Mexico? A Critique of the Essayistic Production on the Posthuman Written by Mexicans (2001-2007).” Stephen Tobin, UCLA -- Chapter 4. Maia Gil’Adi, “Fukú, Postapocalyptic Haunting, and Science-Fiction Embodiment in Junot Díaz’s ‘Monstro.’” Maia Gil’Adi, University of Massachusetts-Lowell -- Chapter 5. “Villa Epecuén: Slow Violence and the Posthuman Film Set.” Jonathan Risner, Indiana University -- Chapter 6. Catfish and Nanobots: Invasive Species and Eco-Critical Futures in Alejandro RojasMedina’s Chunga Maya, Samuel Ginsburg, Washington State University -- - Chapter 7. “Cyborgs in the Margins: Indigeneity in ‘El Cementerio de Elefantes,’ by Miguel Esquirol.” Liliana Colanzi, Cornell University -- Chapter 8. “Race, Performance and the Discipline of the Body in Brazil’s Dystopian Thriller 3%.” M. Elizabeth Ginway, University of Florida -- Chapter 9. “Bruja Theory: On Witches and Worldmaking.” William Orchard, Queens College of the City University of New York -- Afterword: “Posthuman Subjectivity in Latin America: Changing the Conversation.” Silvia Kurlat Ares.
Özet, vb.
This volume explores how Latin American and Latinx creators have engaged science fiction to explore posthumanist thought. Contributors reflect on how Latin American and Latinx speculative art conceptualizes the operations of other, non-human forms of agency, and engages in environmentalist theory in ways that are estranging and open to new forms of species companionship. Essays cover literature, film, TV shows, and music, grouped in three sections: “Posthumanist Subjects” examines Latin(x) American iterations of some of the most common figurations of the posthuman, such as the cyborg and virtual environments and selves; “Slow Violence and Environmental Threats” understands that posthumanist meditations in the hemisphere take place in a material and cultural context shaped by the catastrophic destruction of the environment; the chapters in “Posthumanist Others” shows how the reimagination of the self and the world that posthumanism offers may be an opportunity to break the hold that oppressive systems have over the ways in which societies are constructed and governed. Antonio Córdoba is Associate Professor of Modern Languages and Literatures at Manhattan College, USA. His main area of specialization is Latin American and Iberian science fiction. He has published ¿Extranjero en tierra extraña?: El género de la ciencia ficción en América Latina (2011) and published articles and book chapters on Latin American and Spanish science fiction and horror. Emily A. Maguire is Associate Professor of Spanish and Portuguese at Northwestern University, USA, where she specializes in literature of the Hispanic Caribbean and its diasporas. The author of Racial Experiments in Cuban Literature and Ethnography (2011; 2nd edition, 2018), her articles have appeared in Revista de Estudios Hispánicos, Small Axe, A Contracorriente, ASAP/Journal, and Revista Iberoamericana, among other places.
Konu
Latin American literature.
Fiction.
Motion pictures, American.
Ethnology __ Latin America.
Culture.
Latin American/Caribbean Literature.
Fiction Literature.
Latin American Film and TV.
Latin American Culture.
Fiction.
Motion pictures, American.
Ethnology __ Latin America.
Culture.
Latin American/Caribbean Literature.
Fiction Literature.
Latin American Film and TV.
Latin American Culture.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
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Dijital Kaynak
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250 |a1st ed. 2023.
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505 0 |aIntroduction: “Posthumanism and Speculative Aesthetics in Latin(x) American Science Fiction” -- Chapter 1. “Prosthetic Futures: Disability and Genre Self-Consciousness in Maielis González Fernández’s Sobre los nerds y otras criaturas mitológicas.” Ana Ugarte Fernández, College of the Holy Cross -- Chapter 2. “We Have Always Been Posthuman: Virtus and the Reconfiguration of the Lettered Subject.” Miguel García, Fordham University -- Chapter 3. “Does the Posthuman Actually Exist in Mexico? A Critique of the Essayistic Production on the Posthuman Written by Mexicans (2001-2007).” Stephen Tobin, UCLA -- Chapter 4. Maia Gil’Adi, “Fukú, Postapocalyptic Haunting, and Science-Fiction Embodiment in Junot Díaz’s ‘Monstro.’” Maia Gil’Adi, University of Massachusetts-Lowell -- Chapter 5. “Villa Epecuén: Slow Violence and the Posthuman Film Set.” Jonathan Risner, Indiana University -- Chapter 6. Catfish and Nanobots: Invasive Species and Eco-Critical Futures in Alejandro RojasMedina’s Chunga Maya, Samuel Ginsburg, Washington State University -- - Chapter 7. “Cyborgs in the Margins: Indigeneity in ‘El Cementerio de Elefantes,’ by Miguel Esquirol.” Liliana Colanzi, Cornell University -- Chapter 8. “Race, Performance and the Discipline of the Body in Brazil’s Dystopian Thriller 3%.” M. Elizabeth Ginway, University of Florida -- Chapter 9. “Bruja Theory: On Witches and Worldmaking.” William Orchard, Queens College of the City University of New York -- Afterword: “Posthuman Subjectivity in Latin America: Changing the Conversation.” Silvia Kurlat Ares.
520 |aThis volume explores how Latin American and Latinx creators have engaged science fiction to explore posthumanist thought. Contributors reflect on how Latin American and Latinx speculative art conceptualizes the operations of other, non-human forms of agency, and engages in environmentalist theory in ways that are estranging and open to new forms of species companionship. Essays cover literature, film, TV shows, and music, grouped in three sections: “Posthumanist Subjects” examines Latin(x) American iterations of some of the most common figurations of the posthuman, such as the cyborg and virtual environments and selves; “Slow Violence and Environmental Threats” understands that posthumanist meditations in the hemisphere take place in a material and cultural context shaped by the catastrophic destruction of the environment; the chapters in “Posthumanist Others” shows how the reimagination of the self and the world that posthumanism offers may be an opportunity to break the hold that oppressive systems have over the ways in which societies are constructed and governed. Antonio Córdoba is Associate Professor of Modern Languages and Literatures at Manhattan College, USA. His main area of specialization is Latin American and Iberian science fiction. He has published ¿Extranjero en tierra extraña?: El género de la ciencia ficción en América Latina (2011) and published articles and book chapters on Latin American and Spanish science fiction and horror. Emily A. Maguire is Associate Professor of Spanish and Portuguese at Northwestern University, USA, where she specializes in literature of the Hispanic Caribbean and its diasporas. The author of Racial Experiments in Cuban Literature and Ethnography (2011; 2nd edition, 2018), her articles have appeared in Revista de Estudios Hispánicos, Small Axe, A Contracorriente, ASAP/Journal, and Revista Iberoamericana, among other places.
650 0|aLatin American literature.
650 0|aFiction.
650 0|aMotion pictures, American.
650 0|aEthnology|xLatin America.
650 0|aCulture.
650 14|aLatin American/Caribbean Literature.
650 24|aFiction Literature.
650 24|aLatin American Film and TV.
650 24|aLatin American Culture.
700 1 |aCórdoba, Antonio.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aMaguire, Emily A.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031117909
776 08|iPrinted edition:|z9783031117923
776 08|iPrinted edition:|z9783031117930
830 0|aStudies in Global Science Fiction,|x2569-8834
856 40|uhttps://doi.org/10.1007/978-3-031-11791-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 734236
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005 20250905031936
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020 |a9783031117916|9978-3-031-11791-6
024 7 |a10.1007/978-3-031-11791-6|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN849.L29-.L292
072 7|aDSBH5|2bicssc
072 7|a1K|2bicssc
072 7|aLIT004100|2bisacsh
072 7|aDSBH5|x1K|2thema
082 04|a809.898|223
090 |aEK/1794
245 10|aPosthumanism and Latin(x) American Science Fiction|h[electronic resource] /|cedited by Antonio Córdoba, Emily A. Maguire.
250 |a1st ed. 2023.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2023.
300 |aXIII, 257 p. 2 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aStudies in Global Science Fiction,|x2569-8834
505 0 |aIntroduction: “Posthumanism and Speculative Aesthetics in Latin(x) American Science Fiction” -- Chapter 1. “Prosthetic Futures: Disability and Genre Self-Consciousness in Maielis González Fernández’s Sobre los nerds y otras criaturas mitológicas.” Ana Ugarte Fernández, College of the Holy Cross -- Chapter 2. “We Have Always Been Posthuman: Virtus and the Reconfiguration of the Lettered Subject.” Miguel García, Fordham University -- Chapter 3. “Does the Posthuman Actually Exist in Mexico? A Critique of the Essayistic Production on the Posthuman Written by Mexicans (2001-2007).” Stephen Tobin, UCLA -- Chapter 4. Maia Gil’Adi, “Fukú, Postapocalyptic Haunting, and Science-Fiction Embodiment in Junot Díaz’s ‘Monstro.’” Maia Gil’Adi, University of Massachusetts-Lowell -- Chapter 5. “Villa Epecuén: Slow Violence and the Posthuman Film Set.” Jonathan Risner, Indiana University -- Chapter 6. Catfish and Nanobots: Invasive Species and Eco-Critical Futures in Alejandro RojasMedina’s Chunga Maya, Samuel Ginsburg, Washington State University -- - Chapter 7. “Cyborgs in the Margins: Indigeneity in ‘El Cementerio de Elefantes,’ by Miguel Esquirol.” Liliana Colanzi, Cornell University -- Chapter 8. “Race, Performance and the Discipline of the Body in Brazil’s Dystopian Thriller 3%.” M. Elizabeth Ginway, University of Florida -- Chapter 9. “Bruja Theory: On Witches and Worldmaking.” William Orchard, Queens College of the City University of New York -- Afterword: “Posthuman Subjectivity in Latin America: Changing the Conversation.” Silvia Kurlat Ares.
520 |aThis volume explores how Latin American and Latinx creators have engaged science fiction to explore posthumanist thought. Contributors reflect on how Latin American and Latinx speculative art conceptualizes the operations of other, non-human forms of agency, and engages in environmentalist theory in ways that are estranging and open to new forms of species companionship. Essays cover literature, film, TV shows, and music, grouped in three sections: “Posthumanist Subjects” examines Latin(x) American iterations of some of the most common figurations of the posthuman, such as the cyborg and virtual environments and selves; “Slow Violence and Environmental Threats” understands that posthumanist meditations in the hemisphere take place in a material and cultural context shaped by the catastrophic destruction of the environment; the chapters in “Posthumanist Others” shows how the reimagination of the self and the world that posthumanism offers may be an opportunity to break the hold that oppressive systems have over the ways in which societies are constructed and governed. Antonio Córdoba is Associate Professor of Modern Languages and Literatures at Manhattan College, USA. His main area of specialization is Latin American and Iberian science fiction. He has published ¿Extranjero en tierra extraña?: El género de la ciencia ficción en América Latina (2011) and published articles and book chapters on Latin American and Spanish science fiction and horror. Emily A. Maguire is Associate Professor of Spanish and Portuguese at Northwestern University, USA, where she specializes in literature of the Hispanic Caribbean and its diasporas. The author of Racial Experiments in Cuban Literature and Ethnography (2011; 2nd edition, 2018), her articles have appeared in Revista de Estudios Hispánicos, Small Axe, A Contracorriente, ASAP/Journal, and Revista Iberoamericana, among other places.
650 0|aLatin American literature.
650 0|aFiction.
650 0|aMotion pictures, American.
650 0|aEthnology|xLatin America.
650 0|aCulture.
650 14|aLatin American/Caribbean Literature.
650 24|aFiction Literature.
650 24|aLatin American Film and TV.
650 24|aLatin American Culture.
700 1 |aCórdoba, Antonio.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aMaguire, Emily A.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031117909
776 08|iPrinted edition:|z9783031117923
776 08|iPrinted edition:|z9783031117930
830 0|aStudies in Global Science Fiction,|x2569-8834
856 40|uhttps://doi.org/10.1007/978-3-031-11791-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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