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020 |a9781137469731|9978-1-137-46973-1
024 7 |a10.1057/978-1-137-46973-1|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1560-1590
050 4|aPN2000-3307
072 7|aAN|2bicssc
072 7|aPER000000|2bisacsh
072 7|aAT|2thema
082 04|a790|223
090 |aEK/1875
100 1 |aMcIvor, Charlotte.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aMigration and Performance in Contemporary Ireland|h[electronic resource] :|bTowards a New Interculturalism /|cby Charlotte McIvor.
250 |a1st ed. 2016.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2016.
300 |aXIII, 296 p. 7 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aContemporary Performance InterActions,|x2634-5889
505 0 |aIntroduction. Towards a New Interculturalism? -- Part I. Intercultural Production Infrastructures. -- Chapter 1. Playboy of the Western World and Old/New Interculturalisms -- Chapter 2. Casting, Translation and Adaptation as Interculturalism-from-Below -- Part II. Producing the Intercultural Subject -- Chapter 3. Performing Historical Duty -- Chapter 4. Labour(ed) Relations: Migrant Women and Performative Labour -- Part III. Intercultural Publics -- Chapter 5. Community Theatre as Active Citizenship -- Chapter 6. Essences of Social Change -- Conclusion. The “New Irish”? .
520 |aThis book investigates Ireland’s translation of interculturalism as social policy into aesthetic practice and situates the wider implications of this ‘new interculturalism’ for theatre and performance studies at large. Offering the first full-length, post-1990s study of the effect of large-scale immigration and interculturalism as social policy on Irish theatre and performance, McIvor argues that inward-migration changes most of what can be assumed about Irish theatre and performance and its relationship to national identity. By using case studies that include theatre, dance, photography, and activist actions, this book works through major debates over aesthetic interculturalism in theatre and performance studies post-1970s and analyses Irish social interculturalism in a contemporary European social and cultural policy context. Drawing together the work of professional and community practitioners who frequently identify as both artists and activists, Migration and Performance in Contemporary Ireland proposes a new paradigm for the study of Irish theatre and performance while contributing to the wider investigation of migration and performance. .
650 0|aPerforming arts.
650 0|aTheater.
650 0|aCulture|xStudy and teaching.
650 0|aEmigration and immigration.
650 14|aTheatre and Performance Arts.
650 24|aCultural Theory.
650 24|aHuman Migration.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137469724
776 08|iPrinted edition:|z9781349691722
776 08|iPrinted edition:|z9781349691715
830 0|aContemporary Performance InterActions,|x2634-5889
856 40|uhttps://doi.org/10.1057/978-1-137-46973-1
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)