Cultures of Comics Work [electronic resource] / edited by Casey Brienza, Paddy Johnston.
Cultures of Comics Work
EK/1913
Erişim Adresi
ISBN
9781137550903
Yer Numarası
EK/1913
Basım Bildirimi
1st ed. 2016.
Yayın Bilgisi
New York : Palgrave Macmillan US : Imprint: Palgrave Macmillan, 2016.
Fiziksel Niteleme
XVIII, 308 p. 6 illus. in color. online resource.
Dizi
Palgrave Studies in Comics and Graphic Novels, 2634-6389
İçindekiler Notu
.Introduction; Casey Brienza and Paddy Johnston -- Part I: Locating Labor -- 1 Between Art and the Underground in India; Jeremy Stoll -- 2 For the Love of the Craft: Industry, Identity, and Australian Comics; Amy Louise Maynard -- 3 Imagining US-Mexican Cooperation in the World War II Propaganda Comic Book Nuestro Futuro; Elena D. Hristova -- 4 From Turtles to Topatoco: A Brief History of Comics Production in the Pioneer Valley; Ryan Cadrette -- 5 Recognizing Comics as Brazilian National Popular Culture: CEPTA and the Debates over Professional Identities in Comics; Ivan Lima Gomes -- 6 Gatekeeping by Belgian Comics Publishing Houses Dupuis and Lombard in the mid-1980s; Pascal Lefèvre -- Part II: Illustrating Workers -- 7 An Anatomy of Collaboration in Comics: Romantic Genius vs. The Team; Brenna Clarke Gray and Peter Wilkins -- 8 Creating Comics as Artisans: The Comics Creators of Columbia, 1998-2014; Fernando Suárez and Enrique Uribe-Jongbloed -- 9 Under the Radar: John Porcellino's King-Cat Comics and Self-Publishing as Cultural Work; Paddy Johnston -- 10 Bearing Witness and Telling It How It Is: The Collaborative Creation of Dans les griffes de la vipère; Annick Pelligrin -- 11 Negotiating Artistic Identity in Comics Collaboration; Ahmed Jameel -- 12 Comic Book Rock Stars? Making Sense of Work in Comics; Benjamin Woo -- Part III: Pushing the Boundaries -- 13 Subcultural Clusters and Blurry Boundaries: Localized Manga Production in Hungary; Zoltan Kacsuk -- 14 The Tail That Wags the Dog: The Impact of Distribution on the Development and Direction of the American Comics Industry; David K. Palmer -- 15 Drawing Fatherhood: The Working Father Figure in the Autobiographical Novels of Guy Delisle; Roei Davidson -- 16 Towards Maturity: Analyzing the Tetrahedral System of the Comics Industry in Spain; José Andrés Santiago Iglesias -- 17 Crowdfunding and Comics in Brazil; André Pereira de Carvalho -- 18 A Fumetto, a Comic, and a BD Walk into a Bar: Translation of Humor in Comics; Alex Valente.
Özet, vb.
This anthology explores tensions between the individualistic artistic ideals and the collective industrial realities of contemporary cultural production with eighteen all-new chapters presenting pioneering empirical research on the complexities and controversies of comics work. Art Spiegelman. Alan Moore. Osamu Tezuka. Neil Gaiman. Names such as these have become synonymous with the medium of comics. Meanwhile, the large numbers of people without whose collective action no comic book would ever exist in the first place are routinely overlooked. Cultures of Comics Work unveils this hidden, global industrial labor of writers, illustrators, graphic designers, letterers, editors, printers, typesetters, publicists, publishers, distributors, translators, retailers, and countless others both directly and indirectly involved in the creative production of what is commonly thought of as the comic book. Drawing upon diverse theoretical and methodological perspectives, an international and interdisciplinary cohort of cutting-edge researchers and practitioners intervenes in debates about cultural work and paves innovative directions for comics scholarship.
Konu
Ethnology.
Culture.
Literature.
Communication.
Arts.
Culture __ Study and teaching.
Regional Cultural Studies.
Literature.
Media and Communication.
Arts.
Cultural Studies.
Fine Art.
Culture.
Literature.
Communication.
Arts.
Culture __ Study and teaching.
Regional Cultural Studies.
Literature.
Media and Communication.
Arts.
Cultural Studies.
Fine Art.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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049 |aTürk Dil Kurumu Kütüphanesi
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245 10|aCultures of Comics Work|h[electronic resource] /|cedited by Casey Brienza, Paddy Johnston.
250 |a1st ed. 2016.
264 1|aNew York :|bPalgrave Macmillan US :|bImprint: Palgrave Macmillan,|c2016.
300 |aXVIII, 308 p. 6 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in Comics and Graphic Novels,|x2634-6389
505 0 |a.Introduction; Casey Brienza and Paddy Johnston -- Part I: Locating Labor -- 1 Between Art and the Underground in India; Jeremy Stoll -- 2 For the Love of the Craft: Industry, Identity, and Australian Comics; Amy Louise Maynard -- 3 Imagining US-Mexican Cooperation in the World War II Propaganda Comic Book Nuestro Futuro; Elena D. Hristova -- 4 From Turtles to Topatoco: A Brief History of Comics Production in the Pioneer Valley; Ryan Cadrette -- 5 Recognizing Comics as Brazilian National Popular Culture: CEPTA and the Debates over Professional Identities in Comics; Ivan Lima Gomes -- 6 Gatekeeping by Belgian Comics Publishing Houses Dupuis and Lombard in the mid-1980s; Pascal Lefèvre -- Part II: Illustrating Workers -- 7 An Anatomy of Collaboration in Comics: Romantic Genius vs. The Team; Brenna Clarke Gray and Peter Wilkins -- 8 Creating Comics as Artisans: The Comics Creators of Columbia, 1998-2014; Fernando Suárez and Enrique Uribe-Jongbloed -- 9 Under the Radar: John Porcellino's King-Cat Comics and Self-Publishing as Cultural Work; Paddy Johnston -- 10 Bearing Witness and Telling It How It Is: The Collaborative Creation of Dans les griffes de la vipère; Annick Pelligrin -- 11 Negotiating Artistic Identity in Comics Collaboration; Ahmed Jameel -- 12 Comic Book Rock Stars? Making Sense of Work in Comics; Benjamin Woo -- Part III: Pushing the Boundaries -- 13 Subcultural Clusters and Blurry Boundaries: Localized Manga Production in Hungary; Zoltan Kacsuk -- 14 The Tail That Wags the Dog: The Impact of Distribution on the Development and Direction of the American Comics Industry; David K. Palmer -- 15 Drawing Fatherhood: The Working Father Figure in the Autobiographical Novels of Guy Delisle; Roei Davidson -- 16 Towards Maturity: Analyzing the Tetrahedral System of the Comics Industry in Spain; José Andrés Santiago Iglesias -- 17 Crowdfunding and Comics in Brazil; André Pereira de Carvalho -- 18 A Fumetto, a Comic, and a BD Walk into a Bar: Translation of Humor in Comics; Alex Valente.
520 |aThis anthology explores tensions between the individualistic artistic ideals and the collective industrial realities of contemporary cultural production with eighteen all-new chapters presenting pioneering empirical research on the complexities and controversies of comics work. Art Spiegelman. Alan Moore. Osamu Tezuka. Neil Gaiman. Names such as these have become synonymous with the medium of comics. Meanwhile, the large numbers of people without whose collective action no comic book would ever exist in the first place are routinely overlooked. Cultures of Comics Work unveils this hidden, global industrial labor of writers, illustrators, graphic designers, letterers, editors, printers, typesetters, publicists, publishers, distributors, translators, retailers, and countless others both directly and indirectly involved in the creative production of what is commonly thought of as the comic book. Drawing upon diverse theoretical and methodological perspectives, an international and interdisciplinary cohort of cutting-edge researchers and practitioners intervenes in debates about cultural work and paves innovative directions for comics scholarship.
650 0|aEthnology.
650 0|aCulture.
650 0|aLiterature.
650 0|aCommunication.
650 0|aArts.
650 0|aCulture|xStudy and teaching.
650 14|aRegional Cultural Studies.
650 24|aLiterature.
650 24|aMedia and Communication.
650 24|aArts.
650 24|aCultural Studies.
650 24|aFine Art.
700 1 |aBrienza, Casey.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aJohnston, Paddy.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137554772
776 08|iPrinted edition:|z9781349716968
776 08|iPrinted edition:|z9781349716951
830 0|aPalgrave Studies in Comics and Graphic Novels,|x2634-6389
856 40|uhttps://doi.org/10.1057/978-1-137-55090-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 734355
003 TR_AnAIT
005 20250905031751
007 cr nn 008mamaa
008 161205s2016 xxu| s |||| 0|eng d
020 |a9781137550903|9978-1-137-55090-3
024 7 |a10.1057/978-1-137-55090-3|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aGN550-674
072 7|aJFC|2bicssc
072 7|aSOC053000|2bisacsh
072 7|aJBCC|2thema
082 04|a306.091|223
090 |aEK/1913
245 10|aCultures of Comics Work|h[electronic resource] /|cedited by Casey Brienza, Paddy Johnston.
250 |a1st ed. 2016.
264 1|aNew York :|bPalgrave Macmillan US :|bImprint: Palgrave Macmillan,|c2016.
300 |aXVIII, 308 p. 6 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in Comics and Graphic Novels,|x2634-6389
505 0 |a.Introduction; Casey Brienza and Paddy Johnston -- Part I: Locating Labor -- 1 Between Art and the Underground in India; Jeremy Stoll -- 2 For the Love of the Craft: Industry, Identity, and Australian Comics; Amy Louise Maynard -- 3 Imagining US-Mexican Cooperation in the World War II Propaganda Comic Book Nuestro Futuro; Elena D. Hristova -- 4 From Turtles to Topatoco: A Brief History of Comics Production in the Pioneer Valley; Ryan Cadrette -- 5 Recognizing Comics as Brazilian National Popular Culture: CEPTA and the Debates over Professional Identities in Comics; Ivan Lima Gomes -- 6 Gatekeeping by Belgian Comics Publishing Houses Dupuis and Lombard in the mid-1980s; Pascal Lefèvre -- Part II: Illustrating Workers -- 7 An Anatomy of Collaboration in Comics: Romantic Genius vs. The Team; Brenna Clarke Gray and Peter Wilkins -- 8 Creating Comics as Artisans: The Comics Creators of Columbia, 1998-2014; Fernando Suárez and Enrique Uribe-Jongbloed -- 9 Under the Radar: John Porcellino's King-Cat Comics and Self-Publishing as Cultural Work; Paddy Johnston -- 10 Bearing Witness and Telling It How It Is: The Collaborative Creation of Dans les griffes de la vipère; Annick Pelligrin -- 11 Negotiating Artistic Identity in Comics Collaboration; Ahmed Jameel -- 12 Comic Book Rock Stars? Making Sense of Work in Comics; Benjamin Woo -- Part III: Pushing the Boundaries -- 13 Subcultural Clusters and Blurry Boundaries: Localized Manga Production in Hungary; Zoltan Kacsuk -- 14 The Tail That Wags the Dog: The Impact of Distribution on the Development and Direction of the American Comics Industry; David K. Palmer -- 15 Drawing Fatherhood: The Working Father Figure in the Autobiographical Novels of Guy Delisle; Roei Davidson -- 16 Towards Maturity: Analyzing the Tetrahedral System of the Comics Industry in Spain; José Andrés Santiago Iglesias -- 17 Crowdfunding and Comics in Brazil; André Pereira de Carvalho -- 18 A Fumetto, a Comic, and a BD Walk into a Bar: Translation of Humor in Comics; Alex Valente.
520 |aThis anthology explores tensions between the individualistic artistic ideals and the collective industrial realities of contemporary cultural production with eighteen all-new chapters presenting pioneering empirical research on the complexities and controversies of comics work. Art Spiegelman. Alan Moore. Osamu Tezuka. Neil Gaiman. Names such as these have become synonymous with the medium of comics. Meanwhile, the large numbers of people without whose collective action no comic book would ever exist in the first place are routinely overlooked. Cultures of Comics Work unveils this hidden, global industrial labor of writers, illustrators, graphic designers, letterers, editors, printers, typesetters, publicists, publishers, distributors, translators, retailers, and countless others both directly and indirectly involved in the creative production of what is commonly thought of as the comic book. Drawing upon diverse theoretical and methodological perspectives, an international and interdisciplinary cohort of cutting-edge researchers and practitioners intervenes in debates about cultural work and paves innovative directions for comics scholarship.
650 0|aEthnology.
650 0|aCulture.
650 0|aLiterature.
650 0|aCommunication.
650 0|aArts.
650 0|aCulture|xStudy and teaching.
650 14|aRegional Cultural Studies.
650 24|aLiterature.
650 24|aMedia and Communication.
650 24|aArts.
650 24|aCultural Studies.
650 24|aFine Art.
700 1 |aBrienza, Casey.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aJohnston, Paddy.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137554772
776 08|iPrinted edition:|z9781349716968
776 08|iPrinted edition:|z9781349716951
830 0|aPalgrave Studies in Comics and Graphic Novels,|x2634-6389
856 40|uhttps://doi.org/10.1057/978-1-137-55090-3
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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