Fashion and Feeling [electronic resource] : The Affective Politics of Dress / edited by Roberto Filippello, Ilya Parkins.
Fashion and Feeling
EK/2017
Erişim Adresi
ISBN
9783031191008
Yer Numarası
EK/2017
Basım Bildirimi
1st ed. 2023.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2023.
Fiziksel Niteleme
XVI, 337 p. 19 illus., 15 illus. in color. online resource.
Dizi
Palgrave Studies in Fashion and the Body
İçindekiler Notu
1.Introduction -- Feeling Wardrobe Histories -- 2. “Closet Feelings” -- 3. “Militarized Comfort: How to Feel Naked While Wearing Clothes”.-4. “Costume Design and Emotional Communication in 1940s British Cinema” -- 5. “Can Fashion Feel?” -- Reparative Fashion -- 6. “Designing Clothes For and From Love: Disability Justice and Fashion Hacking” -- 7. “Beading is Medicine: Beading as a Therapeutic and Decolonial Practice” -- 8. “All that Cloth Can Carry (on a Queer Body)” -- 9. “Looking Like a Woman, Feeling Like a Woman, Sensing the Self: Affective and Emotional Dimensions of Dress Therapy” -- Stasis and Transformation in Fashion -- 10. “Dirty Pretty Things: Stains, Ambivalence and the Traces of Feeling” -- 11. “Making Peace Sensational: Designs for the Nobel Prizes” -- 12. “Glamour Magick, Affective Witchcraft, and Occult Fashion-abilities” -- 13. “Fashion Studies at a Turning Point” -- Affective Embodiment in Media -- 14. “Melancholy Fashion inAotearoa New Zealand” -- 15. “On Boredom and Contemporary Fashion Photography” -- 16. “Hair Dressing: Fetish, School Uniforms and Shōjo in ‘Cocoon Entwined’” -- 17. “What’s Getting Us Through: Grazia UK as Affective Intimate Public During the Coronavirus Pandemic” -- 18. Afterword.
Özet, vb.
Fashion and Feeling: The Affective Politics of Dress explores the complex nexus of fashion and the feeling body from a variety of critical perspectives across fashion studies, anthropology, sociology, design practice, and media studies. It asks such questions as: What does fashion look and feel like in an age dominated by amplified anxiety, isolation, depression, and precariousness? How are feelings woven into clothing and mobilized through fashion practices in ways that might sustain living with a sense of ongoing crisis? Does fashion have the potential to help us reimagine new lifeworlds which might be reinvigorating? In other words, how is fashion engaging with the “bad,” the “good,” and the ambivalent feelings associated with our personal and collective histories, with our troubled political present, and with our imagined future? Despite such diverse and scattered contributions, the potentialities of “feeling” for the study of fashion arestill largely neglected. This edited volume seeks to tease out possible avenues of investigation of the clothed body and its representations through the lens of feeling. Roberto Filippello is a Killam Postdoctoral Research Fellow and a Teaching Fellow in Gender Studies at the University of British Columbia, Okanagan, Canada. Ilya Parkins is Associate Professor of Gender, Women and Sexuality Studies at the University of British Columbia, Okanagan, Canada.
Konu
Clothing and dress __ Social aspects.
Human body in popular culture.
Fashion and the Body.
Human body in popular culture.
Fashion and the Body.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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520 |aFashion and Feeling: The Affective Politics of Dress explores the complex nexus of fashion and the feeling body from a variety of critical perspectives across fashion studies, anthropology, sociology, design practice, and media studies. It asks such questions as: What does fashion look and feel like in an age dominated by amplified anxiety, isolation, depression, and precariousness? How are feelings woven into clothing and mobilized through fashion practices in ways that might sustain living with a sense of ongoing crisis? Does fashion have the potential to help us reimagine new lifeworlds which might be reinvigorating? In other words, how is fashion engaging with the “bad,” the “good,” and the ambivalent feelings associated with our personal and collective histories, with our troubled political present, and with our imagined future? Despite such diverse and scattered contributions, the potentialities of “feeling” for the study of fashion arestill largely neglected. This edited volume seeks to tease out possible avenues of investigation of the clothed body and its representations through the lens of feeling. Roberto Filippello is a Killam Postdoctoral Research Fellow and a Teaching Fellow in Gender Studies at the University of British Columbia, Okanagan, Canada. Ilya Parkins is Associate Professor of Gender, Women and Sexuality Studies at the University of British Columbia, Okanagan, Canada.
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650 0|aHuman body in popular culture.
650 14|aFashion and the Body.
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700 1 |aParkins, Ilya.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
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024 7 |a10.1007/978-3-031-19100-8|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aGT525
072 7|aJFC|2bicssc
072 7|aSOC032000|2bisacsh
072 7|aJBCC|2thema
082 04|a391|223
090 |aEK/2017
245 10|aFashion and Feeling|h[electronic resource] :|bThe Affective Politics of Dress /|cedited by Roberto Filippello, Ilya Parkins.
250 |a1st ed. 2023.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2023.
300 |aXVI, 337 p. 19 illus., 15 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in Fashion and the Body
505 0 |a1.Introduction -- Feeling Wardrobe Histories -- 2. “Closet Feelings” -- 3. “Militarized Comfort: How to Feel Naked While Wearing Clothes”.-4. “Costume Design and Emotional Communication in 1940s British Cinema” -- 5. “Can Fashion Feel?” -- Reparative Fashion -- 6. “Designing Clothes For and From Love: Disability Justice and Fashion Hacking” -- 7. “Beading is Medicine: Beading as a Therapeutic and Decolonial Practice” -- 8. “All that Cloth Can Carry (on a Queer Body)” -- 9. “Looking Like a Woman, Feeling Like a Woman, Sensing the Self: Affective and Emotional Dimensions of Dress Therapy” -- Stasis and Transformation in Fashion -- 10. “Dirty Pretty Things: Stains, Ambivalence and the Traces of Feeling” -- 11. “Making Peace Sensational: Designs for the Nobel Prizes” -- 12. “Glamour Magick, Affective Witchcraft, and Occult Fashion-abilities” -- 13. “Fashion Studies at a Turning Point” -- Affective Embodiment in Media -- 14. “Melancholy Fashion inAotearoa New Zealand” -- 15. “On Boredom and Contemporary Fashion Photography” -- 16. “Hair Dressing: Fetish, School Uniforms and Shōjo in ‘Cocoon Entwined’” -- 17. “What’s Getting Us Through: Grazia UK as Affective Intimate Public During the Coronavirus Pandemic” -- 18. Afterword.
520 |aFashion and Feeling: The Affective Politics of Dress explores the complex nexus of fashion and the feeling body from a variety of critical perspectives across fashion studies, anthropology, sociology, design practice, and media studies. It asks such questions as: What does fashion look and feel like in an age dominated by amplified anxiety, isolation, depression, and precariousness? How are feelings woven into clothing and mobilized through fashion practices in ways that might sustain living with a sense of ongoing crisis? Does fashion have the potential to help us reimagine new lifeworlds which might be reinvigorating? In other words, how is fashion engaging with the “bad,” the “good,” and the ambivalent feelings associated with our personal and collective histories, with our troubled political present, and with our imagined future? Despite such diverse and scattered contributions, the potentialities of “feeling” for the study of fashion arestill largely neglected. This edited volume seeks to tease out possible avenues of investigation of the clothed body and its representations through the lens of feeling. Roberto Filippello is a Killam Postdoctoral Research Fellow and a Teaching Fellow in Gender Studies at the University of British Columbia, Okanagan, Canada. Ilya Parkins is Associate Professor of Gender, Women and Sexuality Studies at the University of British Columbia, Okanagan, Canada.
650 0|aClothing and dress|xSocial aspects.
650 0|aHuman body in popular culture.
650 14|aFashion and the Body.
700 1 |aFilippello, Roberto.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aParkins, Ilya.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031190995
776 08|iPrinted edition:|z9783031191015
776 08|iPrinted edition:|z9783031191022
830 0|aPalgrave Studies in Fashion and the Body
856 40|uhttps://doi.org/10.1007/978-3-031-19100-8
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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