In the Shadow of The Birth of a Nation [electronic resource] : Racism, Reception and Resistance / edited by Melvyn Stokes, Paul McEwan.
In the Shadow of The Birth of a Nation
EK/2062
Erişim Adresi
ISBN
9783031047374
Yer Numarası
EK/2062
Basım Bildirimi
1st ed. 2023.
Yayın Bilgisi
Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2023.
Fiziksel Niteleme
XVIII, 310 p. 32 illus., 25 illus. in color. online resource.
İçindekiler Notu
Chapter 1: The Architects of The Birth of a Nation: Thomas Dixon, Jr. and David Wark Griffith -- Chapter 2: Blackface, Disguise and Invisibility in the Reception of The Birth of a Nation -- Chapter 3: The Birth of a Nation's “melodrama of pathos and action” : a tale of “national rebirth” -- Chapter 4: The Battle of Petersburg: Griffith’s “big scenes” -- Chapter 5: The Birth of a Nation Footage We Do Not Want to Find -- Chapter 6: Fixing The Birth of a Nation?: Hampton Institute and The New Era -- Chapter 7: A Most Serious Loss in Business”: Race, Citizenship and Protest in New Haven, Connecticut -- Chapter 8: Resisting The Birth of a Nation in Virginia -- Chapter 9: "At this time in this city”: Black Atlanta and the Premiere of The Birth of a Nation -- Chapter 10: The Meaning of Emancipation: African American Memory as a Challenge to The Birth of a Nation -- Chapter 11: Transatlantic “Structural Amnesia”: The Birth of A Nation in Britain 1915-16 -- Chapter 12: Black Horror on the Rhine”: D. W. Griffith's The Birth of a Nation and the French-occupied Rhineland after World War I -- Chapter 13: The Influence of The Birth of a Nation on South Africa: Film Culture and Race -- Chapter 14: “Should it Not Therefore Be Banned?”: Screening and Broadcasting The Birth of a Nation in Britain -- Chapter 15: “Still a North and a South”: The Birth of a Nation and National Trauma.
Özet, vb.
This collection brings together many of the world’s leading scholars on race and film to re-consider the legacy and impact of D.W. Griffith’s deeply racist 1915 epic The Birth of a Nation. While this film is often cited, there is a considerable dearth of substantial research on its initial impact and global reach. These essays fill important gaps in the history of the film, including essential work on its sources, international reception, and African American responses. This book is a key text in the history of the most infamous and controversial film ever made and offers crucial new insights to scholars and students working in film history, African American history and the history of race relations. Melvyn Stokes is Professor of Film History, University College London, UK. He is the author of D. W. Griffith’s “The Birth of a Nation”: A History of “The Most Controversial Movie of All Time” (2007) and several articles on D. W. Griffith, including “Race, Politics and Censorship: D. W. Griffith’s The Birth of a Nation in France, 1916−1923” (Cinema Journal, 2010). In 2015, he was the curator for the British Film Institute’s D. W. Griffith season. He has published 2 other books – Gilda (Palgrave/BFI, 2010) and American History through Hollywood Film (2013) – and edited a further 12 Paul McEwan is Professor of Media and Communication and Film Studies at Muhlenberg College, USA. He is the author of The Birth of a Nation (Palgrave/BFI, 2015), Cinema’s Original Sin: D. W. Griffith, American Racism, and the Rise of Film Culture (2022) and several articles and chapters on D. W. Griffith, including “The Legacy of Intolerance” in A Companion to D. W. Griffith (2018). He is also the author of Bruce McDonald’s Hard Core Logo (2011) and other essays on Canadian cinema.
Konu
Motion pictures __ History.
African Americans.
Culture.
Motion pictures, American.
Film and TV History.
African American Culture.
American Film and TV.
African Americans.
Culture.
Motion pictures, American.
Film and TV History.
African American Culture.
American Film and TV.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
LEADER 05156nam a22005175i 4500
001 734504
003 TR_AnAIT
005 20250905031543
007 cr nn 008mamaa
008 230314s2023 sz | s |||| 0|eng d
020 |a9783031047374|9978-3-031-04737-4
024 7 |a10.1007/978-3-031-04737-4|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1993.5
072 7|aAPFA|2bicssc
072 7|aPER004030|2bisacsh
072 7|aATFA|2thema
082 04|a791.409|223
090 |aEK/2062
245 10|aIn the Shadow of The Birth of a Nation|h[electronic resource] :|bRacism, Reception and Resistance /|cedited by Melvyn Stokes, Paul McEwan.
250 |a1st ed. 2023.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2023.
300 |aXVIII, 310 p. 32 illus., 25 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aChapter 1: The Architects of The Birth of a Nation: Thomas Dixon, Jr. and David Wark Griffith -- Chapter 2: Blackface, Disguise and Invisibility in the Reception of The Birth of a Nation -- Chapter 3: The Birth of a Nation's “melodrama of pathos and action” : a tale of “national rebirth” -- Chapter 4: The Battle of Petersburg: Griffith’s “big scenes” -- Chapter 5: The Birth of a Nation Footage We Do Not Want to Find -- Chapter 6: Fixing The Birth of a Nation?: Hampton Institute and The New Era -- Chapter 7: A Most Serious Loss in Business”: Race, Citizenship and Protest in New Haven, Connecticut -- Chapter 8: Resisting The Birth of a Nation in Virginia -- Chapter 9: "At this time in this city”: Black Atlanta and the Premiere of The Birth of a Nation -- Chapter 10: The Meaning of Emancipation: African American Memory as a Challenge to The Birth of a Nation -- Chapter 11: Transatlantic “Structural Amnesia”: The Birth of A Nation in Britain 1915-16 -- Chapter 12: Black Horror on the Rhine”: D. W. Griffith's The Birth of a Nation and the French-occupied Rhineland after World War I -- Chapter 13: The Influence of The Birth of a Nation on South Africa: Film Culture and Race -- Chapter 14: “Should it Not Therefore Be Banned?”: Screening and Broadcasting The Birth of a Nation in Britain -- Chapter 15: “Still a North and a South”: The Birth of a Nation and National Trauma.
520 |aThis collection brings together many of the world’s leading scholars on race and film to re-consider the legacy and impact of D.W. Griffith’s deeply racist 1915 epic The Birth of a Nation. While this film is often cited, there is a considerable dearth of substantial research on its initial impact and global reach. These essays fill important gaps in the history of the film, including essential work on its sources, international reception, and African American responses. This book is a key text in the history of the most infamous and controversial film ever made and offers crucial new insights to scholars and students working in film history, African American history and the history of race relations. Melvyn Stokes is Professor of Film History, University College London, UK. He is the author of D. W. Griffith’s “The Birth of a Nation”: A History of “The Most Controversial Movie of All Time” (2007) and several articles on D. W. Griffith, including “Race, Politics and Censorship: D. W. Griffith’s The Birth of a Nation in France, 1916−1923” (Cinema Journal, 2010). In 2015, he was the curator for the British Film Institute’s D. W. Griffith season. He has published 2 other books – Gilda (Palgrave/BFI, 2010) and American History through Hollywood Film (2013) – and edited a further 12 Paul McEwan is Professor of Media and Communication and Film Studies at Muhlenberg College, USA. He is the author of The Birth of a Nation (Palgrave/BFI, 2015), Cinema’s Original Sin: D. W. Griffith, American Racism, and the Rise of Film Culture (2022) and several articles and chapters on D. W. Griffith, including “The Legacy of Intolerance” in A Companion to D. W. Griffith (2018). He is also the author of Bruce McDonald’s Hard Core Logo (2011) and other essays on Canadian cinema.
650 0|aMotion pictures|xHistory.
650 0|aAfrican Americans.
650 0|aCulture.
650 0|aMotion pictures, American.
650 14|aFilm and TV History.
650 24|aAfrican American Culture.
650 24|aAmerican Film and TV.
700 1 |aStokes, Melvyn.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aMcEwan, Paul.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031047367
776 08|iPrinted edition:|z9783031047381
776 08|iPrinted edition:|z9783031047398
856 40|uhttps://doi.org/10.1007/978-3-031-04737-4
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 734504
003 TR_AnAIT
005 20250905031543
007 cr nn 008mamaa
008 230314s2023 sz | s |||| 0|eng d
020 |a9783031047374|9978-3-031-04737-4
024 7 |a10.1007/978-3-031-04737-4|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1993.5
072 7|aAPFA|2bicssc
072 7|aPER004030|2bisacsh
072 7|aATFA|2thema
082 04|a791.409|223
090 |aEK/2062
245 10|aIn the Shadow of The Birth of a Nation|h[electronic resource] :|bRacism, Reception and Resistance /|cedited by Melvyn Stokes, Paul McEwan.
250 |a1st ed. 2023.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2023.
300 |aXVIII, 310 p. 32 illus., 25 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aChapter 1: The Architects of The Birth of a Nation: Thomas Dixon, Jr. and David Wark Griffith -- Chapter 2: Blackface, Disguise and Invisibility in the Reception of The Birth of a Nation -- Chapter 3: The Birth of a Nation's “melodrama of pathos and action” : a tale of “national rebirth” -- Chapter 4: The Battle of Petersburg: Griffith’s “big scenes” -- Chapter 5: The Birth of a Nation Footage We Do Not Want to Find -- Chapter 6: Fixing The Birth of a Nation?: Hampton Institute and The New Era -- Chapter 7: A Most Serious Loss in Business”: Race, Citizenship and Protest in New Haven, Connecticut -- Chapter 8: Resisting The Birth of a Nation in Virginia -- Chapter 9: "At this time in this city”: Black Atlanta and the Premiere of The Birth of a Nation -- Chapter 10: The Meaning of Emancipation: African American Memory as a Challenge to The Birth of a Nation -- Chapter 11: Transatlantic “Structural Amnesia”: The Birth of A Nation in Britain 1915-16 -- Chapter 12: Black Horror on the Rhine”: D. W. Griffith's The Birth of a Nation and the French-occupied Rhineland after World War I -- Chapter 13: The Influence of The Birth of a Nation on South Africa: Film Culture and Race -- Chapter 14: “Should it Not Therefore Be Banned?”: Screening and Broadcasting The Birth of a Nation in Britain -- Chapter 15: “Still a North and a South”: The Birth of a Nation and National Trauma.
520 |aThis collection brings together many of the world’s leading scholars on race and film to re-consider the legacy and impact of D.W. Griffith’s deeply racist 1915 epic The Birth of a Nation. While this film is often cited, there is a considerable dearth of substantial research on its initial impact and global reach. These essays fill important gaps in the history of the film, including essential work on its sources, international reception, and African American responses. This book is a key text in the history of the most infamous and controversial film ever made and offers crucial new insights to scholars and students working in film history, African American history and the history of race relations. Melvyn Stokes is Professor of Film History, University College London, UK. He is the author of D. W. Griffith’s “The Birth of a Nation”: A History of “The Most Controversial Movie of All Time” (2007) and several articles on D. W. Griffith, including “Race, Politics and Censorship: D. W. Griffith’s The Birth of a Nation in France, 1916−1923” (Cinema Journal, 2010). In 2015, he was the curator for the British Film Institute’s D. W. Griffith season. He has published 2 other books – Gilda (Palgrave/BFI, 2010) and American History through Hollywood Film (2013) – and edited a further 12 Paul McEwan is Professor of Media and Communication and Film Studies at Muhlenberg College, USA. He is the author of The Birth of a Nation (Palgrave/BFI, 2015), Cinema’s Original Sin: D. W. Griffith, American Racism, and the Rise of Film Culture (2022) and several articles and chapters on D. W. Griffith, including “The Legacy of Intolerance” in A Companion to D. W. Griffith (2018). He is also the author of Bruce McDonald’s Hard Core Logo (2011) and other essays on Canadian cinema.
650 0|aMotion pictures|xHistory.
650 0|aAfrican Americans.
650 0|aCulture.
650 0|aMotion pictures, American.
650 14|aFilm and TV History.
650 24|aAfrican American Culture.
650 24|aAmerican Film and TV.
700 1 |aStokes, Melvyn.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aMcEwan, Paul.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031047367
776 08|iPrinted edition:|z9783031047381
776 08|iPrinted edition:|z9783031047398
856 40|uhttps://doi.org/10.1007/978-3-031-04737-4
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
Materyaller
Depodan talep edilen materyal sadece kütüphane içerisinde kullanılmaktadır.
Materyal dışarıya ödünç verilmemektedir.
Materyal dışarıya ödünç verilmemektedir.
