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020 |a9783031256394|9978-3-031-25639-4
024 7 |a10.1007/978-3-031-25639-4|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN695-779
072 7|aDSBH|2bicssc
072 7|aLIT024000|2bisacsh
072 7|aDSBH|2thema
082 04|a809.05|223
090 |aEK/2076
100 1 |aSheu, Chingshun J.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aHyperobject Reading, Scale Variance, and American Fiction in the Anthropocene|h[electronic resource] /|cby Chingshun J. Sheu.
250 |a1st ed. 2023.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2023.
300 |aXIII, 180 p. 5 illus.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aChapter 1. Introduction: Hyperobject Reading -- Chapter 2. A Dialectical Nexus of Objects: Disability as Hyperobject in Joshua Ferris’s The Unnamed -- Chapter 3. Living in an Object-Oriented Universe: The Digital as Hyperobject in Tao Lin’s Taipei -- Chapter 4. Fighting One Hyperobject with Another: Narrative as Hyperobject in Ben Lerner’s 10:04 -- Chapter 5. Conclusion: Anthropocene Lessons from a Distant Fictional Hyperobject .
520 |aThis book proposes a model of reading called hyperobject reading that bridges the Anthropocene scale variance between humans and humanity by focusing on the large-scale problems and phenomena themselves. Hyperobject reading draws on narratology and reader-response theory, as well as newer developments such as the postcritical turn and object-oriented ontology. The theoretical introduction sets out the building blocks of hyperobject reading. Chapter 2 intervenes in critical disability studies and debates about the ecosomatic paradigm; Chapter 3 intervenes in debates about technological evolution, analogue vs. digital subjectivity, and affect theory; and Chapter 4 intervenes in debates about autofiction, contemporary metafiction, and the position and role of the narrator in first-person narratives where the narrator and protagonist can be distinguished. The analytical conclusion sketches the conceptual anatomy of the hyperobject and three possible responses. No part of the Earth today is free from human influence, but literary success suggests effective real-world strategies. Chingshun J. Sheu is Assistant Professor of Applied English at Ming Chuan University. His research focuses on contemporary American fiction, literary theory, narratology, and Alain Badiou. Having published essays on William Gaddis, Orson Scott Card, and Taiwanese author Chang Hsiu-ya, he is also the premier English-language film critic in Taiwan.
650 0|aLiterature, Modern|x20th century.
650 0|aLiterature, Modern|x21st century.
650 0|aAmerica|xLiteratures.
650 0|aNarration (Rhetoric).
650 0|aEcocriticism.
650 14|aContemporary Literature.
650 24|aNorth American Literature.
650 24|aNarratology.
650 24|aEcocriticism.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031256387
776 08|iPrinted edition:|z9783031256400
776 08|iPrinted edition:|z9783031256417
856 40|uhttps://doi.org/10.1007/978-3-031-25639-4
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)