Conjugal Relationships in Chinese Culture [electronic resource] : Sino-Western Discourses and Aesthetics on Marriage / edited by Chi Sum Garfield Lau, Kelly Kar Yue Chan.
Conjugal Relationships in Chinese Culture
EK/2115
Erişim Adresi
ISBN
9789811998416
Yer Numarası
EK/2115
Basım Bildirimi
1st ed. 2023.
Yayın Bilgisi
Singapore : Springer Nature Singapore : Imprint: Springer, 2023.
Fiziksel Niteleme
XVIII, 179 p. 17 illus., 1 illus. in color. online resource.
Dizi
Chinese Culture, Globality, Connectivity and Modernity, 2662-9763 ; 7
İçindekiler Notu
Part I: Revolutionary Alternatives of Conjugal Relationships in Chinese Culture -- Chapter 1: Divorce and Remarriage as Revealed in Cantonese Opera: The Phoenix Hairpin and The Return of Lady Wenji -- Chapter 2: A Preliminary Note on the Ancient Sages’ “Unmarried” Mothers and the Acceleration of Virtuous Power -- Chapter 3: Creating Romance or Divorce: Marriage Reform in Early 20th Century Chinese Print Media -- Chapter 4: ‘Free Love’ and ‘Free Marriage’: An American Female Missionary’s Prescription and Chinese Writers’ Imagination in the Late 1920s -- Chapter 5: Marriage in Migration and Homecoming: Joseph Conrad’s “Amy Foster” and Ha Jin’s “The Woman from New York” -- Part II: Reassessment of Contemporary Nuptial Discourse in Various Forms -- Chapter 6: Linguacultural Representation of the Cultural Self and Other in Chinese Women’s Discourse on Transnational Remarriage -- Chapter 7: A Visual Interpretation of Eastern and Western Relationships on Wedding Invitation Cards -- Chapter 8: Norwegian Fortune-Teller Henning Hai Lee Yang’s I Ching: Emphasis on Marriage during the Surge in Norwegian Divorces and Cohabitation -- Chapter 9: Happily Ever After? Rethinking Marriage in Contemporary Hong Kong.
Özet, vb.
This book reviews the presentation of conjugal relationships in Chinese culture and their perception in the West. It explores the ways in which the act of marriage is represented/misrepresented in different literary genres, as well as in cultural adaptations. It looks at the gendered characteristics at play that affect conjugal relationships in Chinese societal practices more widely. It also distinguishes between the essential features that give rise to nuptial arrangements from the Chinese perspective, looking at what in which Sino and/or Western mentalities differ in terms of notions of autonomy in marriage. It excavates the extent to which marriage is constituted in forms of transaction between female and male bodies and asks under what circumstances wedding ceremonies constitute archetypal or counter-archetypal notions in pre-modern and modern society. Authors cover a range of fascinating cultural topics, such as posthumous marriage (necrogamy) as an ancient and popular folk culture from the perspective of Confucian ideology, as well as looking at marriage from ancient to present times, duty and rights in conjugal relations, inter-racial and inter-cultural marriage, widowhood in Confucian ideology, issues of legitimacy in marriage and concubinage, the taboos surrounding divorce and re-marriage, and conjugal violence. The book serves to revisit the cultural connections between marriage and various art forms, including literature, film, theatre, and other adaptations. It is a rich intellectual resource for scholars and students researching the historical roots, cultural interpretations, and evolving aspects of marriage as shown in literature, art, and culture.
Konu
Ethnology __ Asia.
Culture.
Oriental literature.
Philosophy, Chinese.
Motion pictures.
Translating and interpreting.
Performing arts.
Theater.
Asian Culture.
Asian Literature.
Chinese Philosophy.
Film Studies.
Language Translation.
Theatre and Performance Arts.
Culture.
Oriental literature.
Philosophy, Chinese.
Motion pictures.
Translating and interpreting.
Performing arts.
Theater.
Asian Culture.
Asian Literature.
Chinese Philosophy.
Film Studies.
Language Translation.
Theatre and Performance Arts.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
LEADER 05323nam a22006375i 4500
001 734557
003 TR_AnAIT
005 20250905031457
007 cr nn 008mamaa
008 230416s2023 si | s |||| 0|eng d
020 |a9789811998416|9978-981-19-9841-6
024 7 |a10.1007/978-981-19-9841-6|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aGN625-635
072 7|aJFC|2bicssc
072 7|a1F|2bicssc
072 7|aSOC008020|2bisacsh
072 7|aJBCC|x1F|2thema
082 04|a306.095|223
090 |aEK/2115
245 10|aConjugal Relationships in Chinese Culture|h[electronic resource] :|bSino-Western Discourses and Aesthetics on Marriage /|cedited by Chi Sum Garfield Lau, Kelly Kar Yue Chan.
250 |a1st ed. 2023.
264 1|aSingapore :|bSpringer Nature Singapore :|bImprint: Springer,|c2023.
300 |aXVIII, 179 p. 17 illus., 1 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aChinese Culture, Globality, Connectivity and Modernity,|x2662-9763 ;|v7
505 0 |aPart I: Revolutionary Alternatives of Conjugal Relationships in Chinese Culture -- Chapter 1: Divorce and Remarriage as Revealed in Cantonese Opera: The Phoenix Hairpin and The Return of Lady Wenji -- Chapter 2: A Preliminary Note on the Ancient Sages’ “Unmarried” Mothers and the Acceleration of Virtuous Power -- Chapter 3: Creating Romance or Divorce: Marriage Reform in Early 20th Century Chinese Print Media -- Chapter 4: ‘Free Love’ and ‘Free Marriage’: An American Female Missionary’s Prescription and Chinese Writers’ Imagination in the Late 1920s -- Chapter 5: Marriage in Migration and Homecoming: Joseph Conrad’s “Amy Foster” and Ha Jin’s “The Woman from New York” -- Part II: Reassessment of Contemporary Nuptial Discourse in Various Forms -- Chapter 6: Linguacultural Representation of the Cultural Self and Other in Chinese Women’s Discourse on Transnational Remarriage -- Chapter 7: A Visual Interpretation of Eastern and Western Relationships on Wedding Invitation Cards -- Chapter 8: Norwegian Fortune-Teller Henning Hai Lee Yang’s I Ching: Emphasis on Marriage during the Surge in Norwegian Divorces and Cohabitation -- Chapter 9: Happily Ever After? Rethinking Marriage in Contemporary Hong Kong.
520 |aThis book reviews the presentation of conjugal relationships in Chinese culture and their perception in the West. It explores the ways in which the act of marriage is represented/misrepresented in different literary genres, as well as in cultural adaptations. It looks at the gendered characteristics at play that affect conjugal relationships in Chinese societal practices more widely. It also distinguishes between the essential features that give rise to nuptial arrangements from the Chinese perspective, looking at what in which Sino and/or Western mentalities differ in terms of notions of autonomy in marriage. It excavates the extent to which marriage is constituted in forms of transaction between female and male bodies and asks under what circumstances wedding ceremonies constitute archetypal or counter-archetypal notions in pre-modern and modern society. Authors cover a range of fascinating cultural topics, such as posthumous marriage (necrogamy) as an ancient and popular folk culture from the perspective of Confucian ideology, as well as looking at marriage from ancient to present times, duty and rights in conjugal relations, inter-racial and inter-cultural marriage, widowhood in Confucian ideology, issues of legitimacy in marriage and concubinage, the taboos surrounding divorce and re-marriage, and conjugal violence. The book serves to revisit the cultural connections between marriage and various art forms, including literature, film, theatre, and other adaptations. It is a rich intellectual resource for scholars and students researching the historical roots, cultural interpretations, and evolving aspects of marriage as shown in literature, art, and culture.
650 0|aEthnology|xAsia.
650 0|aCulture.
650 0|aOriental literature.
650 0|aPhilosophy, Chinese.
650 0|aMotion pictures.
650 0|aTranslating and interpreting.
650 0|aPerforming arts.
650 0|aTheater.
650 14|aAsian Culture.
650 24|aAsian Literature.
650 24|aChinese Philosophy.
650 24|aFilm Studies.
650 24|aLanguage Translation.
650 24|aTheatre and Performance Arts.
700 1 |aLau, Chi Sum Garfield.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aChan, Kelly Kar Yue.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9789811998409
776 08|iPrinted edition:|z9789811998423
776 08|iPrinted edition:|z9789811998430
830 0|aChinese Culture, Globality, Connectivity and Modernity,|x2662-9763 ;|v7
856 40|uhttps://doi.org/10.1007/978-981-19-9841-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 734557
003 TR_AnAIT
005 20250905031457
007 cr nn 008mamaa
008 230416s2023 si | s |||| 0|eng d
020 |a9789811998416|9978-981-19-9841-6
024 7 |a10.1007/978-981-19-9841-6|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aGN625-635
072 7|aJFC|2bicssc
072 7|a1F|2bicssc
072 7|aSOC008020|2bisacsh
072 7|aJBCC|x1F|2thema
082 04|a306.095|223
090 |aEK/2115
245 10|aConjugal Relationships in Chinese Culture|h[electronic resource] :|bSino-Western Discourses and Aesthetics on Marriage /|cedited by Chi Sum Garfield Lau, Kelly Kar Yue Chan.
250 |a1st ed. 2023.
264 1|aSingapore :|bSpringer Nature Singapore :|bImprint: Springer,|c2023.
300 |aXVIII, 179 p. 17 illus., 1 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aChinese Culture, Globality, Connectivity and Modernity,|x2662-9763 ;|v7
505 0 |aPart I: Revolutionary Alternatives of Conjugal Relationships in Chinese Culture -- Chapter 1: Divorce and Remarriage as Revealed in Cantonese Opera: The Phoenix Hairpin and The Return of Lady Wenji -- Chapter 2: A Preliminary Note on the Ancient Sages’ “Unmarried” Mothers and the Acceleration of Virtuous Power -- Chapter 3: Creating Romance or Divorce: Marriage Reform in Early 20th Century Chinese Print Media -- Chapter 4: ‘Free Love’ and ‘Free Marriage’: An American Female Missionary’s Prescription and Chinese Writers’ Imagination in the Late 1920s -- Chapter 5: Marriage in Migration and Homecoming: Joseph Conrad’s “Amy Foster” and Ha Jin’s “The Woman from New York” -- Part II: Reassessment of Contemporary Nuptial Discourse in Various Forms -- Chapter 6: Linguacultural Representation of the Cultural Self and Other in Chinese Women’s Discourse on Transnational Remarriage -- Chapter 7: A Visual Interpretation of Eastern and Western Relationships on Wedding Invitation Cards -- Chapter 8: Norwegian Fortune-Teller Henning Hai Lee Yang’s I Ching: Emphasis on Marriage during the Surge in Norwegian Divorces and Cohabitation -- Chapter 9: Happily Ever After? Rethinking Marriage in Contemporary Hong Kong.
520 |aThis book reviews the presentation of conjugal relationships in Chinese culture and their perception in the West. It explores the ways in which the act of marriage is represented/misrepresented in different literary genres, as well as in cultural adaptations. It looks at the gendered characteristics at play that affect conjugal relationships in Chinese societal practices more widely. It also distinguishes between the essential features that give rise to nuptial arrangements from the Chinese perspective, looking at what in which Sino and/or Western mentalities differ in terms of notions of autonomy in marriage. It excavates the extent to which marriage is constituted in forms of transaction between female and male bodies and asks under what circumstances wedding ceremonies constitute archetypal or counter-archetypal notions in pre-modern and modern society. Authors cover a range of fascinating cultural topics, such as posthumous marriage (necrogamy) as an ancient and popular folk culture from the perspective of Confucian ideology, as well as looking at marriage from ancient to present times, duty and rights in conjugal relations, inter-racial and inter-cultural marriage, widowhood in Confucian ideology, issues of legitimacy in marriage and concubinage, the taboos surrounding divorce and re-marriage, and conjugal violence. The book serves to revisit the cultural connections between marriage and various art forms, including literature, film, theatre, and other adaptations. It is a rich intellectual resource for scholars and students researching the historical roots, cultural interpretations, and evolving aspects of marriage as shown in literature, art, and culture.
650 0|aEthnology|xAsia.
650 0|aCulture.
650 0|aOriental literature.
650 0|aPhilosophy, Chinese.
650 0|aMotion pictures.
650 0|aTranslating and interpreting.
650 0|aPerforming arts.
650 0|aTheater.
650 14|aAsian Culture.
650 24|aAsian Literature.
650 24|aChinese Philosophy.
650 24|aFilm Studies.
650 24|aLanguage Translation.
650 24|aTheatre and Performance Arts.
700 1 |aLau, Chi Sum Garfield.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aChan, Kelly Kar Yue.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9789811998409
776 08|iPrinted edition:|z9789811998423
776 08|iPrinted edition:|z9789811998430
830 0|aChinese Culture, Globality, Connectivity and Modernity,|x2662-9763 ;|v7
856 40|uhttps://doi.org/10.1007/978-981-19-9841-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
Materyaller
Depodan talep edilen materyal sadece kütüphane içerisinde kullanılmaktadır.
Materyal dışarıya ödünç verilmemektedir.
Materyal dışarıya ödünç verilmemektedir.
