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020 |a9781137402042|9978-1-137-40204-2
024 7 |a10.1057/978-1-137-40204-2|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aHM623
072 7|aJFC|2bicssc
072 7|aSOC000000|2bisacsh
072 7|aJBCC|2thema
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100 1 |aBennett, Andy.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aPopular Music Scenes and Cultural Memory|h[electronic resource] /|cby Andy Bennett, Ian Rogers.
250 |a1st ed. 2016.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2016.
300 |aX, 206 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPop Music, Culture and Identity,|x2634-6621
505 0 |aIntroduction: Scenes and memory -- Part I: Concepts -- 1.Scene ‘theory’: History, usage and influence -- 2.Music, memory, space and place -- Part II: Case studies -- 3.The origins of taste and precursors of scenes -- 4.Scenes, memory and the spaces of music consumption -- 5.Spaces of local music production -- 6.Virtuality: Images and the local archive -- 7.The distance from an unknown centre: The discourses of periphery and edge in music scenes .
520 |aThis volume explores the ways in which music scenes are not merely physical spaces for the practice of collective musical life but are also inscribed with and enacted through the articulation of cultural memory and emotional geography. The book draws on empirical data collected in cites throughout Australia. In terms of understanding the relationship between music scenes and participants, much of the existing popular music literature tends to avoid one key aspect of scene: its predominant past-tense and memory-based nature. Nascent music scenes may be emergent and on-going but their articulation in the present is often based on past events, ideas and histories. There is a noticeable gap between the literature concerning popular music ethnography and the growing body of work on cultural memory and emotional geography. This book is a study of the conceptual formation and use of music scenes by participants. It is also an investigation of the structures underpinning music scenes more generally. .
650 0|aCulture|xStudy and teaching.
650 0|aMusic.
650 0|aCollective memory.
650 0|aEmotions.
650 14|aCultural Theory.
650 24|aMusic.
650 24|aMemory Studies.
650 24|aEmotion.
700 1 |aRogers, Ian.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137402035
776 08|iPrinted edition:|z9781349680276
776 08|iPrinted edition:|z9781349680283
830 0|aPop Music, Culture and Identity,|x2634-6621
856 40|uhttps://doi.org/10.1057/978-1-137-40204-2
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)