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008 160923s2016 xxk| s |||| 0|eng d
020 |a9781137425737|9978-1-137-42573-7
024 7 |a10.1057/978-1-137-42573-7|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN695-779
072 7|aDSBH|2bicssc
072 7|aLIT024000|2bisacsh
072 7|aDSBH|2thema
082 04|a809.05|223
090 |aEK/2198
245 10|aGlobalization and the State in Contemporary Crime Fiction|h[electronic resource] :|bA World of Crime /|cedited by Andrew Pepper, David Schmid.
250 |a1st ed. 2016.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2016.
300 |aIX, 247 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aCrime Files,|x2947-8359
505 0 |aIntroduction; Andrew Pepper and David Schmid -- Chapter 1. The Bad and the Evil; David Schmid -- Chapter 2. Work and Death in the Global City; Christopher Breu -- Chapter 3. ‘Local Hells’ and State Crimes; Katy Shaw -- Chapter 4. The State We’re In; Véronique Desnain -- Chapter 5. The Scene of the Crime is the Crime; Casey Shoop -- Chapter 6. True-Crime, Crime Fiction, and Journalism in Mexico; Persephone Braham -- Chaopter 7. The Novel of Violence in Latin American Literature; José-Vicente Tavares-dos-Santos, Enio Passiani, and Julio Souto Salom -- Chapter 8. Scandinavian Crime Fiction and the Facts; Andrew Nestingen -- Chapter 9. John le Carré and The New Novel of Global (In)security; Andrew Pepper -- Chapter 10. Geopolitical Reality;Paul Cobley -- Chapter 11. US Narratives of Nuclear Terrorism; David Seed. .
520 |aWhy has crime fiction become a global genre? How do writers use crime fiction to reflect upon the changing nature of crime and policing in our contemporary world? This book argues that the globalization of crime fiction should not be celebrated uncritically. Instead, it looks at the new forms and techniques writers are using to examine the crimes and policing practices that define a rapidly changing world. In doing so, this collection of essays examines how the relationship between global crime, capitalism, and policing produces new configurations of violence in crime fiction – and asks whether the genre can find ways of analyzing and even opposing such violence as part of its necessarily limited search for justice both within and beyond the state. .
650 0|aLiterature, Modern|x20th century.
650 0|aLiterature, Modern|x21st century.
650 0|aComparative literature.
650 0|aTransnational crime.
650 14|aContemporary Literature.
650 24|aComparative Literature.
650 24|aTransnational Crime.
700 1 |aPepper, Andrew.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aSchmid, David.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137425720
776 08|iPrinted edition:|z9781349682140
776 08|iPrinted edition:|z9781349682133
830 0|aCrime Files,|x2947-8359
856 40|uhttps://doi.org/10.1057/978-1-137-42573-7
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)