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008 160126s2016 xxu| s |||| 0|eng d
020 |a9781137532756|9978-1-137-53275-6
024 7 |a10.1057/9781137532756|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1993.5
072 7|aAPFA|2bicssc
072 7|aPER004030|2bisacsh
072 7|aATFA|2thema
082 04|a791.409|223
090 |aEK/2230
100 1 |aJackson, Kimberly.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aGender and the Nuclear Family in Twenty-First-Century Horror|h[electronic resource] /|cby Kimberly Jackson.
250 |a1st ed. 2016.
264 1|aNew York :|bPalgrave Macmillan US :|bImprint: Palgrave Macmillan,|c2016.
300 |aIX, 218 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
520 |aGender and the Nuclear Family in Twenty-First-Century Horror is the first book-length project to focus specifically on the ways that patriarchal decline and post-feminist ideology are portrayed in popular American horror films of the twenty-first century. Through analyses of such films as Orphan, Insidious, and Carrie, Kimberly Jackson reveals how the destruction of male figures and depictions of female monstrosity in twenty-first-century horror cinema suggest that contemporary American culture finds itself at a cultural standstill between a post-patriarchal society and post-feminist ideology.
650 0|aMotion pictures|xHistory.
650 0|aFilm genres.
650 0|aCommunication.
650 0|aSociology.
650 0|aSocial groups.
650 14|aFilm and TV History.
650 24|aGenre Studies.
650 24|aMedia and Communication.
650 24|aSociology of Family, Youth and Aging.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137536778
776 08|iPrinted edition:|z9781349561544
776 08|iPrinted edition:|z9781349561551
856 40|uhttps://doi.org/10.1057/9781137532756
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
