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020 |a9783031351068|9978-3-031-35106-8
024 7 |a10.1007/978-3-031-35106-8|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aHE1-9900
050 4|aP87-96
072 7|aKNT|2bicssc
072 7|aBUS070060|2bisacsh
072 7|aKNT|2thema
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090 |aEK/2305
100 1 |aRushton, Michael.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 14|aThe Moral Foundations of Public Funding for the Arts|h[electronic resource] /|cby Michael Rushton.
250 |a1st ed. 2023.
264 1|aCham :|bSpringer International Publishing :|bImprint: Palgrave Macmillan,|c2023.
300 |aXIII, 185 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aNew Directions in Cultural Policy Research,|x2730-9258
505 0 |a1 Introduction -- 2 The Economic Method -- 3 Liberalism, Neutrality, and the Arts -- 4 Egalitarianism and Public Funding for the Arts -- 5 Communitarianism -- 6 Conservatism -- 7 Multiculturalism -- 8 Keynes’s Grandchildren.
520 |a"This book is an essential contribution to our field; it offers both a synthesis of the moral foundations of arts funding through different philosophical traditions, and an original outlook and interpretation of the subject matter." ─Jonathan Paquette, University of Ottawa, Ontario, Canada This book provides a detailed account, and critique, of diverse approaches to the arts funding question, with a focus on the arm’s length arts councils that are the norm in the Anglo-American world. It builds on economic methods, the liberal-egalitarian framework of John Rawls, the communitarian opposition to the liberal framework, the capabilities approach to equality, and the cultural conservatism of Roger Scruton and others. In each case, the book considers the very practical aspect of public funding of the arts, namely, what are the implications for what ought to receive priority, and what parts of the cultural world are best left to their own, private sector, devices. It is nota work of “arts advocacy”. Rather, the book challenges assumptions, and sparks critical debate in the field. Michael Rushton teaches in the Arts Administration program in the O’Neill School of Public and Environmental Affairs at Indiana University, and is Co-Director of its Center for Cultural Affairs. He is the author of Strategic Pricing for the Arts (2014) and the editor of Creative Communities: Art Works in Economic Development (2013), and has published articles on all aspects of cultural affairs, including copyright, freedom of expression, public funding of the arts, the role of nonprofit organizations, tax policy and the arts, authors’ legal rights, and the arts and local economic development, spanning a career in this subject area of twenty-five years.
650 0|aCommunication and traffic.
650 0|aCultural policy.
650 0|aMass media|xPolitical aspects.
650 0|aPolitical ethics.
650 14|aMedia Industries.
650 24|aCultural Policy and Politics.
650 24|aMedia Policy and Politics.
650 24|aPolitical Ethics.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031351051
776 08|iPrinted edition:|z9783031351075
776 08|iPrinted edition:|z9783031351082
830 0|aNew Directions in Cultural Policy Research,|x2730-9258
856 40|uhttps://doi.org/10.1007/978-3-031-35106-8
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)