Bernard Shaw [electronic resource] : Reimagining Women and Ireland, 1892–1914 / by Audrey McNamara.
McNamara, Audrey.
Bernard Shaw
EK/2371
Erişim Adresi
ISBN
9783031325892
Yer Numarası
EK/2371
Yazar
Basım Bildirimi
1st ed. 2023.
Yayın Bilgisi
Cham : Springer Nature Switzerland : Imprint: Palgrave Macmillan, 2023.
Fiziksel Niteleme
XV, 168 p. online resource.
Dizi
Bernard Shaw and His Contemporaries, 2634-582X
İçindekiler Notu
1. Introduction: Women, Nation, Enablement, and the Irish Question -- 2. The Opposing Strata of Feminism: Widowers’ Houses and Mrs Warren’s Profession -- 3. The Marriage of Change: Candida & Getting Married -- 4. John Bull, Nora Reilly and the Garden City: A Match Made in Heaven -- 5. The Wild West Meets the West End.
Özet, vb.
“This study advances an ambitious and timely thesis: namely, that Shaw’s representation of and advocacy for women’s rights (and importantly marriage rights) parallels and informs his views of the coterminous Irish nationalist project. Audrey McNamara wisely focuses her attention on plays written between 1892 and 1914, a crucial period for both movements. This interpretive goal and the structure of the argument that supports it allow McNamara to produce very fine readings of several of Shaw’s most important plays and one or two that have not received the critical attention they deserve.” — Stephen Watt, Provost Professor of English, Indiana University, USA “This timely and ground-breaking study is centrally concerned with two topics that have attracted increased interest within Shaw Studies over the past decade: Shaw’s views on marriage and his relationship to Ireland. McNamara makes insightful and original points about both of these concerns, and – even better still – she shows the relationship between them, thereby demonstrating how Shaw’s early preoccupation with marriage and the marriage question became the tool with which he interrogated the Irish question.” — David Clare, Lecturer in Drama and Theatre Studies, Mary Immaculate College, University of Limerick, Ireland Shaw emerged as a playwright in the politically charged environment of 1892, for both female suffrage and Irish independence. His plays quickly advocated for societal changes with regard to women’s roles, while expanding this advocacy into considerations of Ireland. Shaw’s engagement with marriage and union as a personal contract with nationhood have never before been considered as a methodology with which to view his work. This book demonstrates that Shaw was deeply engaged with and committed to the Irish question and to social and gender issues. Audrey McNamara lectures at University College Dublin, and is an adjunct lecturer at Trinity College Dublin, Ireland. She was guest co-editor for Shaw 36.1: Shaw and Money (2016) and co-editor for Shaw and the Making of Modern Ireland (2020).
Konu
Theater __ History.
Great Britain __ History.
Playwriting.
Dramatists.
Social history.
Theatre History.
History of Britain and Ireland.
Playwrights and Playwriting.
Social History.
Great Britain __ History.
Playwriting.
Dramatists.
Social history.
Theatre History.
History of Britain and Ireland.
Playwrights and Playwriting.
Social History.
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
LEADER 04442nam a22005775i 4500
001 734813
003 TR_AnAIT
005 20250905031117
007 cr nn 008mamaa
008 230719s2023 sz | s |||| 0|eng d
020 |a9783031325892|9978-3-031-32589-2
024 7 |a10.1007/978-3-031-32589-2|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN2100-2193
072 7|aAN|2bicssc
072 7|aHBT|2bicssc
072 7|aPER011020|2bisacsh
072 7|aATD|2thema
072 7|aATY|2thema
082 04|a792.09|223
090 |aEK/2371
100 1 |aMcNamara, Audrey.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aBernard Shaw|h[electronic resource] :|bReimagining Women and Ireland, 1892–1914 /|cby Audrey McNamara.
250 |a1st ed. 2023.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2023.
300 |aXV, 168 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aBernard Shaw and His Contemporaries,|x2634-582X
505 0 |a1. Introduction: Women, Nation, Enablement, and the Irish Question -- 2. The Opposing Strata of Feminism: Widowers’ Houses and Mrs Warren’s Profession -- 3. The Marriage of Change: Candida & Getting Married -- 4. John Bull, Nora Reilly and the Garden City: A Match Made in Heaven -- 5. The Wild West Meets the West End.
520 |a“This study advances an ambitious and timely thesis: namely, that Shaw’s representation of and advocacy for women’s rights (and importantly marriage rights) parallels and informs his views of the coterminous Irish nationalist project. Audrey McNamara wisely focuses her attention on plays written between 1892 and 1914, a crucial period for both movements. This interpretive goal and the structure of the argument that supports it allow McNamara to produce very fine readings of several of Shaw’s most important plays and one or two that have not received the critical attention they deserve.” — Stephen Watt, Provost Professor of English, Indiana University, USA “This timely and ground-breaking study is centrally concerned with two topics that have attracted increased interest within Shaw Studies over the past decade: Shaw’s views on marriage and his relationship to Ireland. McNamara makes insightful and original points about both of these concerns, and – even better still – she shows the relationship between them, thereby demonstrating how Shaw’s early preoccupation with marriage and the marriage question became the tool with which he interrogated the Irish question.” — David Clare, Lecturer in Drama and Theatre Studies, Mary Immaculate College, University of Limerick, Ireland Shaw emerged as a playwright in the politically charged environment of 1892, for both female suffrage and Irish independence. His plays quickly advocated for societal changes with regard to women’s roles, while expanding this advocacy into considerations of Ireland. Shaw’s engagement with marriage and union as a personal contract with nationhood have never before been considered as a methodology with which to view his work. This book demonstrates that Shaw was deeply engaged with and committed to the Irish question and to social and gender issues. Audrey McNamara lectures at University College Dublin, and is an adjunct lecturer at Trinity College Dublin, Ireland. She was guest co-editor for Shaw 36.1: Shaw and Money (2016) and co-editor for Shaw and the Making of Modern Ireland (2020).
650 0|aTheater|xHistory.
650 0|aGreat Britain|xHistory.
650 0|aPlaywriting.
650 0|aDramatists.
650 0|aSocial history.
650 14|aTheatre History.
650 24|aHistory of Britain and Ireland.
650 24|aPlaywrights and Playwriting.
650 24|aSocial History.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031325885
776 08|iPrinted edition:|z9783031325908
776 08|iPrinted edition:|z9783031325915
830 0|aBernard Shaw and His Contemporaries,|x2634-582X
856 40|uhttps://doi.org/10.1007/978-3-031-32589-2
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 734813
003 TR_AnAIT
005 20250905031117
007 cr nn 008mamaa
008 230719s2023 sz | s |||| 0|eng d
020 |a9783031325892|9978-3-031-32589-2
024 7 |a10.1007/978-3-031-32589-2|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN2100-2193
072 7|aAN|2bicssc
072 7|aHBT|2bicssc
072 7|aPER011020|2bisacsh
072 7|aATD|2thema
072 7|aATY|2thema
082 04|a792.09|223
090 |aEK/2371
100 1 |aMcNamara, Audrey.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 10|aBernard Shaw|h[electronic resource] :|bReimagining Women and Ireland, 1892–1914 /|cby Audrey McNamara.
250 |a1st ed. 2023.
264 1|aCham :|bSpringer Nature Switzerland :|bImprint: Palgrave Macmillan,|c2023.
300 |aXV, 168 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aBernard Shaw and His Contemporaries,|x2634-582X
505 0 |a1. Introduction: Women, Nation, Enablement, and the Irish Question -- 2. The Opposing Strata of Feminism: Widowers’ Houses and Mrs Warren’s Profession -- 3. The Marriage of Change: Candida & Getting Married -- 4. John Bull, Nora Reilly and the Garden City: A Match Made in Heaven -- 5. The Wild West Meets the West End.
520 |a“This study advances an ambitious and timely thesis: namely, that Shaw’s representation of and advocacy for women’s rights (and importantly marriage rights) parallels and informs his views of the coterminous Irish nationalist project. Audrey McNamara wisely focuses her attention on plays written between 1892 and 1914, a crucial period for both movements. This interpretive goal and the structure of the argument that supports it allow McNamara to produce very fine readings of several of Shaw’s most important plays and one or two that have not received the critical attention they deserve.” — Stephen Watt, Provost Professor of English, Indiana University, USA “This timely and ground-breaking study is centrally concerned with two topics that have attracted increased interest within Shaw Studies over the past decade: Shaw’s views on marriage and his relationship to Ireland. McNamara makes insightful and original points about both of these concerns, and – even better still – she shows the relationship between them, thereby demonstrating how Shaw’s early preoccupation with marriage and the marriage question became the tool with which he interrogated the Irish question.” — David Clare, Lecturer in Drama and Theatre Studies, Mary Immaculate College, University of Limerick, Ireland Shaw emerged as a playwright in the politically charged environment of 1892, for both female suffrage and Irish independence. His plays quickly advocated for societal changes with regard to women’s roles, while expanding this advocacy into considerations of Ireland. Shaw’s engagement with marriage and union as a personal contract with nationhood have never before been considered as a methodology with which to view his work. This book demonstrates that Shaw was deeply engaged with and committed to the Irish question and to social and gender issues. Audrey McNamara lectures at University College Dublin, and is an adjunct lecturer at Trinity College Dublin, Ireland. She was guest co-editor for Shaw 36.1: Shaw and Money (2016) and co-editor for Shaw and the Making of Modern Ireland (2020).
650 0|aTheater|xHistory.
650 0|aGreat Britain|xHistory.
650 0|aPlaywriting.
650 0|aDramatists.
650 0|aSocial history.
650 14|aTheatre History.
650 24|aHistory of Britain and Ireland.
650 24|aPlaywrights and Playwriting.
650 24|aSocial History.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9783031325885
776 08|iPrinted edition:|z9783031325908
776 08|iPrinted edition:|z9783031325915
830 0|aBernard Shaw and His Contemporaries,|x2634-582X
856 40|uhttps://doi.org/10.1007/978-3-031-32589-2
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
Materyaller
Depodan talep edilen materyal sadece kütüphane içerisinde kullanılmaktadır.
Materyal dışarıya ödünç verilmemektedir.
Materyal dışarıya ödünç verilmemektedir.
