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020 |a9781137584496|9978-1-137-58449-6
024 7 |a10.1057/978-1-137-58449-6|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aHM623
072 7|aJFC|2bicssc
072 7|aSOC000000|2bisacsh
072 7|aJBCC|2thema
082 04|a306.01|223
090 |aEK/2501
100 1 |aBenjamin, Garfield.|eauthor.|4aut|4http://id.loc.gov/vocabulary/relators/aut
245 14|aThe Cyborg Subject|h[electronic resource] :|bReality, Consciousness, Parallax /|cby Garfield Benjamin.
250 |a1st ed. 2016.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2016.
300 |aXV, 232 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aIntroduction -- 1.The Cyborg Subject: An Introduction -- 2.The Open Subject: Media(Tion) Between Worlds -- 3.The Empty Subject: Void-In-Itself -- 4.The Absent Subject: Objet A-Vatar -- 5.The Undead Subject: Virtual Monsters -- 6.The Impossible Subject: Cyborg Future. .
520 |aThis book outlines a new conception of the cyborg in terms of consciousness as the parallax gap between physical and digital worlds. The contemporary subject constructs its own internal reality in the interplay of the Virtual and the Real. Reinterpreting the work of Slavoj Žižek and Gilles Deleuze in terms of the psychological and ontological construction of the digital, alongside the philosophy of quantum physics, this book offers a challenge to materialist perspectives in the fluid cyberspace that is ever permeating our lives. The inclusion of the subject in its own epistemological framework establishes a model for an engaged spectatorship of reality. Through the analysis of online media, digital art, avatars, computer games and science fiction, a new model of cyborg culture reveals the opportunities for critical and creative interventions in the contemporary subjective experience, promoting an awareness of the parallax position we all occupy between physical and digital worlds. Garfield Benjamin is a cultural theorist and digital artist working with issues of subjectivity and reality in the digital age. He completed his PhD in Digital Technology Theory and Practice at the University of Wolverhampton, UK. His internationally exhibited digital art practice includes computer-generated images, interactive games and augmented reality.
650 0|aCulture|xStudy and teaching.
650 0|aCommunication.
650 0|aArts.
650 0|aOntology.
650 0|aScience|xPhilosophy.
650 0|aArtificial intelligence.
650 14|aCultural Theory.
650 24|aMedia and Communication.
650 24|aArts.
650 24|aOntology.
650 24|aPhilosophy of Science.
650 24|aArtificial Intelligence.
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137584489
776 08|iPrinted edition:|z9781349844333
776 08|iPrinted edition:|z9781349844340
856 40|uhttps://doi.org/10.1057/978-1-137-58449-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)