Transmedia Crime Stories [electronic resource] : The Trial of Amanda Knox and Raffaele Sollecito in the Globalised Media Sphere / edited by Lieve Gies, Maria Bortoluzzi.
Transmedia Crime Stories
EK/2507
Erişim Adresi
ISBN
9781137590046
Yer Numarası
EK/2507
Basım Bildirimi
1st ed. 2016.
Yayın Bilgisi
London : Palgrave Macmillan UK : Imprint: Palgrave Macmillan, 2016.
Fiziksel Niteleme
XXVII, 236 p. 2 illus. in color. online resource.
Dizi
Palgrave Studies in Crime, Media and Culture, 2946-3920
İçindekiler Notu
Foreword.The tragicomedy of Perugia: Power and prejudice, visibility and invisibility in the making of a transnational, postmodern media story.Yvonne Jewkes -- Introduction: Transmedia crime stories.Lieve Gies and Maria Bortoluzzi -- Part I: The making of Amanda Knox -- 1.What’s in a name? The UK newspapers’ fabrication and commodification of Foxy Knoxy.Atalanta Goulandris and Eugene McLaughlin -- 2.Scarlet letters from Perugia: ‘Slut shaming’ and the media representations of Amanda Knox.Stevie Simkin -- 3.(A)moral representation: The hyper-sexual construction of Amanda Knox.Siobhan Holohan -- Part II: Alternative narratives in social media and beyond -- 4.SIAMO INNOCENTI: Twitter and the performative practices of the ‘real’ Amanda Knox.Katrina Clifford -- 5.(Co-)constructing community-identity: Pro-innocent voices in the Meredith Kercher murder case.Maria Bortoluzzi -- 6.From news to comment: Tracing text trajectories in news reporting about the Amanda Knox trial.Michael S.Boyd -- Part III: Other media injustices -- 7.Prosecution in action in the Italian criminal justice system: the Amanda Knox case.Riccardo Montana -- 8.Race, a floating signifier, or, Rudy Guede in the Italian press.Julia Heim -- 9.‘My name is Raffaele Sollecito and not Amanda Marie Knox’: Marginalisation and media justice.Lieve Gies .
Özet, vb.
This collection focuses on media representations of Amanda Knox and Raffaele Sollecito, defendants in the Meredith Kercher murder case. Adopting a multidisciplinary approach, encompassing criminology, socio-legal analysis, critical discourse studies, cultural studies and celebrity studies, the book analyses how this case was narrated in the media and why Knox emerged as the main protagonist. The case was one of the first transmedia crime stories, shaped and influenced by its circulation between a variety of media platforms. The chapters show how the new media landscape impacts on the way in which different stakeholders, from suspects and victims’ families to journalists and the general public, are engaging with criminal justice. While traditional news media played a significant role in the construction of innocence and guilt, social media offered users a worldwide forum to talk back in a way that both amplified and challenged the dominant media narrative biased in favour of a presumption of guilt. .
Konu
Communication.
Social media.
Human rights.
Transnational crime.
Corrections.
Punishment.
International criminal law.
Media and Communication.
Social Media.
Human Rights.
Transnational Crime.
Prison and Punishment.
International Criminal Law.
Social media.
Human rights.
Transnational crime.
Corrections.
Punishment.
International criminal law.
Media and Communication.
Social Media.
Human Rights.
Transnational Crime.
Prison and Punishment.
International Criminal Law.
Diğer Yazarlar
Kurum Adı
Eseri Alıntıla
Referansları kullanmadan önce gözden geçirmeniz ve varsa gerekli düzeltmeleri yapmanız önerilir.
Dijital Kaynak
MARC Görünümü
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245 10|aTransmedia Crime Stories|h[electronic resource] :|bThe Trial of Amanda Knox and Raffaele Sollecito in the Globalised Media Sphere /|cedited by Lieve Gies, Maria Bortoluzzi.
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264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2016.
300 |aXXVII, 236 p. 2 illus. in color.|bonline resource.
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338 |aonline resource|bcr|2rdacarrier
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490 1 |aPalgrave Studies in Crime, Media and Culture,|x2946-3920
505 0 |aForeword.The tragicomedy of Perugia: Power and prejudice, visibility and invisibility in the making of a transnational, postmodern media story.Yvonne Jewkes -- Introduction: Transmedia crime stories.Lieve Gies and Maria Bortoluzzi -- Part I: The making of Amanda Knox -- 1.What’s in a name? The UK newspapers’ fabrication and commodification of Foxy Knoxy.Atalanta Goulandris and Eugene McLaughlin -- 2.Scarlet letters from Perugia: ‘Slut shaming’ and the media representations of Amanda Knox.Stevie Simkin -- 3.(A)moral representation: The hyper-sexual construction of Amanda Knox.Siobhan Holohan -- Part II: Alternative narratives in social media and beyond -- 4.SIAMO INNOCENTI: Twitter and the performative practices of the ‘real’ Amanda Knox.Katrina Clifford -- 5.(Co-)constructing community-identity: Pro-innocent voices in the Meredith Kercher murder case.Maria Bortoluzzi -- 6.From news to comment: Tracing text trajectories in news reporting about the Amanda Knox trial.Michael S.Boyd -- Part III: Other media injustices -- 7.Prosecution in action in the Italian criminal justice system: the Amanda Knox case.Riccardo Montana -- 8.Race, a floating signifier, or, Rudy Guede in the Italian press.Julia Heim -- 9.‘My name is Raffaele Sollecito and not Amanda Marie Knox’: Marginalisation and media justice.Lieve Gies .
520 |aThis collection focuses on media representations of Amanda Knox and Raffaele Sollecito, defendants in the Meredith Kercher murder case. Adopting a multidisciplinary approach, encompassing criminology, socio-legal analysis, critical discourse studies, cultural studies and celebrity studies, the book analyses how this case was narrated in the media and why Knox emerged as the main protagonist. The case was one of the first transmedia crime stories, shaped and influenced by its circulation between a variety of media platforms. The chapters show how the new media landscape impacts on the way in which different stakeholders, from suspects and victims’ families to journalists and the general public, are engaging with criminal justice. While traditional news media played a significant role in the construction of innocence and guilt, social media offered users a worldwide forum to talk back in a way that both amplified and challenged the dominant media narrative biased in favour of a presumption of guilt. .
650 0|aCommunication.
650 0|aSocial media.
650 0|aHuman rights.
650 0|aTransnational crime.
650 0|aCorrections.
650 0|aPunishment.
650 0|aInternational criminal law.
650 14|aMedia and Communication.
650 24|aSocial Media.
650 24|aHuman Rights.
650 24|aTransnational Crime.
650 24|aPrison and Punishment.
650 24|aInternational Criminal Law.
700 1 |aGies, Lieve.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aBortoluzzi, Maria.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137590039
776 08|iPrinted edition:|z9781349997893
776 08|iPrinted edition:|z9781349954858
830 0|aPalgrave Studies in Crime, Media and Culture,|x2946-3920
856 40|uhttps://doi.org/10.1057/978-1-137-59004-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
001 734949
003 TR_AnAIT
005 20250905030919
007 cr nn 008mamaa
008 161205s2016 xxk| s |||| 0|eng d
020 |a9781137590046|9978-1-137-59004-6
024 7 |a10.1057/978-1-137-59004-6|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aP87-96
072 7|aJFD|2bicssc
072 7|aSOC052000|2bisacsh
072 7|aJBCT|2thema
082 04|a302.2|223
090 |aEK/2507
245 10|aTransmedia Crime Stories|h[electronic resource] :|bThe Trial of Amanda Knox and Raffaele Sollecito in the Globalised Media Sphere /|cedited by Lieve Gies, Maria Bortoluzzi.
250 |a1st ed. 2016.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2016.
300 |aXXVII, 236 p. 2 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in Crime, Media and Culture,|x2946-3920
505 0 |aForeword.The tragicomedy of Perugia: Power and prejudice, visibility and invisibility in the making of a transnational, postmodern media story.Yvonne Jewkes -- Introduction: Transmedia crime stories.Lieve Gies and Maria Bortoluzzi -- Part I: The making of Amanda Knox -- 1.What’s in a name? The UK newspapers’ fabrication and commodification of Foxy Knoxy.Atalanta Goulandris and Eugene McLaughlin -- 2.Scarlet letters from Perugia: ‘Slut shaming’ and the media representations of Amanda Knox.Stevie Simkin -- 3.(A)moral representation: The hyper-sexual construction of Amanda Knox.Siobhan Holohan -- Part II: Alternative narratives in social media and beyond -- 4.SIAMO INNOCENTI: Twitter and the performative practices of the ‘real’ Amanda Knox.Katrina Clifford -- 5.(Co-)constructing community-identity: Pro-innocent voices in the Meredith Kercher murder case.Maria Bortoluzzi -- 6.From news to comment: Tracing text trajectories in news reporting about the Amanda Knox trial.Michael S.Boyd -- Part III: Other media injustices -- 7.Prosecution in action in the Italian criminal justice system: the Amanda Knox case.Riccardo Montana -- 8.Race, a floating signifier, or, Rudy Guede in the Italian press.Julia Heim -- 9.‘My name is Raffaele Sollecito and not Amanda Marie Knox’: Marginalisation and media justice.Lieve Gies .
520 |aThis collection focuses on media representations of Amanda Knox and Raffaele Sollecito, defendants in the Meredith Kercher murder case. Adopting a multidisciplinary approach, encompassing criminology, socio-legal analysis, critical discourse studies, cultural studies and celebrity studies, the book analyses how this case was narrated in the media and why Knox emerged as the main protagonist. The case was one of the first transmedia crime stories, shaped and influenced by its circulation between a variety of media platforms. The chapters show how the new media landscape impacts on the way in which different stakeholders, from suspects and victims’ families to journalists and the general public, are engaging with criminal justice. While traditional news media played a significant role in the construction of innocence and guilt, social media offered users a worldwide forum to talk back in a way that both amplified and challenged the dominant media narrative biased in favour of a presumption of guilt. .
650 0|aCommunication.
650 0|aSocial media.
650 0|aHuman rights.
650 0|aTransnational crime.
650 0|aCorrections.
650 0|aPunishment.
650 0|aInternational criminal law.
650 14|aMedia and Communication.
650 24|aSocial Media.
650 24|aHuman Rights.
650 24|aTransnational Crime.
650 24|aPrison and Punishment.
650 24|aInternational Criminal Law.
700 1 |aGies, Lieve.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aBortoluzzi, Maria.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137590039
776 08|iPrinted edition:|z9781349997893
776 08|iPrinted edition:|z9781349954858
830 0|aPalgrave Studies in Crime, Media and Culture,|x2946-3920
856 40|uhttps://doi.org/10.1057/978-1-137-59004-6
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)
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