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020 |a9781137593290|9978-1-137-59329-0
024 7 |a10.1057/978-1-137-59329-0|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN45-57
072 7|aDSA|2bicssc
072 7|aLIT006000|2bisacsh
072 7|aDSA|2thema
082 04|a801|223
090 |aEK/2512
245 14|aThe Cognitive Humanities|h[electronic resource] :|bEmbodied Mind in Literature and Culture /|cedited by Peter Garratt.
250 |a1st ed. 2016.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2016.
300 |aXVII, 259 p. 4 illus. in color.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
505 0 |aChapter 1.The Cognitive Humanities; Peter Garratt -- Part I. Theorizing the Embodied Mind -- Chapter 2. Enactive Cognition and Fictional Worlds; Merja Polvinen -- Chapter 3. The Opacity of Fictional Minds; Marco Bernini -- Chapter 4. ‘Un-Walling’ the Wall; Barbara Dancygier -- Chapter 5. Textures of Thought; Teemu Paavolainen -- Part II. Reading Culture -- Chapter 6. Extending the Renaissance Mind; Miranda Anderson -- Chapter 7.‘Her Silence Flouts Me’; Laura Seymour -- Chapter 8. From World to Worldview; Michael Sinding -- Part III. Cognitive Futures -- Chapter 9. Bayesian Bodies; Karin Kukkonen -- Chapter 10. Emergences; Nigel McLoughlin -- Chapter 11. Autism in the Wild; Nicola Shaughnessy and Melissa Trimingham -- Chapter 12. Hardware, Software, Wetware; Matt Hayler -- Bibliography.
520 |aThis book identifies the ‘cognitive humanities’ with new approaches to literature and culture that engage with recent theories of the embodied mind in cognitive science. If cognition should be approached less as a matter of internal representation—a Cartesian inner theatre—than as a form of embodied action, how might cultural representation be rethought? What can literature and culture reveal or challenge about embodied minds? The essays in this book ask what new directions in the humanities open up when the thinking self is understood as a participant in contexts of action, even as extended beyond the skin. Building on cognitive literary studies, but engaging much more extensively with ‘4E’ cognitive science (embodied, embedded, enactive, extended) than previously, the book uses case studies from many different historical settings (such as early modern theatre and digital technologies) and in different media (narrative, art, performance) to explore the embodied mind through culture. .
650 0|aLiterature|xPhilosophy.
650 0|aCognitive psychology.
650 0|aComparative literature.
650 0|aDigital humanities.
650 14|aLiterary Theory.
650 24|aCognitive Psychology.
650 24|aComparative Literature.
650 24|aDigital Humanities.
700 1 |aGarratt, Peter.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137593283
776 08|iPrinted edition:|z9781349997619
776 08|iPrinted edition:|z9781349955190
856 40|uhttps://doi.org/10.1057/978-1-137-59329-0
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)