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020 |a9781137593382|9978-1-137-59338-2
024 7 |a10.1057/978-1-137-59338-2|2doi
049 |aTürk Dil Kurumu Kütüphanesi
050 4|aPN1995.9.A26
072 7|aAPF|2bicssc
072 7|aPER001000|2bisacsh
072 7|aATF|2thema
082 04|a791.43028|223
090 |aEK/2513
245 10|aTaboo Comedy|h[electronic resource] :|bTelevision and Controversial Humour /|cedited by Chiara Bucaria, Luca Barra.
250 |a1st ed. 2016.
264 1|aLondon :|bPalgrave Macmillan UK :|bImprint: Palgrave Macmillan,|c2016.
300 |aVI, 238 p.|bonline resource.
336 |atext|btxt|2rdacontent
337 |acomputer|bc|2rdamedia
338 |aonline resource|bcr|2rdacarrier
347 |atext file|bPDF|2rda
490 1 |aPalgrave Studies in Comedy,|x2731-4340
505 0 |a1.Taboo Comedy on Television: Issues and Themes. Chiara Bucaria and Luca Barra -- Part I.Controversial Humour in Comedy and Drama Series -- 2.The Rise and Fall of Taboo Comedy in the BBC. Christie Davies -- 3.The Last Laugh: Dark Comedy in U.S. Television. Kristen A. Murray -- 4.‘This Is Great, We’re Like Slave Buddies!’: Cross-Racial Appropriation in ‘Post-Racial’ TV Comedies. Carter Soles -- 5.Phrasing!: Archer, Taboo Humor and Psychocanalytic Media Theory. Matt Sienkiewicz -- 6.Taboo Humanity: Paradoxes of Humanizing Muslims in North-American Sitcoms. Kyle Conway -- Part II. Controversial Humour in Variety Shows, Commercials and Factual Programming -- 7.Dummies and Demographics: Islamophobia as Market Differentiation in Post-9/11 Television Comedy. Phil Scepanski -- 8.Excessive Stand-Up, the Culture Wars, and ’90s TV. Evan Elkins -- 9.Tosh.0, Convergence Comedy, and the ‘Post-PC’ TV Trickster. Ethan Thompson -- 10.Crudeand Taboo Humour in Television Advertising: An Analysis of Commercials for Consumer Goods. Elsa Simões Lucas Freitas -- 11.Filthy Viewing, Dirty Laughter. Delia Chiaro -- 12.A Special Freedom: Regulating Comedy Offence. Brett Mills .
520 |aThe essays in this collection explore taboo and controversial humour in traditional scripted (sitcoms and other comedy series, animated series) and non-scripted forms (stand-up comedy, factual and reality shows, and advertising) both on cable and network television. Whilst the focus is predominantly on the US and UK, the contributors also address more general and global issues and different contexts of reception, in an attempt to look at this kind of comedy from different perspectives. Over the last few decades, taboo comedy has become a staple of television programming, thus raising issues concerning its functions and appropriateness, and making it an extremely relevant subject for those interested in how both humour and television work. .
650 0|aMotion picture acting.
650 0|aFilm genres.
650 0|aCulture|xStudy and teaching.
650 0|aComedy.
650 14|aScreen Performance.
650 24|aGenre Studies.
650 24|aCultural Theory.
650 24|aCultural Studies.
650 24|aComedy Studies.
700 1 |aBucaria, Chiara.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
700 1 |aBarra, Luca.|eeditor.|4edt|4http://id.loc.gov/vocabulary/relators/edt
710 2 |aSpringerLink (Online service)
773 0 |tSpringer Nature eBook
776 08|iPrinted edition:|z9781137593375
776 08|iPrinted edition:|z9781349997596
776 08|iPrinted edition:|z9781349955220
830 0|aPalgrave Studies in Comedy,|x2731-4340
856 40|uhttps://doi.org/10.1057/978-1-137-59338-2
912 |aZDB-2-LCM
912 |aZDB-2-SXL
950 |aLiterature, Cultural and Media Studies (SpringerNature-41173)
950 |aLiterature, Cultural and Media Studies (R0) (SpringerNature-43723)