The Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters [electronic resource] / by Simone O’Malley-Sutton.

O’Malley-Sutton, Simone.
The Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters
EK/2678
Erişim Adresi
Link
ISBN
9789819952694
Yer Numarası
EK/2678
Yazar
O’Malley-Sutton, Simone.
Basım Bildirimi
1st ed. 2023.
Yayın Bilgisi
Singapore : Springer Nature Singapore : Imprint: Palgrave Macmillan, 2023.
Fiziksel Niteleme
XXXI, 425 p. 25 illus., 7 illus. in color. online resource.
Dizi
Asia-Pacific and Literature in English, 2524-7646
İçindekiler Notu
1. Introduction -- 2. Yeats and Lu Xun: Postcolonised Modernists? -- 3.How Lu Xun translated Yeats and the Irish Revival -- 4. Yeats’s Reception in China: How Chinese May Fourth Writers Translated Yeats and the Irish Revival -- 5. Tempests in Tenements and Teahouses: A Comparison of Irish Revivalist Seán O’Casey’s trilogy of plays with Lao She’s Teahouse -- 6. Spreading the News Lady Gregory’s Plays Made it all the Way to China! A Gendered Comparison of “Founding Mothers” Lady Gregory in Revivalist Ireland and Qiu Jin in China -- 7. How Was the New Woman Constructed in Revivalist Ireland and May Fourth China? A Comparison of Socialist and Feminist Writers Ding Ling and Eva Gore-Booth -- 8. Irish Revivalist J. M. Synge and Chinese May Fourth Playwright Cao Yu: ‘Boys’ Who ‘Play’ in the Postcolonised Wilderness? -- 9. Did Ye Ever Hear of the Christmas Rising by Liu Bannong? Receptions of the 1916 Irish Easter Rising in Republican era China -- 10. Conclusion.
Özet, vb.
This book examines how the early twentieth-century Irish Renaissance (Irish Literary Revival) inspired the Chinese Renaissance (the May Fourth generation) of writers to make agentic choices and translingual exchanges. It sheds a new light on “May Fourth” and on the Irish Renaissance by establishing that the Irish Literary Revival (1900-1922) provided an alternative decolonizing model of resistance for the Chinese Renaissance to that provided by the western imperial center. The book also argues that Chinese May Fourth intellectuals translated Irish Revivalist plays by W. B. Yeats, Lady Gregory, Seán O’Casey and Synge and that Chinese peasants performed these plays throughout China during the 1920s and 1930s as a form of anti-imperial resistance. Yet this literary exchange was not simply going one way, since Yeats, Lady Gregory, Synge and O’Casey were also influenced by Chinese developments in literature and politics. Therefore this was a reciprocal encounter based on the circulation ofAnti-colonial ideals and mutual transformation.
Konu
Comparative literature.
China __ History.
Literature.
Comparative Literature.
History of China.
Literature.
Kurum Adı
SpringerLink (Online service)
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